Luttes

A ruthless gang led by private detective Joseph Plender is extorting rich people and famous fashion photographer Vincent Mandel seems the next victim. He is married to Hélène, daughter of one of the richest people in Europe, but not quite happily. In fact the marriage is on the brink of a divorce and a judge is deciding who will take the two children. Can Hélène take them to Germany or will they stay with Vincent? Vincent has a lot on his mind and he improvises when model Sofia Kippiani comes to his studio, but his makeup crew doesn't show up. Before he knows it, he is accused of a rape. Things go worse and worse for Vincent, he sees his entire life slipping away and, most importantly, he might lose his children. But why does his former schoolmate Joseph Plender seek contact with Vincent and even solve a nasty problem for him? Does Plender want something more than money?

When Jeanne, a meticulous insurance assessor, is suddenly left to care for her estranged sister’s two children after their mother vanishes, her carefully ordered life begins to unravel. Confronted with unexpected responsibilities, she must balance the fragile task of earning the children’s trust while also tending to her own relationship with her girlfriend, who struggles to adjust to Jeanne’s new role. As grief, uncertainty, and shifting loyalties mount, Jeanne finds herself redefining what family and love truly mean.

Paloma is a serious and highly articulate but deeply bored 11-year-old who has decided to kill herself on her 12th birthday. Fascinated by art and philosophy, she questions and documents her life and immediate circle, drawing trenchant and often hilarious observations on the world around her. But as her appointment with death approaches, Paloma finally meets some kindred spirits in her building's grumpy janitor and an enigmatic, elegant neighbor, both of whom inspire Paloma to question her rather pessimistic outlook on life.

After writing for Cahiers du cinéma, a young Jean-Luc Godard decides making films is the best film criticism. He convinces producer Georges de Beauregard to fund a low-budget feature, and creates a treatment with fellow New Wave filmmaker François Truffaut about a gangster couple. The result? Breathless, one of the first features of the Nouvelle Vague era of French cinema.

A second-class horror movie has to be shown at Cannes Film Festival, but, before each screening, the projectionist is killed by a mysterious fellow, with hammer and sickle, just as it happens in the film to be shown.

Psychological drama of the compelling relationship between a young French engineer and the girl he takes into his home after his wife has left him with their baby son.

เมื่อผู้คุมกฎมาเฟียระดับแนวหน้าของไมแอมีพบว่าหัวหน้าสาวแสนร้ายกาจของเขาเริ่มทำการค้ามนุษย์ในโลกไซเบอร์ เขาจึงตัดสินใจเสียสละทุกอย่างเพื่อช่วยชีวิตวัยรุ่นไร้บ้านคนหนึ่ง

In the shadowy outskirts of Paris, a desperate door-to-door salesman crosses paths with a mysterious young woman trapped in a grim world. As his obsession deepens, his grip on reality begins to slip—and the line between escape and destruction starts to blur.

Star-crossed lovers Thérèse and Laurent think they've gotten away with murder after Thérèse's weakling husband "falls" from a speeding train. But when forced to contend with a blackmailer's demands and the mute accusations of Thérèse's mother-in-law, it's only a matter of time before the law, their passion or blind chance trips them up.

This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.