Moje Praha
Otakar Vávra walks through Prague in front of the camera and with the camera, and remembers those who in the 1930s determined the pulse of the cultural and political life of that time.
Otakar Vávra walks through Prague in front of the camera and with the camera, and remembers those who in the 1930s determined the pulse of the cultural and political life of that time.
Otakar Vávra
Self
Otakar Vávra walks through Prague in front of the camera and with the camera, and remembers those who in the 1930s determined the pulse of the cultural and political life of that time.
จากโคลิน แฮงก์ส ผู้กำกับและไรอัน เรย์โนลด์ส โปรดิวเซอร์ นำมาสู่จอห์น แคนดี้: ผมชอบตัวเอง ผู้ที่รู้จักจอห์นดีที่สุดได้บอกเล่าเรื่องราวของเขาด้วยถ้อยคำของตนเอง ผ่านวิดีโอหายาก ภาพถ่าย และบทสัมภาษณ์ที่ไม่เคยเปิดเผยมาก่อน นี่คือสารคดีว่าด้วยชีวิต อาชีพ และการจากไปของหนึ่งในนักแสดงที่เป็นที่รักมากที่สุดตลอดกาล
When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".
ในผลงานกำกับภาพยนตร์ขนาดยาวเรื่องแรก มาริสกา ฮาร์กิเทย์พาผู้ชมย้อนรอยเรื่องราวของแม่ของเธอเป็นครั้งแรก เจน แมนส์ฟีลด์ ตำนานฮอลลีวู้ดผู้จากไปอย่างน่าเศร้าเมื่อเกือบหกทศวรรษก่อน การค้นหาครั้งนี้คือการตามหา “แม่” ที่เธอไม่เคยได้รู้จัก
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