Discover Black South African music from the apartheid era in this documentary that explores a wide panorama of styles, from Zululand roots to Soweto street singing, and features artists such as Ladysmith Black Mambazo and the Mahotella Queens. Ignored by the global community and suppressed from within the country by the local government, Black South African music used themes of joy and anger to promote resistance.
Discover Black South African music from the apartheid era in this documentary that explores a wide panorama of styles, from Zululand roots to Soweto street singing, and features artists such as Ladysmith Black Mambazo and the Mahotella Queens. Ignored by the global community and suppressed from within the country by the local government, Black South African music used themes of joy and anger to promote resistance.
A Soweto schoolgirl named Sarafina is galvanized to protest apartheid after her teacher is arrested for her activism, leading her to join the student resistance movement.
During the same summer as Woodstock, over 300,000 people attended the Harlem Cultural Festival, celebrating African American music and culture, and promoting Black pride and unity. The footage from the festival sat in a basement, unseen for over 50 years, keeping this incredible event in America's history lost — until now.
In the early to mid '90s, when the South African system of apartheid was in its death throes, four photographers - Greg Marinovich, Kevin Carter, Ken Oosterbroek and João Silva - bonded by their friendship and a sense of purpose, worked together to chronicle the violence and upheaval leading up to the 1994 election of Nelson Mandela as president. Their work is risky and dangerous, potentially fatally so, as they thrust themselves into the middle of chaotic clashes between forces backed by the government (including Inkatha Zulu warriors) and those in support of Mandela's African National Congress.
เรื่องราวของ เจนคิน และลี ชาวแอฟริกันผิวขาววัย 20 กว่า ๆ สองคนที่ถูกตราหน้าว่าเป็นผู้ก่อการร้าย และถูกจับกุมในปี 1978 ด้วยข้อหามีส่วนพัวพันกับการให้ที่หลบซ่อนกลุ่มต่อต้านการแบ่งแยกสีผิวเพื่อพรรคสมัชชาแห่งชาติแอฟริกา (ANC) ขณะถูกกุมขังอยู่ในคุกที่เมืองพริทอเรีย เจนคิน และลี ได้ร่วมมือกับเพื่อนร่วมคุกคนหนึ่งส่งสารชี้แจงไปยังรัฐบาล แล้วหลบหนีออกมา หลายเดือนหลังจากการตรวจตราอย่างละเอียดถี่ยิบ พวกเขาก็เริ่มหายใจหายคอได้สะดวกขึ้น และในช่วงเวลาแห่งการต่อสู้ทางเชื้อชาติ ในฐานะพยานปากเอกของกระบวนการรักษาความปลอดภัยในคุก พวกเขาได้กลายเป็นกลุ่มผู้เชี่ยวชาญในการปลดล็อคประตูเหล็กทั้ง 10 ประตูที่ปิดกั้นระหว่างพวกเขากับอิสรภาพ
James Brown changed the face of American music forever. Abandoned by his parents at an early age, James Brown was a self-made man who became one of the most influential artists of the 20th century, not just through his music, but also as a social activist. Charting his journey from rhythm and blues to funk, MR. DYNAMITE: THE RISE OF JAMES BROWN features rare and previously unseen footage, photographs and interviews, chronicling the musical ascension of “the hardest working man in show business,” from his first hit, “Please, Please, Please,” in 1956, to his iconic performances at the Apollo Theater, the T.A.M.I. Show, the Paris Olympia and more.
Thirty years ago, aliens arrive on Earth. Not to conquer or give aid, but to find refuge from their dying planet. Separated from humans in a South African area called District 9, the aliens are managed by Multi-National United, which is unconcerned with the aliens' welfare but will do anything to master their advanced technology. When a company field agent contracts a mysterious virus that begins to alter his DNA, there is only one place he can hide: District 9.
The second "visual album" (a collection of short films) by Beyoncé, this time around she takes a piercing look at racial issues and feminist concepts through a sexualized, satirical, and solemn tone.
Two South Africans set out to discover what happened to their unlikely musical hero, the mysterious 1970s rock 'n' roller, Rodriguez.
A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.
It's 1974. Muhammad Ali is 32 and thought by many to be past his prime. George Foreman is ten years younger and the heavyweight champion of the world. Promoter Don King wants to make a name for himself and offers both fighters five million dollars apiece to fight one another, and when they accept, King has only to come up with the money. He finds a willing backer in Mobutu Sese Suko, the dictator of Zaire, and the "Rumble in the Jungle" is set, including a musical festival featuring some of America's top black performers, like James Brown and B.B. King.