Maria, a 7-year-old girl who lives on the island of Ustica, has forgotten her mothers birthday, and only remembers it when she sees her brothers presenting her with two bunches of wild flowers. To make amends, she immediately sets off to buy some irises she had spotted in the market down at the port that morning. Luckily the flower seller still has some left, but Maria only has enough money for one Iris.
Arancia Cecilia Grimaldi
Maria
Guia Jelo
Signora col cane
Salvatore Lazzaro
Marinaio
Beatrice Gallo
Madre
Francesco Di Leva
Attore napoletano
Maurizio Nicolosi
Fioraio
Mariano Scalisi
Padre
Enrico Tranchina
Zio
Luca Badagliaccio
Fratello Francesco
Maria, a 7-year-old girl who lives on the island of Ustica, has forgotten her mothers birthday, and only remembers it when she sees her brothers presenting her with two bunches of wild flowers. To make amends, she immediately sets off to buy some irises she had spotted in the market down at the port that morning. Luckily the flower seller still has some left, but Maria only has enough money for one Iris.
Adriano is a middle-aged man living in a dilapidated villa in Tuscany, when a group of young idealistic students arrives to restore the villa's vineyards.
Struggling with a financial crisis, a good-looking widow decides to put herself up for grabs. However, going through with it becomes almost impossible with a new love and the legal system thrown into the mix.
A middle-aged man, Pietro, becomes a widower and must take care of his daughter. He will never have the time to delve into his own pain, committing himself to raising his daughter with love and dedication, in an all-encompassing relationship in which one heals the other's wounds through his own. When, after a few years, he tries to start a new life with a new partner, not everything will go as hoped: his daughter's reaction will be exaggerated and Pietro will be put to the test. He will find himself struggling between anger and paternal instinct.
A mosaic of several intertwined stories questioning the meaning of life, love and hope, set during the last six days in the life of Eluana Englaro, a young woman who spent 17 years in a vegetative state.
Jamie Fitzpatrick and Nona Alberts are two women from opposites sides of the social and economic track, but they have one thing in common: a mission to fix their community's broken school and ensure a bright future for their children. The two women refuse to let any obstacles stand in their way as they battle a bureaucracy that's hopelessly mired in traditional thinking, and they seek to re-energize a faculty that has lost its passion for teaching.
When a rebellious teen embarks on a solo summer journey to connect with her roots, she finds herself in a new world, geared up for the ride of her life, and discovers she had the drive in her all along.
Michael is a 24-year-old who has cerebral palsy and long-term resident of the Carrigmore Residential Home for the Disabled, run by the formidable Eileen. His life is transformed when the maverick Rory O'Shea moves in.
Anna and her son Valerio run away from a husband and a father who has destroyed the love of their family with beatings and anger. They seek refuge in Turin, with Carla, a lifelong friend, an actress and a woman who lives against the grain, who welcomes them, and with the example of her own experience, will show them the way to a just and possible rebirth.
Story about two brothers and their wives, and the interactions between them and their two high school age children. When the kids get into serious trouble together, how will the parents relationships change with and among each other? Will the parents protect the kids or force them to face the consequences of their actions?
ในเอเลนอร์ผู้ยิ่งใหญ่ จูน สควิบบ์ ถ่ายทอดบทบาทของเอเลนอร์ มอร์เกนสตีน หญิงวัย 94 ปี ผู้มีไหวพริบและภูมิใจในความแสบของตัวเองออกมาได้อย่างมีชีวิตชีวา หลังเผชิญกับความสูญเสียใหญ่หลวง เธอได้เล่าเรื่องที่เกิดบานปลายจนเป็นอันตราย นี่คือผลงานกำกับเรื่องแรกของสการ์เล็ตต์ โจแฮนส์สัน เป็นการสำรวจที่ทั้งขบขันและสะเทือนใจ ว่าเรื่องราวที่เราได้ฟังกลายมาเป็นเรื่องราวที่เราเล่าต่อได้อย่างไร เพิ่มเติม พ.ศ. 2568 · 1h 38m 66%