In Liebe, eure Hilde
In Berlin 1942, Hilde is a member of an anti-Nazi group. She falls in love with another member, Hans. The two spend a summer together until they get caught by the Gestapo and Hilde is imprisoned, eight months pregnant.
In Berlin 1942, Hilde is a member of an anti-Nazi group. She falls in love with another member, Hans. The two spend a summer together until they get caught by the Gestapo and Hilde is imprisoned, eight months pregnant.
Liv Lisa Fries
Hilde Coppi
Johannes Hegemann
Hans Coppi
Sina Martens
Libertas "Libs" Schulze-Boysen
Lisa Wagner
Anneliese Kühn
Alexander Scheer
Pfarrer Harald Poelchau
Emma Bading
Ina Ender-Lautenschläger
Lisa Hrdina
Grete Jäger
ลีนา อัวร์เซนดอฟสกี
Liane Berkowitz
Nico Ehrenteit
Harro Schulze-Boysen
In Berlin 1942, Hilde is a member of an anti-Nazi group. She falls in love with another member, Hans. The two spend a summer together until they get caught by the Gestapo and Hilde is imprisoned, eight months pregnant.
This story of real characters is told via two timelines. The more menacing tells us that Hilde (Liv Lisa Fries) has been apprehended by the Nazis and imprisoned for assisting her husband Hans (Johannes Hegemann) as he worked for a free Germany in wartime Berlin. The second thread shows us their summer of love. We meet them, and their friends, and follow their love affair through to their wedding and their conceiving the child that she is now doomed to bear in custody. Luckily, despite a fairly terrifying start to her incarceration and the process of her childbirth, Hilde - hitherto a dental nurse - manages to get along with her warder Miss Kühn (Lisa Wagner) and gradually befriend her and ensure that she is permitted to nurture her new born boy. With these two storylines gradually intertwining, we learn that the brutality of their government was not reserved for their foreign enemies, and that any rebellious instincts from their own citizens were robustly dealt with. Fries delivers really quite strongly here, but perhaps because of the way the story unfolds there is really a distinct lack of threat throughout, and I missed that. Indeed, the whole film has a bit of the television drama look to it that I felt fell a bit flat as it progressed. Perhaps it is just assuming that those watching already know how ghastly and toxic the regime was, but the film rather undercooks that element and as such this does struggle to sustain the sense of peril that she must have faced. It’s naturally photographed with their bucolic existence powerfully contrasted with their imprisonment and the narration, sourced from letters, does provide an authenticity to their struggle. This is a good looking piece of cinema, but dramatically it does come up a bit short.
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ความกระหายเลือดของจ่าประจำกองคนใหม่ที่ดูน่าเลื่อมใสชักจะขัดต่อมโนสำนึกของนายทหารหนุ่มในอัฟกานิสถานมากขึ้นทุกที
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เรื่องราวของ ออสการ์ มัตเซอรัต เด็กชายชาวคาชูเบียนจากเมืองดานซิก ในโปแลนด์ที่กำลังจะถูกรุกรานโดยนาซีเยอรมัน ออสการ์ได้รับกลองเด็กเล่นเป็นของขวัญวันเกิดอายุครบสามขวบ ในวันนั้นเขาได้รับรู้เรื่องโลกวุ่นวายของผู้ใหญ่ จึงตัดสินที่จะหยุดโต ออสการ์ตกบันไดบ้าน ศีรษะฟาดพื้นจนสมองกระทบกระเทือนและร่างกายเติบโตเทียบเท่ากับเด็กอายุ 6 ขวบ
ในช่วงสัปดาห์สุดท้ายของจักรวรรดิไรช์ที่สาม ทหารหนีทัพคนหนึ่งบังเอิญไปเจอชุดกัปตันนาซีที่ถูกทิ้งไว้ เขารู้สึกกล้าขึ้นมากเมื่อได้สวมชุดที่เขาขโมยมาเพียงเพื่อให้ร่างกายอบอุ่น เขาจึงได้ค้นพบว่าชาวเยอรมันหลายคนจะติดตามผู้นำคนนี้ไป ไม่ว่าผู้นำจะเป็นใครก็ตาม
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