Wir sind die Neuen

Eleven moving dates, eight friends: Philipp, Wiebke, Jessica, Maria, Swantje, Michael, Thomas, Dina – all in their twenties and mutually lonesome. And always searching: For a new city, a new job, an own apartment, a new, or even an old love. The search is never-ending, and so they repeatedly find themselves at a ritual gathering: someone moving. Boxes are shifted from one side of Berlin to the other, or the length and breadth of Germany, from one abode to the next as one life is exchanged for another. In 3 ZIMMER/KÜCHE/BAD, director Dietrich Brüggemann portrays existences in which relationships, social networks and backdrops are in a constant state of flux; where best friends are the only, and therefore the most valuable constant. Humorous sketches of the self-conception of a generation for whom moving has become the symbol of a life on the go.

To help his divorced neighbor claim a substantial inheritance, a family man poses as her husband. The ruse spills over into his career in advertising, and his recent promotion relies on his wholesome and moral appearance.

The Berger and Böttcher families come to Dorothea's finca on Lanzarote for a weekend trip. The mood is tense and escalates as various mysteries are revealed.

An uptight advertising exec has his entire life in a filofax organizer which mistakenly ends up in the hands of a friendly convict who poses as him.

When an upwardly mobile couple find themselves unemployed and in debt, they turn to armed robbery in desperation.

The family dinner at Stephan and Elisabeth could have been wonderful. But when Thomas announces that he and his pregnant girlfriend Anna are going to call their son Adolf, the hosts and the family friend René are stuck in the throat.

A modern retelling of Shakespeare's classic comedy about two pairs of lovers with different takes on romance and a way with words.

เจอร์รี่ ไซน์เฟลด์ขึ้นเวทีในนิวยอร์กพร้อมถกข้อดีข้อด้อยระหว่างการพูดคุยกับการส่งข้อความ บุฟเฟ่ต์ห่วยๆ กับร้านอาหารที่ว่ากันว่า "เด็ด" รวมทั้งความอัศจรรย์ของป๊อปทาร์ต

A young man goes on a road trip with an old lady he saves from a hospital.

After his girl leaves him for someone else, Herbert gets really depressed and starts searching for a job. He finally finds one in a big house which is inhabited by many, many women. Can he live in the same home with all these females?