続・色暦大奥秘話 淫の舞 Backdrop Blur
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続・色暦大奥秘話 淫の舞

"The fan of dance burns bewitchingly on the pure white skin... A picture scroll of pleasure scattered in the gorgeous O-oku!"

The twelfth shogun, Ieyoshi, embraces Oruri day and night under the care of Fujioka, a guest attendant at the O-oku. However, Fujioka's senior, Kumoi, who recommends Oseki to him, is not amused at all. The scene between Fujioka and Kumoi was symbolic of the battle between women in the O-oku. Fujioka hears from Orui that she is pregnant and rejoices that she has nothing to fear if she bears the Shogun's child. Meanwhile, Kumoi comforts Bure, who is a lesbian, and asks Oseki to help her get a call from the shogun.

นักแสดงนำ

  • 小川節子

    小川節子

    Oseki

  • 山科ゆり

    山科ゆり

    Oruri

  • 真湖道代

    真湖道代

    Fujioka

  • Hiroyuki Mikawa

    Hiroyuki Mikawa

    Shogun Ieyoshi

  • 雪丘恵介

    雪丘恵介

    Shinzaemon Shirai

  • 橘田良江

    橘田良江

    Inaba

  • Ryûji Ôizumi

    Ryûji Ôizumi

    Yasuke

  • 花柳幻舟

    花柳幻舟

    Kumoi

  • Michiko Komori

    Michiko Komori

เรื่องย่อ

The twelfth shogun, Ieyoshi, embraces Oruri day and night under the care of Fujioka, a guest attendant at the O-oku. However, Fujioka's senior, Kumoi, who recommends Oseki to him, is not amused at all. The scene between Fujioka and Kumoi was symbolic of the battle between women in the O-oku. Fujioka hears from Orui that she is pregnant and rejoices that she has nothing to fear if she bears the Shogun's child. Meanwhile, Kumoi comforts Bure, who is a lesbian, and asks Oseki to help her get a call from the shogun.

คะแนน

9.0 / 10
1 รีวิว
1 ยอดนิยม

ภาพยนตร์แนะนำ

Genius Party

The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.

Genius Party

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