Fresh (2022) is an interesting mix of horror and dark humor, taking a different approach to the usual thriller setup. The plot starts off engaging, following a modern dating experience that quickly spirals into something unexpected. While the premise isn’t exactly new, the way it unfolds keeps things unsettling enough to hold attention. It does lose some of its sharpness as it goes on, leaning a little too much on familiar horror tropes, but it still manages to keep things entertaining. The writing is decent, though some character decisions feel out of place, making certain moments less believable than they should be.
The directing is solid, with a good balance of tension and style. There’s an interesting use of close-up shots that add to the unease without feeling forced. The cinematography stands out, using lighting and framing to create an eerie atmosphere that matches the film's tone. The sound design and score do their job well, adding to the creep factor without being overbearing. It’s not the kind of movie where the music steals the show, but it complements the visuals nicely.
Acting-wise, Daisy Edgar-Jones carries the film effortlessly, making her character feel natural and relatable even when the script stumbles. Sebastian Stan brings a fun and unsettling energy to his role, making the dynamic between the two leads work well. Some of the supporting cast feel a bit underdeveloped, but the main performances keep things engaging. Overall, Fresh is an entertaining watch that delivers just enough tension and style to stand out. And while the story may not be entirely original, at least some parts of it are very well done… just not overcooked.
