Merry-Go-Round

สาวสังคมชั้นสูงผู้งดงามแห่งแดนใต้กำลังจะแต่งงานกับชายที่ฐานะสมน้ำสมเนื้อกับเธอ แต่เมื่อเธอได้ไปเจอกับคนงานล่ำบึ้กสุดยั่วยวนในงานเทศกาล เธอก็ถูกถึงเข้าไปเผชิญความวาบหวามที่ต่อสู้กับความต้องการซึ่งจะเปลี่ยนชีวิตเธอไปตลอดกาล

A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.

เจาะลึกเบื้องหลังความละเมียดละไมและความทุ่มเทตลอดหลายปีของพี่น้องดัฟเฟอร์ ในการสร้างซีรีส์ระดับตำนานเรื่องนี้ในซีซั่นสุดท้าย

A look behind the lens of Christopher Nolan's space epic.

เรด จักรยานล้อเดียวขี้เหงา ฝันอยากเป็นดาวเด่นของโชว์ด้วยการแสดงโยนรับของ

Director Michael Apted revisits the same group of British-born adults after a 7 year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.

The earliest surviving motion-picture film, and believed to be one of the very first moving images ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.

A documentary about the making of David Fincher's 2008 film THE CURIOUS CASE OF BENJAMIN BUTTON. Virtually every element in the evolution of the Fincher's film is documented here, from the project's attachment to numerous other directors during the 1990s, to its shoot in 2006 and 2007 in New Orleans, to its complex, CGI-intensive postproduction process.

Matt Ryder is convinced to drive his estranged and dying father Benjamin Ryder cross country to deliver four old rolls of Kodachrome film to the last lab in the world that can develop them before it shuts down for good. Along with Ben's nurse Zooey, the three navigate a world changing from analogue to digital while trying to put the past behind them.

When a change of circumstances leaves Miriam unable to pay her college tuition, she makes a surprising decision: to start performing in adult films, using the pseudonym Belle Knox. Miriam lies to her family and her friends at school, keeping her double life a secret. But soon rumours spread and Miriam becomes the subject of vicious online attacks and unwanted attention. Miriam fights back: she talks to the media, saying her new line of work empowers her as a feminist. But her confident stand has unintended consequences. Miriam is shunned by her conservative family and her colleagues in the adult film world. One impulsive decision has quickly spiralled out of control - and Miriam's problems are just beginning.