Patentlösung

A series of loosely connected skits that spoof news programs, commercials, porno films, kung-fu films, disaster films, blaxploitation films, spy films, mafia films, and the fear that somebody is watching you on the other side of the TV.

ไบรอันเกิดที่คอกม้าในจูเดีย และได้เข้าร่วมกับกลุ่มต่อต้านโรมันหัวรุนแรงเมื่อเติบใหญ่ แต่ชะตาชีวิตของเขาก็กลับต้องไปคล้ายคลึงกับช่างไม้คนสำคัญคนหนึ่งอยู่ร่ำไป

A hilarious collection of animated television commercials that were rejected because of their creator's failing grip on sanity.

เวียร์ด แอล แยงคะวิกรับบทเป็นจอร์จ นิวแมน หนุ่มนักฝันที่ได้กลายเป็นผู้จัดการสถานีทีวีเล็กๆ ที่กำลังสูญเสียเรทติ้งและเริ่มขาดทุน รายการใหม่ๆ และความนิยมจะเพียงพอที่จะทำให้ช่อง 62 รอดจากพลังชั่วร้ายได้ไหม ถ้าอยากรู้… ก็อย่าเปลี่ยนช่องไปไหน

An office clerk loves entering contests in the hopes of someday winning a fortune and marrying the girl he loves. His latest attempt is the Maxford House Coffee Slogan Contest. As a joke, some of his co-workers put together a fake telegram which says that he won the $25,000 grand prize.

A marching band of Germans, Italians, and Japanese march through the streets of swastika-motif Nutziland, serenading "Der Fuehrer's Face." Donald Duck, not living in the region by choice, struggles to make do with disgusting Nazi food rations and then with his day of toil at a Nazi artillery factory. After a nervous breakdown, Donald awakens to find that his experience was in fact a nightmare.

Pressure from his boss and a skin-cream client produces a talking boil on a British adman's neck.

Centered on a television station which features a 1950s-style sci-fi movie interspersed with a series of wild commercials, wacky shorts and weird specials, this lampoon of contemporary life and pop culture skewers some of the silliest spectacles ever created in the name of entertainment.

To save his career, an ad man wants a sex symbol to endorse a lipstick but in exchange, she wants him to pretend to be her lover.

As a writer named Mike struggles to shepherd his semi-autobiographical sitcom into development, his vision is slowly eroded by a domineering network executive named Lenny who favors trashy reality programming. The irony, of course, is that every crass suggestion Lenny makes improves the show's response from test audiences and brings the show a step closer to getting on the air.