R
R is a very simple film, flickering and panning which in its silence induces a fugue of rhythms. The center part of the film is a transcription of one of J.S. Bach ’s Invention.
R is a very simple film, flickering and panning which in its silence induces a fugue of rhythms. The center part of the film is a transcription of one of J.S. Bach ’s Invention.
R is a very simple film, flickering and panning which in its silence induces a fugue of rhythms. The center part of the film is a transcription of one of J.S. Bach ’s Invention.
Mater finds a small UFO called Mator and they have a night out. Later, when Mator is captured by military forces, Mater sneaks up and saves him with the help of Lightning McQueen and the UFO's mother.
Rachel is a rambunctious girl from a polygamist colony in southern Utah. On Rachel’s 15th birthday, she finds a forbidden cassette tape. Having never seen anything like it before, Rachel plays the cassette tape, and finds glorious rock & roll thereupon. Weeks later, Rachel realizes a miracle has occurred - and the cassette tape must have something to do with it. She leaves her family and runs away to the closest city: Las Vegas. There she searches for the singer of the band on the cassette tape.
The government gets wind of a plot to destroy America involving a trio of nuclear weapons for which the whereabouts are unknown. It's up to a seasoned interrogator and an FBI agent to find out exactly where the nukes are.
เรือราวการทำนายหายนะของมนุษยชาติที่จะดับสูญด้วยน้ำมือของสกายเน็ต เครือข่ายเครื่องจักรสมองกลขนาดยักษ์ อวสานของโลกถูกกำหนดไว้วันที่ 29 สิงหาคม 1997 เวลานี้สกายเน็ตได้ให้กำเนิด T-1000 หุ่นยนต์เทคโนโลยีใหม่ล่าสุดที่ล้ำหน้ากว่า T-800 มันถูกส่งข้ามเวลามาเพื่อสังหารจอห์น คอนเนอร์ บุตรชายของซาร่าห์ ผู้ที่จะกลายเป็นผู้นำมนุษย์ ต่อต้านฝ่ายจักรกล ขณะเดียวกันทางฝ่ายมนุษย์ก็ได้ส่งหุ่นรบรุ่น T-800 อีกตัวมายังโลกปัจจุบัน เพื่อคุ้มครองผู้นำในวัยเด็กของพวกเขาให้ปลอดภัย
เรื่องราวเกี่ยวกับชีวิตสมัยใหม่และความไม่สมดุลกันอย่างน่าตกใจที่ถูกทำเป็นภาพยนตร์เป็นเรื่องราวแรกในภาพยนตร์ไตรภาคก่อนเรื่องโพวาคัทสึ
Hollywood arrives in force to Quincy, the small town where the secret Crown Cola billionaire's live. They want to film about the billionaire's and how they made their fortunes. Summer Jenkins, who was the town pariah, joins forces with the scout, Ben, and finds filming locations, extras, lessons with the town officials and house owners, etc. When Cole Masten arrives, they hate each other, but sparks fly. Cole is running from a nasty divorce, yet is captivated by Summer. Summer is dying to leave town to get away from the gossip. This is a great story about Southern customs, a Southern girl, and a Hollywood star who finds his lady.
Alone in her empty flat, from her window Anne observes the people passing by who nervously snatch up the personal belongings and pieces of furniture she has put out on the pavement. Her final gesture of taking a ring off her finger signals she is leaving her previous life in Holland behind. She goes to Ireland, where she chooses to lead a solitary, wandering existence, striding through the austere landscapes of Connemara. During her travels, she discovers a house that is home to a hermit, Martin.
After losing his wife and his memory in a car accident, a single father undergoes an experimental treatment that causes him to question who he really is.
Isaac's son Jacob deprives his brother Esau of his birthright and has to flee for his life. He finds shelter with his uncle Laban, but is himself deceived. Finally, Jacob has to face both his uncle and brother.
In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.