Film '74-A and Film '74-B are abstract experiments in which she cut and pasted films taken while running in Myeongdong, scraps of American movies, scribbles on sound magnetic film, and dots on lead film, and titled them according to the style of title construction (no title or strange symbols) that was popular among Western artists at the time.
Film '74-A and Film '74-B are abstract experiments in which she cut and pasted films taken while running in Myeongdong, scraps of American movies, scribbles on sound magnetic film, and dots on lead film, and titled them according to the style of title construction (no title or strange symbols) that was popular among Western artists at the time.
ในยุค 1970s ผู้กำกับคิมกำลังหมกมุ่นอยู่กับความต้องการที่ถ่ายทำภาพยนตร์ที่มีชื่อว่า คอบเว็บ ของเขาใหม่ แต่ความวุ่นวายก็เกิดขึ้นในกองถ่ายเมื่อกองเซ็นเซอร์เข้ามายุ่งเกี่ยว รวมไปถึงความไม่พอใจของเหล่านักแสดงและทีมงานที่ไม่เข้าใจตอนจบที่ถูกเขียนขึ้นมาใหม่ ผู้กำกับคิมจะสามารถฝ่าฟันอุปสรรคท่ามกลางความยุ่งเหยิงเพื่อที่จะเติมเต็มความต้องการทางศิลปะและสร้างสุดยอดผลงานออกมาได้หรือไม่?
Documentary about the art of film editing. Clips are shown from many groundbreaking films with innovative editing styles.
Home movies, photographs, and recited poetry illustrate the life of Tupac Shakur, one of the most beloved, revolutionary, and volatile hip-hop MCs of all time.
ในช่วงทศวรรษ 1980 นักศึกษาวิชาภาพยนตร์สาวผู้อ่อนโลกเริ่มค้นพบตัวเอง เมื่อพบรักกับชายที่ดูดีเบื้องหน้า แต่เบื้องหลังกลับใช้ชีวิตอย่างโสมม
John Cazale was in only five films – The Godfather, The Conversation, The Godfather: Part II, Dog Day Afternoon and The Deer Hunter – each was nominated for Best Picture. Yet today most people don't even know his name. I KNEW IT WAS YOU is a fresh tour through movies that defined a generation.
Lyrical and powerfully personal essay film that reflects on the deaths of her husband Lou Reed, her mother, her beloved dog, and such diverse subjects as family memories, surveillance, and Buddhist teachings.
The most famous murder scene in movie history comprises 78 camera settings and 52 cuts: the shower scene in Alfred Hitchcock's Psycho. 78/52 tells the story of the man behind the curtain and his greatest obsession.
Young teen girl Xiu Xiu is sent away to a remote corner of the Sichuan steppes for manual labor in 1975 (sending young people to there was a part of Cultural Revolution in China). A year later, she agrees to go to even more remote spot with a Tibetan saddle tramp Lao Jin to learn horse herding.
After a regrettable first sexual encounter, a straight-laced high school student and her slacker best friend have 24 hours to hunt down a Plan B pill in America's heartland.
As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.