Louise and Manu have very different ways of dealing with grief. While Manu chooses to move forwards, Louise is disoriented, literally: she can only move forward backward. One day, she meets Camille who reassures her about her condition and reveals to her the existence of a discreet community, « those who live better from behind ». With them, Louise learns to move forward by going backward.
Lucie Digout
Manu
Jeremy Lewin
Camille
Emma Liégeois
Louise
Louise and Manu have very different ways of dealing with grief. While Manu chooses to move forwards, Louise is disoriented, literally: she can only move forward backward. One day, she meets Camille who reassures her about her condition and reveals to her the existence of a discreet community, « those who live better from behind ». With them, Louise learns to move forward by going backward.
A bourgeois couple, modern yet conventional. One night by accident, a young prostitute barges into their lives. Hounded down, beaten up, threatened, she will continue to struggle, with the help of a well off lady, first for her survival-her resurrection-then for her dignity and freedom. Stormy encounters for everyone involved.
Mathieu lives in Paris, Alice in a small seaside resort in Western France. He is a famous actor, about to turn fifty. She is a piano teacher in her forties. They were in love fifteen years ago, then separated. Time has passed. They each went their ways and slowly healed. When Mathieu goes try to overcome his melancholia in a thermal spa, he stumbles upon Alice.
ในเอเลนอร์ผู้ยิ่งใหญ่ จูน สควิบบ์ ถ่ายทอดบทบาทของเอเลนอร์ มอร์เกนสตีน หญิงวัย 94 ปี ผู้มีไหวพริบและภูมิใจในความแสบของตัวเองออกมาได้อย่างมีชีวิตชีวา หลังเผชิญกับความสูญเสียใหญ่หลวง เธอได้เล่าเรื่องที่เกิดบานปลายจนเป็นอันตราย นี่คือผลงานกำกับเรื่องแรกของสการ์เล็ตต์ โจแฮนส์สัน เป็นการสำรวจที่ทั้งขบขันและสะเทือนใจ ว่าเรื่องราวที่เราได้ฟังกลายมาเป็นเรื่องราวที่เราเล่าต่อได้อย่างไร เพิ่มเติม พ.ศ. 2568 · 1h 38m 66%
Camille, a naïve schoolgirl, meets an intriguing influence in Joelle, a slightly older and much more experienced spirit. Camille follows her new friend through the discovery of sex and the darker side of life. As the film progresses, Camille discovers AIDS and the fear that she may have picked up the disease in her early encounters.
Lisa and Marine live a life of relative companionship together, where the only man permitted into the equation is Lisa’s young son, Leo. However, their simple existence is thrown into disarray when Marie meets and falls in love with Alex, a customer at her bookshop. Lisa is left feeling excluded, and tension develop. But soon an unexpected accident forces all of those involved to reassess the situation and adopt a different position in each other’s lives.
Suzanne Simonin describes her life of suffering in letters. As a young woman she is sent to a convent against her will. Since her parents cannot afford the dowry required for a marriage befitting her rank they decide she must instead become a nun. Although a kind and understanding Mother Superior helps her to learn the convent’s daily routine, Suzanne’s desire for freedom remains unabated. When the Mother Superior dies, Suzanne finds herself faced with reprisals, humiliation and harassment at the hands of the new Abbess and the other Sisters. For many years, Suzanne is subjected to bigotry and religious fanaticism. (Berlinale.de)
A man struggles with the tragic memories of his past to make sense of his present, but soon realizes that time isn't the enemy he thinks it is.
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