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Eine Subgeschichte des Films

All of the photos in Eine Subgeschichte des Films (A Sub-history of Film) by Scheugl/Schmidt (Suhrkamp edition 471) one after another, cut inside in the camera using the same scheme as in Gesammelt von Wendy (Collected by Wendy): each therefore 7, 5, 3, 1 frame(s) long. The film of films. (E.S.jr.)

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All of the photos in Eine Subgeschichte des Films (A Sub-history of Film) by Scheugl/Schmidt (Suhrkamp edition 471) one after another, cut inside in the camera using the same scheme as in Gesammelt von Wendy (Collected by Wendy): each therefore 7, 5, 3, 1 frame(s) long. The film of films. (E.S.jr.)

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Visions of Light

Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.

Visions of Light

7.0 1992
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In the early to mid '90s, when the South African system of apartheid was in its death throes, four photographers - Greg Marinovich, Kevin Carter, Ken Oosterbroek and João Silva - bonded by their friendship and a sense of purpose, worked together to chronicle the violence and upheaval leading up to the 1994 election of Nelson Mandela as president. Their work is risky and dangerous, potentially fatally so, as they thrust themselves into the middle of chaotic clashes between forces backed by the government (including Inkatha Zulu warriors) and those in support of Mandela's African National Congress.

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6.6 2011