Ask a Policeman
The mirthful adventures of Police-Sergeant Samuel Dudfoot and his two constables, Albert Brown and Jeremias Harbottle, who stage a fabricated crime-wave to save their jobs---and then find themselves involved in the real thing.
The mirthful adventures of Police-Sergeant Samuel Dudfoot and his two constables, Albert Brown and Jeremias Harbottle, who stage a fabricated crime-wave to save their jobs---and then find themselves involved in the real thing.
Will Hay
Sergt. Dudfoot
Graham Moffatt
Albert
Moore Marriott
Harbottle
Glennis Lorimer
Emily
Peter Gawthorne
Chief Constable
Charles Oliver
The Squire
Herbert Lomas
Coastguard
Patrick Aherne
Motorist
Cyril Chamberlain
Radio Announcer
The mirthful adventures of Police-Sergeant Samuel Dudfoot and his two constables, Albert Brown and Jeremias Harbottle, who stage a fabricated crime-wave to save their jobs---and then find themselves involved in the real thing.
When the tide runs low in the smugglers cove... Turnbotham Round has no crime, something that becomes common knowledge after a radio programme is broadcast from the village. Upon hearing this broadcast, the top brass at Scotland Yard send word that if there is no crime there, then why employ policemen to police the village? Realising that their good lives are about to come to an end, inept coppers Dudfoot (Will Hay), Brown (Graham Moffatt) and Harbottle (Moore Marriott) set about making some arrests. What they hadn't bargained for was the uncovering of a smuggling ring and the unleashing of the phantom headless horseman. Much like Will Hay's Good Morning, Boys (1937) followed a similar formula to that of one of his earlier pictures, Boys Will Be Boys (1935), so it be with Ask A Policeman in that it has close links with critics fave, Oh Mr. Porter! (1937). However, that in no way is a bad thing because Ask A Policeman is utter joy from start to finish. In fact I would go so far as to say that the writing is actually better here. With a writing team consisting of Marriott Edgar, Sidney Gilliat, Val Guest and J.O.C. Orton, it's no wonder that the gags come thick and fast and still hold up over 80 years later. Marcel Varnel once again directs Hay and his blunderingly magnificent sidekicks, Marriott and Moffatt, and each of them are on terrific form as they within a heartbeat lurch from incredulity to stupidity. They are helped by the story and its delightful supernatural set ups. These coppers have been having it easy for so long they have forgotten just what it takes to be a copper. More content with bending the rules for an easy life (note some nice satire in the writing), these guys are suddenly faced with the supernatural and actual real crime. Something they are delightfully unable to properly cope with. From trying to set up a roadside speeding arrest to an attempt at solving an ancient smugglers rhyme, Ask A Policeman, courtesy of an across the board team on fire, is to my mind one of the greatest British films of all time. So pay attention to the jokes and admire the visual comedy that goes with them, and then hopefully you too will appreciate just what genius Hay and his cohorts brought to British comedy between 1936 to 1940. 10/10
This is possibly my favourite outing for Will Hay, with this time a strong supporting cast to help him along with this daft adventure caper. He is "Sgt. Dudfoot" who along with "Albert" (Graham Moffatt) and "Harbottle" (Moore Marriot) have recently been on the radio from their crime-free village. They didn't quite think it through, though, as soon they realise that they might well have talked themselves out of a job. Solution? Well let's invent some crimes! That they do with, as you'd expect, comical results. Thing is, some real criminals are taking advantage of these hapless buffoons and smuggling barrels of booze from right under their noses. Can they get a grip on things, apprehend those varmints and save their posts? Moore Marriott 's engaging "Harbottle" could easily have been the model for Wilfred Brambles' later characterisation of "Steptoe" and together with his two cohorts and with some creative input from Marcel Varnel and Sidney Gilliat we end up with an enjoyable eighty minutes of typically British humour. It has traces of slapstick, but it is essentially the quickly-paced patter and the fun dynamic between the three that keeps this moving well and entertainingly. Sure, some of the jokes were probably corny even then, but if you enter into the spirit of it, then I think you will enjoy it.
The trademark of The Phantom, a renowned jewel thief, is a glove left at the scene of the crime. Inspector Clouseau, an expert on The Phantom's exploits, feels sure that he knows where The Phantom will strike next and leaves Paris for the Tyrolean Alps, where the famous Lugashi jewel 'The Pink Panther' is going to be. However, he does not know who The Phantom really is, or for that matter who anyone else really is...
Tom Destry, son of a legendary frontier peacekeeper, doesn’t believe in gunplay. Thus he becomes the object of widespread ridicule when he rides into the wide-open town of Bottleneck, the personal fiefdom of the crooked Kent.
สารวัตรใหญ่เดรย์ฟัสต้องป่วนประสาทจากความห่วยแตกของสารวัตรคลูเซา เขาจึงสั่งอาวุธสุดอันตรายพร้อมสั่งเก็บคลูเซา มาดูกันว่านักฆ่า 26 คนจะเพียงพอในการจัดการกับคนอับโชคอย่างคลูเซาหรือไม่
ติดตามเรื่องราวกล้าหาญน่าขบขันของฮีโร่ประหลาดหน้าตาย ทิมมี เฟลเลียร์ กับโททัล หมีขั้วโลกคู่หูน้ำหนัก 1,500 ปอนด์ของเขา ผู้ดำเนินกิจการสำนักงานนักสืบโททัลเฟลเลียร์อิงค์ในพอร์ตแลนด์
A drug sniffing agent canine is a target for an assassin boss so the FBI calls Witness Protection to send him somewhere else. Meanwhile a single Mom puts her 6 year old boy James in the care of her irresponsible, mailman, neighbor, Gordon, when the babysitter bails on her. Meanwhile, an assassin mob boss hires 2 goons to kill Agent 11. But when 11 escapes from the van when they tried to kill him, he hides in Gordon's Mailtruck that James is in too. And guess what they name him. Spot.
ชีวิตของจอร์จเป็นอันต้องยุ่งเหยิงเพราะหนุ่มน้อยอย่างเดนนิส แต่เมื่อหัวขโมยจอมเจ้าเล่ห์พยายามจะปล้นจอร์จ เดนนิสอาจเป็นคนเดียวที่หยุดเขาได้
Step brothers Drake and Josh must give a foster family the best Christmas ever or face years in jail for a Christmas party gone wrong.
An LA detective is murdered because she has microfilm with the recipe to make cocaine cookies. Two cops partner to find and stop the fiends before they can dope the nation by distributing their wares via the 'Wilderness Girls' cookie drive.
High society sleuths Nick and Nora Charles run into a variety of shady characters while investigating a race-track murder.
A group of bad cops look to dispose of a body that one of them accidentally shot.