Im Lande der Basken Backdrop Blur
Im Lande der Basken Poster
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Im Lande der Basken

"This documentary, filmed in the surroundings of Ainhoa ​​and other border towns, covers the most romantic and bucolic landscapes and moments of the French Basque lands. Filmed by Herbert Brieger in 1944, it is an attempt to capture in images a mythical vision of the Basque people passed through the filter of Nazi propaganda. A tableware with Basque motifs shows the use of swastika in its decoration. The discoidal stelae of the cemeteries will also be the center of attention. It is part of the work of the filmmakers of the German regime to use peoples of Europe that served them to justify their songs of race during the years of World War II." Punto de Vista Film Festival

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"This documentary, filmed in the surroundings of Ainhoa ​​and other border towns, covers the most romantic and bucolic landscapes and moments of the French Basque lands. Filmed by Herbert Brieger in 1944, it is an attempt to capture in images a mythical vision of the Basque people passed through the filter of Nazi propaganda. A tableware with Basque motifs shows the use of swastika in its decoration. The discoidal stelae of the cemeteries will also be the center of attention. It is part of the work of the filmmakers of the German regime to use peoples of Europe that served them to justify their songs of race during the years of World War II." Punto de Vista Film Festival

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Night Will Fall

When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".

Night Will Fall

7.6 2014
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A love letter from a young mother to her daughter, the film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria as she falls in love, gets married and gives birth to Sama, all while cataclysmic conflict rises around her. Her camera captures incredible stories of loss, laughter and survival as Waad wrestles with an impossible choice– whether or not to flee the city to protect her daughter’s life, when leaving means abandoning the struggle for freedom for which she has already sacrificed so much.

For Sama

8.2 2019
Rosenstrasse

When Ruth's husband dies in New York, in 2000, she imposes strict Jewish mourning, which puzzles her children. A stranger comes to the house - Ruth's cousin - with a picture of Ruth, age 8, in Berlin, with a woman the cousin says helped Ruth escape. Hannah, Ruth's daughter engaged to a gentile, goes to Berlin to find the woman, Lena Fisher, now 90. Posing as a journalist investigating intermarriage, Hannah interviews Lena who tells the story of a week in 1943 when the Jewish husbands of Aryan women were detained in a building on Rosenstrasse. The women gather daily for word of their husbands. The film goes back and forth to tell Ruth and Lena's story. How will it affect Hannah?

Rosenstrasse

6.4 2003