Living the Light: Robby Müller Backdrop Blur
Living the Light: Robby Müller Poster

Living the Light: Robby Müller

For her extraordinary film essay, Living the Light, Director and Director of Photography Claire Pijman had access to the thousands of Hi8 video diaries, pictures and Polaroids that Müller photographed while he was at work on one of the more than 70 features he shot throughout his career; often with long term collaborators such as Wim Wenders, Jim Jarmusch and Lars von Trier. The film intertwines these images with excerpts of his oeuvre, thus creating a fluid and cinematic continuum. In his score for Living the Light Jim Jarmusch gives this wide raging scale of life and art an additional musical voice.

นักแสดงนำ

  • Robby Müller

    Robby Müller

    Self

  • วิม เว็นเดิร์ส

    วิม เว็นเดิร์ส

    Self

  • จิม จาร์มุช

    จิม จาร์มุช

    Self

  • Lars von Trier

    Lars von Trier

    Self

  • Agnès Godard

    Agnès Godard

    Self

  • Steve McQueen

    Steve McQueen

    Self

  • Jay Rabinowitz

    Jay Rabinowitz

    Self

  • Frieder Hocheim

    Frieder Hocheim

    Self

  • Theo Bierkens

    Theo Bierkens

    Self

เรื่องย่อ

For her extraordinary film essay, Living the Light, Director and Director of Photography Claire Pijman had access to the thousands of Hi8 video diaries, pictures and Polaroids that Müller photographed while he was at work on one of the more than 70 features he shot throughout his career; often with long term collaborators such as Wim Wenders, Jim Jarmusch and Lars von Trier. The film intertwines these images with excerpts of his oeuvre, thus creating a fluid and cinematic continuum. In his score for Living the Light Jim Jarmusch gives this wide raging scale of life and art an additional musical voice.

คะแนน

6.7 / 10
6 รีวิว
0 ยอดนิยม

ภาพยนตร์แนะนำ

Cameraperson

As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.

Cameraperson

6.7 2016