The Count sets out to make a private room for him and his Countess, built in such a way no one can see, hear, and most importantly, disturb them. But unbeknownst to the Count, his wife has set her eyes on the court minstrel. Based on Edgar Allan Poe's “The Cask of Amontillado” and Honoré de Balzac's “La Grande Breteche”.
Arthur V. Johnson
The Count
Marion Leonard
The Countess
Henry B. Walthall
The Minstrel
แมรี พิกฟอร์ด
A Lady-in-Waiting
George Siegmann
Nobleman at Court
Mack Sennett
A Soldier
Linda Arvidson
A Lady-in-Waiting
Owen Moore
Nobleman at Court
The Count sets out to make a private room for him and his Countess, built in such a way no one can see, hear, and most importantly, disturb them. But unbeknownst to the Count, his wife has set her eyes on the court minstrel. Based on Edgar Allan Poe's “The Cask of Amontillado” and Honoré de Balzac's “La Grande Breteche”.
D.W. Griffith brings us the longest running horror movie to date (1909). It is less horror and more tragic as the movie is probably one of the first “Horror” movies to actually tug on your heart strings a bit. This is also a movie that proves that there are other directors out there not just George Melies. The story is simple enough, we have a king who has constructed a “Pleasure Room” for himself and his concubine. But alas, this concubine is not faithful and she goes ahead and screws around with the court troubadour. The king, heartbroken and sad, commands his masons to seal the concubine and her lover in this “Pleasure Room” the two embrace as the oxygen is depleted and die in each others arms. What do i think of this? Well, D.W. Griffith is no George Melies, but he does make a valiant effort to shove Edgar Allan Poe’s vision into this 11 min. short. Extravagant costumes and a larger budget mean a more creative and fun story. The downsides are the vacant title cards and dialogue cards. This movie could have really benefited from some dialogue, even if we have to read it. So far George Melies is definitely the king when it comes to keeping your attention in a silent film. All be it for 1 - 3 minuets usually. The cast of this film is really the saving point. Griffith used most of his regulars, Mary Pickford, Arther V. Johnson, and Mack Sennett. Per usual they seemed to be a package deal, as was the case with most of his films from that time.
After a bleak childhood, Jane Eyre goes out into the world to become a governess. As she lives happily in her new position at Thornfield Hall, she meets the dark, cold, and abrupt master of the house, Edward Rochester. Jane and her employer grow close in friendship and she soon finds herself falling in love with him. Happiness seems to have found Jane at last, but could Rochester's terrible secret be about to destroy it forever?
After a bleak childhood, Jane Eyre goes out into the world to become a governess. As she lives happily in her new position at Thornfield Hall, she meets the dark, cold, and abrupt master of the house, Edward Rochester. Jane and her employer grow close in friendship and she soon finds herself falling in love with him. Happiness seems to have found Jane at last, but could Rochester's terrible secret be about to destroy it forever?
A young woman's penchant for sensational Gothic novels leads to misunderstandings in the matters of the heart.
เรื่องราวการชิงรักหักสวาทของชนชั้นสูงผู้มั่งคั่งแห่งนิวยอร์ก ที่ตกอยู่ในวังวนของรักสามเส้า สะท้อนผ่านทางสังคมไฮโซในยุค 1870 ที่ถึงแม้จะเลิศหรูอลังการ แต่กลับเต็มไปด้วยการหน้าไหว้หลังหลอก เมื่อนิวแลนด์ อาร์เชอร์ ทนายความหนุ่มผู้ซื่อสัตย์แสนดี แอบถวิลหาชีวิตที่เต็มไปด้วยความปรารถนาอันเร่าร้อน เขาหมั้นหมายกับ เมย์ เวลแลนด์ สาวสังคมผู้น่ารักแต่จืดชืด นิวแลนด์จึงทำใจให้ยอมรับกับการมีชีวิตที่เรียบง่ายเงียบสงบ แต่เมื่อญาติสาวผู้รักอิสระและมีความคิดแหกคอกของเมย์ เดินทางกลับมานิวยอร์ก ท่ามกลางข่าวลืออื้อฉาวคาวโลกีย์ นิวแลนด์ก็พร้อมจะเสี่ยง ไม่ว่าต้องเสียอะไรไป เพื่อให้ได้มาซึ่งรักแท้
A suburban architect loves his wife but is bored with his marriage and with his work, so he takes up with the neglected, married beauty who lives down the street.
John, an ambitious but undisciplined New York City office worker, meets and marries Mary. They start a family, struggle to cope with marital stress, financial setbacks, and tragedy, all while lost amid the anonymous, pitiless throngs of the big city.
Young orphan Heathcliff is adopted by the wealthy Earnshaw family and moves into their estate, Wuthering Heights. Soon, the new resident falls for his compassionate foster sister, Cathy. The two share a remarkable bond that seems unbreakable until Cathy, feeling the pressure of social convention, suppresses her feelings and marries Edgar Linton, a man of means who befits her stature. Heathcliff vows to win her back.
Crown Prince Rudolf of Austria clashes with his father, Emperor Franz Joseph I of Austria, over implementing progressive policies for their country. Rudolf soon feels he is a man born at the wrong time in a country that doesn't realize the need for social reform. The Prince of Wales, later to become Britain's King Edward VII, provides comic relief. Rudolf finds refuge from a loveless marriage with Princess Stéphanie by taking a mistress, Baroness Maria Vetsera. Their untimely demise at Mayerling, the imperial family's hunting lodge, is cloaked in mystery.
ปี 1936 อังกฤษมีนโยบายให้นักศึกษาจบใหม่ ต้องไปประจำการอยู่ที่อาณานิคม หนุ่มไฟแรงปรารถนาแรงกล้าที่จะพัฒนาอาณานิคมให้เป็นไปตามแบบอังกฤษถิ่นผู้ดี ได้ไปที่ ซาราวัก , มาเลเซีย และเพื่อให้เขาได้เรียนรู้ภาษาท้องถิ่นได้เร็ว คนพื้นเมืองเผ่าล่าหัวมนุษย์มีธรรมเนียมให้สาวสวยในหมู่บ้าน ไปอยู่ด้วย โดยทำหน้าที่เป็น
A holiday fable that tells the story of an elderly man discovering love for the first time.