Filmed with a single shot, the entire movie develops one big situation: in front of a block of flats, a rescue car has to rush a suicidal young woman who has slit her wrists to hospital. Things get complicated, though, as the nurse has a phobia of blood, the jumpy neighbors manage to stall things, and the mishap sends another accident on their heads, an explosion in which two elderly people are injured.
Emanuel Pârvu
Filmed with a single shot, the entire movie develops one big situation: in front of a block of flats, a rescue car has to rush a suicidal young woman who has slit her wrists to hospital. Things get complicated, though, as the nurse has a phobia of blood, the jumpy neighbors manage to stall things, and the mishap sends another accident on their heads, an explosion in which two elderly people are injured.
Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.
พ่อวัยหนุ่มได้กลับบ้านหลังจากติดคุก เขามีความกระตือรือร้นที่จะดูแลลูกชายและผันตัวมาเป็นนักเขียน แต่อาชญากรรม ความยากจน และระบบที่บกพร่องเป็นอุปสรรคต่อแผนของเขา
Drama telling the story of Blue, a young man of Jamaican descent living in Brixton in 1980, as he hangs out with his friends, fronts a dub sound system, loses his job, struggles with family problems and has his friendships tested by racism.
A jazz musician seeks refuge from a lynch mob on a remote island, where he meets a hostile game warden and the young object of his attentions.
A nightmarish evening unfolds for neighbors David and Robert when they accidentally hit a woman on her bike and flee the scene. While David is increasingly plagued by feelings of guilt, Robert shows no remorse and becomes overbearing and possessive.
The story of a young writer's transformation when her past invades her present.
ฮิลารี่ สแวงค์และแอนเจลิกา ฮัสตันนำแสดงในภาพยนตร์ของเอชบีโอเกี่ยวกับการเคลื่อนไหวเพื่อสิทธิการเลือกตั้งสตรีในอเมริกายุค 1920
Evangelist Carlton Pearson is ostracized by his church for preaching that there is no Hell.
Based on the writer/director's childhood, FARMING tells the story of a young Nigerian boy, 'farmed out' by his parents to a white British family in the hope of a better future. Instead, he becomes the feared leader of a white skinhead gang.
An optimistic, talented teen clings to a huge secret: she's homeless and living on a school bus. When tragedy strikes, can she learn to accept a helping hand?