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In the late fifties, a strange patient was being treated in one of the Moscow hospitals. Doctors could not diagnose him in any way, and meanwhile he was getting worse and worse. But the unusual patient had no right to tell what happened to him. Mahmud Rafikov was not an employee of the special services or a classified scientist. He was a cinematographer, but his name was not indicated in the credits, his films were numbered, not named, and he himself was under a non-disclosure agreement for fifty years. He was the only one who participated in the filming when Yuri Gagarin landed, he was filming nuclear explosions at close range, and he was lucky enough to survive after the release of radioactive elements on a submarine. Korolev and Kurchatov admired his skill. At the age of ninety-one, this only eyewitness of the events remembers every little thing.

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In the late fifties, a strange patient was being treated in one of the Moscow hospitals. Doctors could not diagnose him in any way, and meanwhile he was getting worse and worse. But the unusual patient had no right to tell what happened to him. Mahmud Rafikov was not an employee of the special services or a classified scientist. He was a cinematographer, but his name was not indicated in the credits, his films were numbered, not named, and he himself was under a non-disclosure agreement for fifty years. He was the only one who participated in the filming when Yuri Gagarin landed, he was filming nuclear explosions at close range, and he was lucky enough to survive after the release of radioactive elements on a submarine. Korolev and Kurchatov admired his skill. At the age of ninety-one, this only eyewitness of the events remembers every little thing.

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Night Will Fall

When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".

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