It's a staging of The Maids, which, set in the 1930s, tells the story of two sisters working in the house of an abusive woman. Genet's film begins with a ritual: the lighting of candles. It's a black and white film with complex lighting design.
Nelly Goitiño
Myriam Gleiger
Graciela Irrazabal
It's a staging of The Maids, which, set in the 1930s, tells the story of two sisters working in the house of an abusive woman. Genet's film begins with a ritual: the lighting of candles. It's a black and white film with complex lighting design.
Told through performances, TV interviews, home movies, family photographs, private letters and unpublished memoirs, the film reveals the essence of an extraordinary woman who rose from humble beginnings in New York City to become a glamorous international superstar and one of the greatest artists of all time.
The hero, a janitor played by Chaplin, is fired from work for accidentally knocking his bucket of water out the window and onto his boss the chief banker (Tandy). Meanwhile, one of the junior managers (Dillon) is being threatened with exposure by his bookie for gambling debts unpaid. Thus the manager decides to steal from the company.
สารคดีตอนพิเศษที่จะพาคุณไปพบกับการกลับมาของโอบีวัน เคโนบี, อนาคิน สกายวอล์คเกอร์ และเรื่องราวยิ่งใหญ่สุดเร้าใจที่เชื่อมมหากาพย์ภาพยนตร์เข้าไว้ด้วยกัน
สารคดีที่สำรวจปัจจัยและเหตุผลที่ส่งให้ศาสตราจารย์และบรรดา "ทรชนคนปล้นโลก" ขโมยหัวใจคอซีรีส์ และสร้างกระแสความนิยมไปทั่วโลก
On a winter's day, a woman stretches near a window then sits in a bathtub of water. She's happy. Her lover is nearby; there are close ups of her face, her pregnant belly, and his hands caressing her. She gives birth: we see the crowning of the baby's head, then the birth itself; we watch a pair of hands tie off and cut the umbilical cord. With the help of the attending hands, the mother expels the placenta. The infant, a baby girl, nurses. We return from time to time to the bath scene. By the end, dad's excited; mother and daughter rest.
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
เบื้องหลังการทำงานเหล่าแอนิเมเตอร์ ผู้อุทิศเวลาอันยาวนานเพื่อปลุกปั้นนิทานที่มีเอกลักษณ์เฉพาะตัว ผ่านฟุตเทจและภาพไทม์แลปส์ที่เผยกระบวนการสร้างงานศิลปะอันน่าทึ่ง
The most famous murder scene in movie history comprises 78 camera settings and 52 cuts: the shower scene in Alfred Hitchcock's Psycho. 78/52 tells the story of the man behind the curtain and his greatest obsession.
Stan and Ollie join the French Foreign Legion after Ollie's sweetheart rejects him.
Mother, father and daughter go to the park. The women doze off on a bench while the father plays a hide-and-seek game with a girl, blindfolded. Charlie leads him into a lake. Both dozing ladies on the bench fall for Charlie and invite him for dinner. The father returns home with a friend. Charlie rushes upstairs and dresses like a woman, shaving his mustache. Both men fall for Charlie.