หลง / เหงา / รัก
"Everyone wants to be found."
สองหัวใจเหงาเดินทางมาโตเกียว หนึ่งคือภรรยาที่สามีช่างภาพไม่ใส่ใจ อีกหนึ่งคืออดีตดาราดังรุ่นใหญ่ที่ตกอันดับ ทั้งสองต่างเฝ้าหาการยอมรับและการปลอบโยนเมื่อได้พบกัน
"Everyone wants to be found."
สองหัวใจเหงาเดินทางมาโตเกียว หนึ่งคือภรรยาที่สามีช่างภาพไม่ใส่ใจ อีกหนึ่งคืออดีตดาราดังรุ่นใหญ่ที่ตกอันดับ ทั้งสองต่างเฝ้าหาการยอมรับและการปลอบโยนเมื่อได้พบกัน
บิล เมอร์เรย์
Bob Harris
สการ์เลตต์ โจแฮนส์สัน
Charlotte
Giovanni Ribisi
John
Anna Faris
Kelly
Akiko Takeshita
Ms. Kawasaki
Kazuyoshi Minamimagoe
Press Agent
Kazuko Shibata
Press Agent
Take
Press Agent
Ryuichiro Baba
Concierge
สองหัวใจเหงาเดินทางมาโตเกียว หนึ่งคือภรรยาที่สามีช่างภาพไม่ใส่ใจ อีกหนึ่งคืออดีตดาราดังรุ่นใหญ่ที่ตกอันดับ ทั้งสองต่างเฝ้าหาการยอมรับและการปลอบโยนเมื่อได้พบกัน
Ok movie Lovers. If you didn't like The Life Aquatic with Steve Zissou, then don't even bother with Lost in Translation. The jokes are dry and the dialogue is weak. At least in Life Aquatic they wore funny outfits. Being a world traveler myself I could appreciate the jet lag and overall moping around thru out the whole film. You will definatly feel lost. Although I found myself laughing out loud a few times at Bill Murray and his quips, BY NO MEANS should the average movie fans think this is a comedy. It is an independent art film and should be treated as so.
True love transcends sexual expression RELEASED IN 2003 and written & directed by Sofia Coppola, "Lost in Translation" was a big hit in 2003-2004. It's about an aging actor, Bob Harris (Bill Murray), who's in Tokyo doing commercials for a week. His home-life is mundane and he's experiencing a bit of the mid-life crisis. He runs into an attractive 20 year-old something woman, Charlotte (Scarlett Johansson), who's in Tokyo with her photog husband (), but he's gone most of the time and takes her for granted. This is a mature, semi-arty film and you have to be in the right mode/maturity level to appreciate it. I said "maturity level" and not "age" because some people are pretty mature at 16 while others are completely immature at 50. For me, the story, music and visuals pulled me into these characters’ temporary world for the 102-minute runtime. The film succeeds as an amusing social commentary and a deep love story, as well as a visual/musical delight. I'll only focus on the deep love element. It's been noted that the story originated from Sofia's experience with an aging actor when she was younger, possibly Harrison Ford. Sofia is obviously Charlotte, while Charlotte's husband is Sofia's ex and Anna Faris plays the role of the other woman, which would be Cameron Diaz in real life. So there's a lot of reality in the picture. But it's not just a cathartic piece. Sofia has some potent insights to offer on the nature of true romantic love. For one, love transcends age difference (Bob is about 35 years older than Charlotte). For another, it's possible to be married and experience romantic love for another. Not that this ever justifies adultery, it's just a fact. As the story progresses you'll see how comfortable Bob and Charlotte are with each other, how they look into each other's eyes, the windows of the soul, in a profoundly naked sense. This can happen in the flash of a moment where the two people just KNOW, or it can take place over a period of time, as is the case with Bob and Charlotte (which is a handful of days). They see the same things and speak the same language, and I don't mean English. But this presents a conundrum for Bob. Bob COULD take advantage of Charlotte because she's so lonely in a sea of people, which is one of the movie's themes; she's also inexperienced and vulnerable. Will he or won't he take advantage? ***SPOILER ALERT*** Don't read further if you haven't seen the film. If Bob loves Charlotte so much, not to mention his wife & kids, why does he have a one-night stand with the lounge singer (Catherine Lambert)? Bob slept with her to release sexual tension that had been building up between him and Charlotte. This was a moral failure, but keep in mind he was drunk (another failure but, have pity, he was going through a mid-life crisis). While all this is obvious, it goes deeper... Bob could have taken advantage of Charlotte if he wanted to but didn't because he genuinely loved her, which is revealed at the end. Bob could sleep with the singer because he didn't love her (not that it justifies his actions). Simply put, true love transcends sexual expression and sexual union does not equal love. The ending is powerful and tear-inducing. No CGI, explosion or action stunt can compare. It's just an older man and a too-young woman embracing in the midst of 20 million strangers. Tears flow, kisses are given and unheard words are whispered. They could never be a couple, even if they weren't married, and they know they'll never see each other again, at least on this physical plane, but their love has been expressed and will be treasured for eternity. GRADE: A
Lost in Translation is one of my all-time favorite movies. The film grabbed me when I first saw it in the theater (unusual for back then, but my cineplex got this one in) and since I've watched it dozens of times. Bill Murray and Scarlet Johansson are both great and Sofia Coppola's direction taking in the sights and sounds of Tokyo (a city I've always been curious about and wanted to visit) was amazing.
The first time I watched Lost in Translation, many years ago, I really liked it. I am partial to quiet movies, which feature a good ensemble cast, wit and good dialogue. Often, as with this movie, the story is told simply from start to finish without complex bounces back and forth with flashbacks, or made complicated with multiple perspectives. And in fact, I bought a used copy of Lost in Translation on DVD. After all this time I finally watched it again recently. I still like the movie. I love watching Bill Murray and he gives a fine restrained performance of an actor past his prime and riding on name recognition. Scarlett Johansson does great also. They are witty and display a subtle sense of humor. Still, I did not like it as much as I remember from before; something seemed lacking. Then I watched the Behind the Scenes extra video. You know, The Making of... and I realized I likedjust as much as I did the movie itself. It made me think that maybe the movie was too laid back. When Scarlett’s character Charlotte spoke to her husband, they were quiet and civil, when she spoke to Bill Murray as Bob, they were quiet and civil, and when Bob spoke to his wife on the phone back home they were quiet and civil, even when she was clearly getting irritated. Perhaps the film would have benefited from a little passion, a little more intensity here and there. I am glad I watched it a second time, but I don’t expect I will hold onto the DVD for a future viewing.
กลุ่มเพื่อนกลุ่มเล็กๆ ที่มีอาการซึมเศร้าหลังเรียนจบมหาวิทยาลัย ต้องเผชิญกับความจริงอันโหดร้ายเกี่ยวกับชีวิต ความรัก และการแสวงหาอาชีพที่มั่นคง ขณะที่พวกเขาพยายามวางแผนเอาตัวรอดในอนาคต กลุ่มคนรุ่น Gen-X ทั้งสี่ก็เริ่มตระหนักในไม่ช้าว่าความจริงไม่ได้เป็นไปตามที่คิด
A group of young adults in their twenties, who share an apartment in the city of Seattle, ponder on love and face all the challenges of adulthood.
แจ็ก เลมมอน, เชอร์ลีย์ แม็กเลน และเฟร็ด แม็คเมอร์เรย์โชว์ฝีมือในหนังของของบิลลี ไวล์เดอร์ซึ่งชนะ 5 รางวัลออสการ์ รวมถึงภาพยนตร์ยอดเยี่ยม ผู้กำกัดยอดเยี่ยม และรางวัลบทภาพยนตร์ดั้งเดิมยอดเยี่ยม เป็นเรื่องราวความรักและความทะเยอทะยานในโลกของธุรกิจใหญ่
เมื่อหนุ่มนักประชาสัมพันธ์สายดนตรีต้องกลายเป็นพ่อเลี้ยงเดี่ยวแถมยังตกงานแบบไม่ทันตั้งตัว คงมีเพียงรักครั้งใหม่และความกล้าของลูกสาวตัวน้อยที่จะกอบกู้ชีวิตของเขาคืนมาได้
Graced with a velvet voice, 21-year-old Violet Sanford heads to New York to pursue her dream of becoming a songwriter only to find her aspirations sidelined by the accolades and notoriety she receives at her "day" job as a barmaid at Coyote Ugly. The "Coyotes" as they are affectionately called tantalize customers and the media alike with their outrageous antics, making Coyote Ugly the watering hole for guys on the prowl.
ถึงจะอายุ 60 แต่ก็ยังเซ็กซี่ แฮร์รี แซนบอร์นใช้เสน่ห์เฉพาะตัวมัดใจสาวมาแล้วมากมาย แต่ทริปกับแฟนสาวคนล่าสุดกลับผิดแผนเมื่อแม่ของเธอดันโผล่มาโดยไม่บอกไม่กล่าว
หญิงสาวย้ายเข้ามาอยู่ร่วมชายคากับเพื่อนสนิทของคู่หมั้นที่ด่วนจากไปกะทันหัน และค้นพบด้านที่เธอแทบไม่รู้จักในตัวคนรักผู้ล่วงลับ
Two lost souls: she a con-artist in L.A.; he a puppeteer in San Antonio have the same dream linking each with the other. He travels to L.A. to find this woman he has become obsessed with. She resists, afraid of his kooky ideas until she travels with him to San Antonio and meets his wise grandmother. Story of two disparate people linked by "fate" gets increasingly interesting as it rolls along.
Julia Lambert is a true diva: beautiful, talented, weathly and famous. She has it all - including a devoted husband who has mastermined her brilliant career - but after years of shining in the spotlight she begins to suffer from a severe case of boredom and longs for something new and exciting to put the twinkle back in her eye. Julia finds exactly what she's looking for in a handsome young American fan, but it isn't long before the novelty fling adds a few more sparks than she was hoping for. Fortuately for her, this surprise twist in the plot will thrust her back into the greatest role of her life.
An aspiring Hollywood actress, on a visit to a charming North England town, has a brief fling with the town undertaker, who also writes obituaries for the local paper. Returning home, where she works as a waitress at a Japanese restaurant, she tells everyone about the handsome "writer" she met on her trip. Unfortunately, he decides to follow her back to Hollywood, setting up the expected light romantic comedy with asides as the newcomer gains experience about the goings on in Hollywood.