Oru Rathri Oru Pakal
Daytime. A pair of lovers enter a house deserted by a flood. She has run away from home. He is not in a condition to start a life with her. The wind blows heavy in the fields of long grass.
Daytime. A pair of lovers enter a house deserted by a flood. She has run away from home. He is not in a condition to start a life with her. The wind blows heavy in the fields of long grass.
Yamuna Chungappalli
Girl
Mari
Boy
Daytime. A pair of lovers enter a house deserted by a flood. She has run away from home. He is not in a condition to start a life with her. The wind blows heavy in the fields of long grass.
Following Oru Rathri Oru Pakal (A Night A Day) can be a struggle but if you give it time, it will open its heart for you. The film captures a tense hour between a runaway couple who are hiding from death at the hands of their relatives (and the proverbial society) because they hail from different castes. It's the usual plot but one which has a novel execution. Instead of taking the usual cat-mouse approach, Oru Rathri Oru Pakal focuses on the tension between the couple as they revisit their decision to elope. It's a fine conversation between the two which takes new turns and finds new meanings even as they try to move away from the society that they are so firmly attached to. Despite all that, I didn't enjoy watching it. **Grade C-**. (Reviewed during its Australian premiere at the Indian Film Festival of Melbourne (IFFM).)
โรเบร์โต ดูรัน ในตำนานและ เรย์ อาร์เซล ผู้ฝึกสอนในตำนานของเขาที่เปลี่ยนชีวิตของกันและกัน
Tom and Mae Garvey are a Tennessee farming couple battling violent floods to save their land. In addition to natural disasters, the Garveys fight to stop a selfish land developer and a local corporation from foreclosing on their farm. While Mae stays at home to care for their children and tend to the crops, Tom finds work as a scab at a steel mill to preserve his family's property.
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