Lotta contro i mostri

Paris, 1964. The Swiss sculptor and painter Alberto Giacometti, one of the most accomplished and respected artists of his generation, asks his friend, the American writer James Lord, to sit for a portrait, assuring him that it will take no longer than two or three hours, an afternoon at the most.

In 1958 New York Diane Arbus is a housewife and mother who works as an assistant to her husband, a photographer employed by her wealthy parents. Respectable though her life is, she cannot help but feel uncomfortable in her privileged world. One night, a new neighbor catches Diane's eye, and the enigmatic man inspires her to set forth on the path to discovering her own artistry.

Audrey Hepburn รับบทเป็นหญิงสาวตาบอด ผจญกับผู้ร้ายแก๊งค้ายาที่บุกบ้านเธอเพื่อตามหาตุ๊กตาที่เชื่อว่าซุกซ่อนเฮโรอีนจำนวนหนึ่งไว้ เธอตาบอดแถมผจญโจรร้าย แต่เป็นคนเดียวที่รู้ที่ซ่อนตุ๊กตา เรื่องราวน่ากลัวและน่าหวาดเสียวจึงเกิดขึ้น

John LeTour is a recovering drug user who suffers insomnia and still deals to a high-end New York clientele, even though he’s trying to move on from the business. John’s professional midlife crisis becomes something more acute — and dangerous — when he re-encounters an old flame while a string of seemingly drug-related murders rocks the city.

A former narcotics smuggler, now living peaceably in the Calabrian hills, is drawn back into his family’s drug-trade dynasty by his impetuous teenage son.

Margherita, a director in the middle of an existential crisis, has to deal with the inevitable and still unacceptable loss of her mother.

A portrait of the comic trio "Aldo, Giovanni e Giacomo".

จิตรกรผู้ดิ้นรนถูกพลังของซาตานเข้าสิงหลังจากที่เขาและครอบครัวเล็กๆ ของเขาได้ย้ายเข้าไปอยู่ในบ้านในฝันที่ชนบทของเท็กซัส

"The Family," an album with a velvet cover, is meant to touch the extended family of man. Formal portraits, bookends in this 80-year saga, enclose the central story, which opens with the baptism of Carlo, a baby in his grandfather's lap, and ends with Carlo as a grandfather with a baby in his arms. And never once do we get out of the house, whose rooms provide the film's structure. Comfort or passion? Carlo couldn't really decide until it was too late.

A retelling of the life of the celebrated 17th-century Baroque painter Michelangelo Merisi da Caravaggio through his brilliant, nearly blasphemous paintings and his flirtations with the underworld.