The stationmaster of a railway station situated in the steppes of Kazakhstan discovers a rubber-bearing plant. Soon, an expeditionary team arrives, led by Professor Shakhron, who will persistently argue—by hook or by crook—that there are no rubber-bearing plants in these steppes, all the while plotting a trip abroad. In ultimately exposing the professor, the team forces him to admit to concealing the results of their work.
Владимир Гардин
Professor Shakhrov
Николай Кутузов
Kuznetsov
M. Tulupov
Professor Yaroshevskiy
Хаким Давлетбеков
Khakim
Евгения Пырялова
Zhenya Maltseva
Борис Азаров
Zaretskiy
Eliana Dugina
Young Kazakh girl
Kheyhana Tastakhova
Young kazakh woman
Сергей Голубев
Telegraph operator
The stationmaster of a railway station situated in the steppes of Kazakhstan discovers a rubber-bearing plant. Soon, an expeditionary team arrives, led by Professor Shakhron, who will persistently argue—by hook or by crook—that there are no rubber-bearing plants in these steppes, all the while plotting a trip abroad. In ultimately exposing the professor, the team forces him to admit to concealing the results of their work.
Contemporary Russia. After he flubs a penalty kick, a humiliated national soccer player quits the game. He flees to a small town, where he decides to coach their local team.
A jazz musician seeks refuge from a lynch mob on a remote island, where he meets a hostile game warden and the young object of his attentions.
Evangelist Carlton Pearson is ostracized by his church for preaching that there is no Hell.
A daughter seeks to restore the reputation of her disgraced father, a wronged college professor. With help of a professional student, she must overcome an ambitious sorority bitch and corrupt college dean.
In revolutionary Iran, as fundamentalists tighten their grip on society, a professor secretly gathers seven of her most dedicated female students to read and discuss forbidden classics of Western literature, including Lolita and Pride and Prejudice. Based on the bestselling memoir by Azar Nafisi. A film by Eran Riklis starring Golshifteh Farahani (Paterson), Zar Amir (Holy Spider), and Mina Kavani (No Bears).
ในช่วงปลายยุค 50 นักจิตวิทยาผู้ทะเยอทะยานพยายามหาทางทดสอบขีดจำกัดของจิตใจมนุษย์ขณะรักษาผู้ป่วย 3 คนซึ่งเชื่อสนิทใจว่าตนเองคือพระเยซู
Russian provincial town in the middle of the 1930s Stalin's Great Purge. Ivan Lapshin, the head of the local police, does what he has to do. And he does it well.
Based on the writer/director's childhood, FARMING tells the story of a young Nigerian boy, 'farmed out' by his parents to a white British family in the hope of a better future. Instead, he becomes the feared leader of a white skinhead gang.
Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.
Georgy is driving a load of freight into Russia when, after an unpleasant encounter with the police at a border crossing, he finds himself giving a lift to a strange old man with disturbing stories about his younger days in the Army. After next picking up a young woman who works as a prostitute and is wary of the territory, Georgy finds himself lost, and despite asking some homeless men for help, he’s less sure than he was before of how to make his way back where he belongs. As brutal images of violence and alienation cross the screen, Georgy’s odyssey becomes darker and more desperate until it reaches an unexpected conclusion.