Au noir

How to become a man when your mother and your closed circle have decided otherwise? This is the challenge Guillaume took up. The film recounts Guillaume's tragicomic battle from the young age of eight, as he adopts the role of a girl then of a homosexual... until, aged 30, he meets the woman who, after his mother, will become the other woman in his life. Beyond this story of a heterosexual coming-out, the film tells the tale of an actor who never stopped loving women, maybe even a little too much.

Daniel lives with his grandmother and, after a year of high school, goes to live with his mother in the south of France; a harsher environment which rapidly changes his perception of friends, work, and women.

At 55, Anne is finally enjoying her freedom after her children leave home. But everything changes when her 23-year-old daughter, Louise, moves back in with her after a professional and romantic failure. And to make matters worse, her son, Théo, announces that she's going to be a grandmother! Anne realizes that life never goes as planned and that, at any age, we are still learning to grow up.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

Aurore has separated, just lost her job, and learns that she is going to be a grandmother.

ซีซิล (ลิลลี่ แมคอินเนอร์นี) วัย 18 ปี พักผ่อนอยู่ริมทะเลในฝรั่งเศสช่วงกลางฤดูร้อนกับเรย์มอนด์ (เคลส แบง) พ่อรูปหล่อของเธอ และเอลซ่า (นาอีเลีย ฮาร์ซูน) คนรักของเรย์มอนด์ เมื่อแอนน์ (โคลอี้ เซวีญี) เพื่อนของแม่ซีซิลที่เสียไปแล้วมาเยือน ทุกอย่างก็เปลี่ยนไป ท่ามกลางความงามของแสงแดดสาดส่อง ชีวิตของซีซิลกำลังถูกคุกคาม เธออยากกลับมากุมชะตาชีวิต จึงวางแผนขับไล่แอนน์จนนำไปสู่โศกนาฏกรรม "สวัสดีความเศร้า" ดัดแปลงมาจากนวนิยายแนวก้าวพ้นวัยชื่อเดียวกันอันน่าจดจำของฟรองซัวส์ ซากอง "สวัสดีความเศร้า" ของเดอร์กา ชิว-โบส ถ่ายทอดความซับซ้อนของความสัมพันธ์ระหว่างผู้หญิงและอิทธิพลที่พวกเธอมีต่อชะตากรรมของกันและกันได้อย่างลึกซึ้ง

Romain, 31, a fashion photographer with terminal cancer, elects to die alone, preparing others to live past him rather than prolong the inevitable with chemotherapy or be smothered in sympathy by those who know him.

Felicie and Charles have a whirlwind holiday romance. Due to a mix-up on addresses they lose contact, and five years later at Christmas-time Felicie is living with her mother in a cold Paris with a daughter as a reminder of that long-ago summer. For male companionship she oscillates between hairdresser Maxence and the intellectual Loic, but seems unable to commit to either as the memory of Charles and what might have been hangs over everything.

Now in his thirties, Antoine Doinel is a divorced proofreader in love with a record seller. Colette Tazzi, now a lawyer, buys his first published autobiography, leading them to a chance meeting.

One summer, a French teenager who has been living with his mother in the city moves in with his estranged father’s family in the countryside, where he clashes with his stepmother.