GRWM plays on the boundaries and relationships between cinema, reality, performance, and authenticity. And it is precisely this characteristic that affirms its contemporaneity: the practice of filming oneself while applying makeup is used as a tool and artistic inspiration aimed at breaking classic cinematic molds.
Alice Pettorazzi
GRWM plays on the boundaries and relationships between cinema, reality, performance, and authenticity. And it is precisely this characteristic that affirms its contemporaneity: the practice of filming oneself while applying makeup is used as a tool and artistic inspiration aimed at breaking classic cinematic molds.
A middle-aged man, Pietro, becomes a widower and must take care of his daughter. He will never have the time to delve into his own pain, committing himself to raising his daughter with love and dedication, in an all-encompassing relationship in which one heals the other's wounds through his own. When, after a few years, he tries to start a new life with a new partner, not everything will go as hoped: his daughter's reaction will be exaggerated and Pietro will be put to the test. He will find himself struggling between anger and paternal instinct.
The relationship of a couple who meet by chance in New York City is put to the test when they encounter a life or death circumstance.
A nightmarish evening unfolds for neighbors David and Robert when they accidentally hit a woman on her bike and flee the scene. While David is increasingly plagued by feelings of guilt, Robert shows no remorse and becomes overbearing and possessive.
When seventeen-year-old Hannah stumbles upon a website about Thinspiration--an online community devoted to anorexia as a life choice--she becomes an obsessive follower of the site founder, ButterflyAna. By the time Hannah's family realizes what is happening and get Hannah the help she needs, the disease has fully taken hold and Hannah is refusing to eat. Will this family be able to exorcise the demon of anorexia from their lives?
ฮิลารี่ สแวงค์และแอนเจลิกา ฮัสตันนำแสดงในภาพยนตร์ของเอชบีโอเกี่ยวกับการเคลื่อนไหวเพื่อสิทธิการเลือกตั้งสตรีในอเมริกายุค 1920
นักสู้ MMA หนุ่มลงแข่งขันครั้งแรกโดยหวังว่าจะทำตามรอยพ่อผู้โด่งดังของเขาซึ่งเป็นแชมป์กีฬาชนิดนี้ แต่วงจรอุบาทว์แห่งความโหดร้ายที่พ่อของเขาสนับสนุนกลับกลายเป็นจุดเปลี่ยนที่ลูกชายของเขาไม่อาจกลับได้ และความปรารถนาที่จะค้นหาหนทางของตัวเอง
Luigi looks after his mother and his little brother since their abusive father Franco left when he was 10. Now a young man brimming with rage, he joins a far-right gang in search of belonging just as Franco shows up again in their life.
Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.
While serving life in prison, a young man looks back at the people, the circumstances and the system that set him on the path toward his crime.
ในปี 1977 เด็กสาวคนหนึ่งถูกจับตัวไปขังไว้ในกล่องขนาดเท่าโลงศพ เมื่อผู้คุมขังปล่อยเธอออกมา ก็มีเพียงการทำร้ายเธออย่างโหดร้าย เธอจะหนีรอดไปได้หรือไม่