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Auras

an experimental self portrait

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an experimental self portrait

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Experimenter

Yale University, 1961. Stanley Milgram designs a psychology experiment that still resonates to this day, in which people think they’re delivering painful electric shocks to an affable stranger strapped into a chair in another room. Despite his pleads for mercy, the majority of subjects don’t stop the experiment, administering what they think is a near-fatal electric shock, simply because they’ve been told to do so. With Nazi Adolf Eichmann’s trial airing in living rooms across America, Milgram strikes a nerve in popular culture and the scientific community with his exploration into people’s tendency to comply with authority. Celebrated in some circles, he is also accused of being a deceptive, manipulative monster, but his wife Sasha stands by him through it all.

Experimenter

6.5 2015
Mapplethorpe: Look at the Pictures

Nude men in rubber suits, close-ups of erections, objects shoved in the most intimate of places—these are photographs taken by Robert Mapplethorpe, known by many as the most controversial photographer of the twentieth century. Openly gay, Mapplethorpe took images of male sex, nudity, and fetish to extremes that resulted in his work still being labelled by some as pornography masquerading as art. But less talked about are the more serene, yet striking portraits of flowers, sculptures, and perfectly framed human forms that are equally pioneering and powerful.

Mapplethorpe: Look at the Pictures

6.9 2016
Bettie Page Reveals All

The world's greatest pin-up model and cult icon, Bettie Page, recounts the true story of how her free expression overcame government witch-hunts to help launch America's sexual revolution. When she saw the film The Notorious Bettie Page, produced by HBO in 2006, the main person concerned reacted unequivocally: “Lies! Lies!” In a long interview recorded shortly before her death, the woman who entered the collective unconscious as the ultimate pin-up gave her version of events to director Mark Mori. In a gravelly voice, Bettie Page tells her own story and lifts the veil on areas often hidden by images that have made so many men and women fantasize since the 1950s: her abused childhood, an eclipse that lasted forty years, her mental illness. Through testimonies and unpublished archives, this documentary brings back to life a body and a face endlessly declined before our eyes, just as Bettie wanted: “I would like people to remember me as I was in the photos.”

Bettie Page Reveals All

6.8 2013