มิตรภาพ ศรัทธา ปาฏิหาริย์
"Four women went to Lourdes in search of a miracle."
ในปี 1967 เพื่อนรักต่างวัยสามคนจากดับลินออกเดินทางตามรอยปาฏิหาริย์บนเส้นทางแห่งการแสวงบุญสู่เมืองลูร์ด ซึ่งทำให้พวกเธอได้สัมผัสประสบการณ์ที่คาดไม่ถึงระหว่างทาง
"Four women went to Lourdes in search of a miracle."
ในปี 1967 เพื่อนรักต่างวัยสามคนจากดับลินออกเดินทางตามรอยปาฏิหาริย์บนเส้นทางแห่งการแสวงบุญสู่เมืองลูร์ด ซึ่งทำให้พวกเธอได้สัมผัสประสบการณ์ที่คาดไม่ถึงระหว่างทาง
แมกกี สมิธ
Lily Fox
ลอรา ลินนีย์
Chrissie Ahearn
เคธี เบตส์
Eileen Dunne
Agnes O'Casey
Dolly Hennessy
Stephen Rea
Frank Dunne
Mark O'Halloran
Father Dermot Byrne
Eric D. Smith
Daniel Hennessy
Mark McKenna
George Hennessy
Niall Buggy
Tommy Fox
ในปี 1967 เพื่อนรักต่างวัยสามคนจากดับลินออกเดินทางตามรอยปาฏิหาริย์บนเส้นทางแห่งการแสวงบุญสู่เมืองลูร์ด ซึ่งทำให้พวกเธอได้สัมผัสประสบการณ์ที่คาดไม่ถึงระหว่างทาง
So, I'm not a "movie snob", but (like art) I know what I like. I like this movie, **_very_** much. It was a chance to see actresses I haven't seen in a while, so it's time of a review of each of them. First, they ALL look older. And that's perfectly fine with me. I'd rather movies show me the reality of growing older than glamorize looking young and beautiful. If you still haven't a clue..."IT'S ALL ABOUT THE ACTING!!!" I LOVE seeing Maggie Smith, as I've loved her since "Jean Brodie". Kathy Bates, LOVED in "Unconditional Love", as well as 99% of her acting catalog. And Laura Linney...another GREAT actress I LOVE from the "Tales In the City" series. EACH of them show their talents with great intuition and conviction in this piece. Outstanding performances from ALL involved, with a "BRAVA!" However, this movie has dark point that even made a jaded, old gay man shed many tears. OK. It's not that difficult to make a gay man cry, but BELIEVE ME when I tell you that you, too, shall shed some tears. Maybe only a couple, but tears SHALL be shed. All in all, a FANTASTIC movie that covers the late 1950's/early 1960's opinions and life styles. VERY authentic! Of course, this is coming from an Anglophile Yank...
Laura Linney ("Chrissie") arrives back in the small Irish community of Ballygar following the death of her estranged mother. At that exact moment, there is a local talent contest going on and the prize is either a trip to Lourdes or a large bacon joint! Now three local women - "Lily" (Dame Maggie Smith); "Eileen" (Kathy Bates) and "Dolly" (Agnes O'Casey) want the trip so they can take the latter women's mute son "Daniel" (Eric Smith) to the shrine, they can all bathe in the waters, and hopefully the youngster will start to talk! It's a gently paced, if procedural, comedy this that allows each of the characters a few scenes to tell us of their woes before a denouement that isn't really a challenge for anyone - watching or acting. We deal with bitterness, misunderstanding, age-old opinions of sex and forgiveness as only an Irish storyline can. Along the way, Kathy Bates proves that she can knock out a tune or two, though I wouldn't give loads for Dame Maggie's backing singing, and the effort from the young, curly-haired, Smith is quite charming. Otherwise this is all just a bit too familiar. It looks charming though and shows us well just how celebratory and simultaneously toxic small community life can be - especially when fuelled by religion. It's worth a watch - the cast gel well, but it can wait til the television at Christmas.
When circumstances in our lives grow burdensome, many of us hope for a miracle. In some cases, that aspiration is looked upon and anticipated as a literal possibility, one that can be banked on if certain steps are taken. For many of the world’s Roman Catholics, that means making a pilgrimage to the holy shrine at Lourdes, France, site of a believed visitation by the Virgin Mary in 1858. And, in 1967, for the anguished residents of a small Irish town, that’s just what they undertake in hopes of seeing their problems miraculously vanish. That premise provides the basis for director Thaddeus O’Sullivan’s latest feature offering, which tells the story of three generations of women who make the journey to see their trials and tribulations lifted, some of which are physical, others of which are emotional and nearly all of which are familial or relationship-oriented. This delightful and touching comedy-drama is part road trip tale, part “buddy” film (even if that term doesn’t always fit), and part saga of reconciliation, redemption and rebirth. It poignantly explores the process of making our own miracles rather than relying on outside influences, as well as learning and understanding the true meaning of faith and forgiveness. Admittedly, the film takes its time getting started (and perhaps a tad too long at that), and some of its story threads come across as somewhat schmaltzy, predictable and overly “tidy.” However, it has a definite edge to it, too, especially in its incisively biting humor, pointedly and expertly delivered through the superb performances of its principal cast members, most notably Maggie Smith, Kathy Bates, Laura Linney and Stephen Rea. Some may look upon “The Miracle Club” as something of a lightweight offering, but its heart and intents are decidedly in the right place, making for a generally enjoyable watch, particularly as a piece of family fare. Cynics may find much to criticize here, but I believe that’s patently unfair, considering the sincerity of its messages and earnestness of their delivery. So, in light of that, give this one a fair shake – you just might find a few miracles of your own come from it.
'The Miracle Club' packs a fair punch, even if it never truly hits as perhaps intended - at least for me, of course. It does get darker than expected, the characters onscreen certainly do carry a load of baggage; poster-based pun not intended. I do appreciate that element, still. Maggie Smith stars in her final film role, as Laura Linney, Kathy Bates and Agnes O'Casey feature as prominently. None of them give overly good or bad showings, though Linney did feel a little weaker than the rest; or perhaps just more guarded, as intended. Bates narrowly stands out most, either way. There is heart in what it attempts to portray, admittedly I'm not sold that everything is as wrapped up as the film appears to suggest with its conclusion. I do think a different end for Daniel would've been better, for example. There is undoubtedly some sturdiness scattered in there, mind. Forgettable, but passable.
After returning to her childhood home, young nun Colleen finds her old room exactly how she left it: painted black and covered in goth and metal posters. Her parents are happy enough to see her, but her brother is living as a recluse in the guesthouse since returning home from the Iraq war.
Seven mini-stories of adultery: a widow misbehaves at her husband's funeral, a wife turns to streetwalking for revenge, a prudish girl surprises, a neglected wife vies for her husband's attention, a fight over a dress, a death pact, and a detective revealed as a jealous husband's spy.
หลังการสูญเสียครั้งสำคัญ คีแกน หนุ่มน้อยชาวไอริชกับโมย่า เพื่อนสนิทชาวสเปนได้เรียนรู้ที่จะใช้การเต้นรำเพื่อฝ่าฟันอันตรายและอุปสรรคโดยมีฝูงกวางอัศจรรย์คอยช่วย
Years after their successful restaurant review tour of Northern England, Steve Coogan and Rob Brydon are commissioned for a new tour in Italy.
A wheelchair-bound singer and her best friend embark on a roadtrip to Memphis.
Ana meets Rafa in a chance encounter and they embark on a road trip to try and save him from bankruptcy, or worse.
Jimmy Rabbitte, just a thick-ya out of school, gets a brilliant idea: to put a soul band together in Barrytown, his slum home in north Dublin. First he needs musicians and singers: things slowly start to click when he finds three fine-voiced females virtually in his back yard, a lead singer (Deco) at a wedding, and, responding to his ad, an aging trumpet player, Joey "The Lips" Fagan.
Everything changes for Eva when she receives an insurance settlement check accidentally made out for $5,000,000 instead of the expected $50,000. She and her best friend take the money and head out for the adventure of a lifetime.
The story of former Ulster Volunteer Force member Alistair Little. Twenty-five years after Little killed Joe Griffin's brother, the media arrange an auspicious meeting between the two.
Bailey and Darla embark upon a misguided and mutually deceitful form of therapy, one in which they must drive across the country, re-enacting Darla's colorful history as a sex addict. As their true motivations for the road trip come to light, the unlikely pair force one another to confront their issues, discovering that there might actually be more to love than just sex.