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Cinematographer

"The Light He Took Away was the Light That He Became."

The life of Donald M. Morgan, one of Hollywood’s most prolific artists, is a unique, rags-to-riches story about a man who’s had a life-changing effect on the people around him, both personally and professionally. By sharing stories of his lengthy career, working with filmmakers like Robert Zemeckis, John Carpenter and Joseph Sargent, Morgan recounts pivotal moments in the art of filmmaking for over four decades, through interviews with fellow greats Owen Roizman (The Exorcist) and Jack N. Green (Unforgiven). But at the heart of the film is an emotional journey along the road to recovery in an industry that is ripe with dysfunction and addiction. Inspiring, heartbreaking, and funny, “Cinematographer” shares the story of one of the film industry's finest human beings.

นักแสดงนำ

  • Donald M. Morgan

    Donald M. Morgan

    Self

  • Owen Roizman

    Owen Roizman

    Self

  • Jack N. Green

    Jack N. Green

    Self

  • George Dibbe

    George Dibbe

    Self

เรื่องย่อ

The life of Donald M. Morgan, one of Hollywood’s most prolific artists, is a unique, rags-to-riches story about a man who’s had a life-changing effect on the people around him, both personally and professionally. By sharing stories of his lengthy career, working with filmmakers like Robert Zemeckis, John Carpenter and Joseph Sargent, Morgan recounts pivotal moments in the art of filmmaking for over four decades, through interviews with fellow greats Owen Roizman (The Exorcist) and Jack N. Green (Unforgiven). But at the heart of the film is an emotional journey along the road to recovery in an industry that is ripe with dysfunction and addiction. Inspiring, heartbreaking, and funny, “Cinematographer” shares the story of one of the film industry's finest human beings.

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Cameraperson

As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.

Cameraperson

6.7 2016
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