Doscientos ochenta mil millones de imágenes Backdrop Blur
Doscientos ochenta mil millones de imágenes Poster
ไม่มีเรตติ้ง 0h 3m

Doscientos ochenta mil millones de imágenes

"In 2010 I filmed the encounter commemorating the Bicentennial of the Argentine Republic. In the passing years I sporicadally edited the material. I projected it. I seal it. Recently I projected the images again and in some way I saw a group of young, strong and beautiful people to which I belong and represents me. Collating this images with the present, I also saw a void and a debt."

นักแสดงนำ

เรื่องย่อ

"In 2010 I filmed the encounter commemorating the Bicentennial of the Argentine Republic. In the passing years I sporicadally edited the material. I projected it. I seal it. Recently I projected the images again and in some way I saw a group of young, strong and beautiful people to which I belong and represents me. Collating this images with the present, I also saw a void and a debt."

คะแนน

ไม่มีเรตติ้ง / 10
0 รีวิว
0 ยอดนิยม

ภาพยนตร์แนะนำ

โอบี-วัน เคโนบี: การกลับมาของเจได

สารคดีตอนพิเศษที่จะพาคุณไปพบกับการกลับมาของโอบีวัน เคโนบี, อนาคิน สกายวอล์คเกอร์ และเรื่องราวยิ่งใหญ่สุดเร้าใจที่เชื่อมมหากาพย์ภาพยนตร์เข้าไว้ด้วยกัน

โอบี-วัน เคโนบี: การกลับมาของเจได

6.8 2022
For Sama

A love letter from a young mother to her daughter, the film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria as she falls in love, gets married and gives birth to Sama, all while cataclysmic conflict rises around her. Her camera captures incredible stories of loss, laughter and survival as Waad wrestles with an impossible choice– whether or not to flee the city to protect her daughter’s life, when leaving means abandoning the struggle for freedom for which she has already sacrificed so much.

For Sama

8.2 2019
Window Water Baby Moving

On a winter's day, a woman stretches near a window then sits in a bathtub of water. She's happy. Her lover is nearby; there are close ups of her face, her pregnant belly, and his hands caressing her. She gives birth: we see the crowning of the baby's head, then the birth itself; we watch a pair of hands tie off and cut the umbilical cord. With the help of the attending hands, the mother expels the placenta. The infant, a baby girl, nurses. We return from time to time to the bath scene. By the end, dad's excited; mother and daughter rest.

Window Water Baby Moving

6.9 1959