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Radiant Exposures—Facts Run on Light Beams These Days

The new 16mm film Radiant Exposures—Facts Run on Light Beams These Days (the latter part of the title quotes from Donna Haraway) returns to Rosa Barba’s long-standing motif of the desert and its exploration of modern archives as a manifestation of human’s desire for progress. As in previous films, Radiant Exposures—Facts Run on Light Beams These Days appears to portray a site out of time and space—ethereal, timeless and unearthly. The predominant motif of the film is the human-made landscape with large expanses of rectangular panels reflecting the sun light. These reflective panels are in fact concentrating sunlight, creating and collecting energy. The presence of the sun is made palpable by the shimmering light and the and the blurring of the imagery.

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The new 16mm film Radiant Exposures—Facts Run on Light Beams These Days (the latter part of the title quotes from Donna Haraway) returns to Rosa Barba’s long-standing motif of the desert and its exploration of modern archives as a manifestation of human’s desire for progress. As in previous films, Radiant Exposures—Facts Run on Light Beams These Days appears to portray a site out of time and space—ethereal, timeless and unearthly. The predominant motif of the film is the human-made landscape with large expanses of rectangular panels reflecting the sun light. These reflective panels are in fact concentrating sunlight, creating and collecting energy. The presence of the sun is made palpable by the shimmering light and the and the blurring of the imagery.

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Night Will Fall

When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".

Night Will Fall

7.6 2014