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From Wikipedia, the free encyclopedia Chandra is a 2013 and 2014 Indian fantasy film, simultaneously made in Kannada and Tamil languages. Directed by Roopa Iyer, it features Shriya Saran and Prem Kumar in the lead roles. The film deals with the life of a last generation princess and her love story. Chandra is a joint production of India Classic Arts and Narasimha Arts. The film was released on 27 June 2013 to positive reviews and emerged as a commercial success, also becoming one of the highest grossing kannada films at its time. Description above from the Wikipedia article Dan Duryea, licensed under CC-BY-SA, full list of contributors on Wikipedia.

นักแสดงนำ

  • Shriya Saran

    Shriya Saran

    Maharani Ammanmani Chandravathy

  • Prem Kumar

    Prem Kumar

    Chandrahasa

  • Ganesh Venkatraman

    Ganesh Venkatraman

    Arya

  • ಶ್ರೀನಾಥ್

    ಶ್ರೀನಾಥ್

    Maharaja

  • Vijayakumar

    Vijayakumar

    Guruji Parameshwara

  • Vivek

    Vivek

    Yuvaraj Sukumar

  • Girish Karnad

    Girish Karnad

  • Sukanya

    Sukanya

    Queen Sarala Devi

  • Sumithra

    Sumithra

    Lalitha

เรื่องย่อ

From Wikipedia, the free encyclopedia Chandra is a 2013 and 2014 Indian fantasy film, simultaneously made in Kannada and Tamil languages. Directed by Roopa Iyer, it features Shriya Saran and Prem Kumar in the lead roles. The film deals with the life of a last generation princess and her love story. Chandra is a joint production of India Classic Arts and Narasimha Arts. The film was released on 27 June 2013 to positive reviews and emerged as a commercial success, also becoming one of the highest grossing kannada films at its time. Description above from the Wikipedia article Dan Duryea, licensed under CC-BY-SA, full list of contributors on Wikipedia.

คะแนน

2.2 / 10
2 รีวิว
0 ยอดนิยม

ภาพยนตร์แนะนำ

I Can't Think Straight

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I Can't Think Straight

7.5 2008
Cameraperson

As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.

Cameraperson

6.7 2016