27 Matches Found
Seventeen-year-old Kellou has been gifted with supernatural powers she does not understand. Her disquiet and uncertainty only change when she meets Aya. It is an encounter with destiny that forges a mystical world where the visible and invisible converge.
Adam Ousmane is a pool attendant at a local resort. When the new managers decide to downsize, Adam loses his job to his own son, Abdel. Shattered by the turn of events, Adam is pressured into contributing to the Chadian war effort. With no money to speak of, the only asset he can donate is his son.
Chad, 2006. After a forty-year civil war, the radio announces the government has just amnestied the war criminals. Outraged by the news, Gumar Abatcha orders his grandson Atim, a sixteen-year-old youth, to trace the man who killed his father and to execute him. Atim obeys him and, armed with his father's own gun, he goes in search of Nassara, the man who made him an orphan. It does not take long before he finds him. Nassara, who now goes straight, is married, goes to the mosque and owns a small bakery. After some hesitation Atim offers him his services as an apprentice. He is hired then it will be easy for him to gun down the murderer of his father. At least, that is what he thinks...
On the outskirts of the capital of Chad, determined single mother Amina works tirelessly to provide for herself and her 15-year old daughter Maria. When Amina discovers Maria is pregnant and does not want a child, the two women begin to seek out an abortion, condemned by both religion and law. In the process, mother and daughter forge a connection stronger than any they’ve ever known.
Souleymane, 25, dreams of being a dancer in spite of having a paralyzed leg. At nightclubs, he transforms into the beloved dancer Grigris, impressing people with his moves. However, when his stepfather falls seriously ill, Souleymane desperately needs money and decides to work for petrol smugglers.
The film tells that in the second half of the 21st century, a fierce conflict broke out between humans and artificial intelligence. The heroine Yi Ni (played by Han Congcong) made a decision of fate and led the robot army to launch a decisive battle with the powerful Ron group. story. Yi Ni is a humanoid robot born in the "2060 Incident", and the only hope to stop the Ron Group from taking over the human race. She grew up on the streets and in the black market of robots. In an accidental conflict, she was arrested by the Ron group and learned the truth about her life experience. And it was the robots who survived the "2060 Incident" who rescued her from the clutches. Since then, in order to prevent the Ron Group from ruling the crazy behavior of mankind, Yi Ni led the machine army to launch a Jedi counter-kill, and started a century battle with the Ron Group about the fate of mankind, Yi Ni also transformed into a superpower with outstanding combat effectiveness "Dark Phoenix".
Mahamat-Saleh Haroun lost his close friend and collaborator Hissein Djibrine (nicknamed 'Kalala' after the Congolese footballer) to Aids in 2003. he returned to Chad to make this personal, cathartic documentary as an expression of his grief to unravel the facts about Kalala's death and to honour his memory.
Kellou, in her forties, lives in Bol, the capital of Sahel’s province. She’s a fisher, profession transmitted from mother to daughter. She learned it from her mother. But since a few years, Lake Tchad has been shrinking, and fish has become rare. Kellou’s job is threatened. One day, after an un- successful catch, her 12 year old daughter Mouna gives her an idea: pick up plastic bags invading the lake and make ropes out of it to sell them on the market. By this simple gesture, Kellou gets to, in her own way, fight against plastic pollution and adapt to the new conditions brought about by climate change.
In 2013, former Chadian dictator Hissein Habré’s arrest in Senegal marked the end of a long combat for the survivors of his regime. Accompanied by the Chairman of the Association of the Victims of the Hissein Habré Regime, Mahamat Saleh Haroun goes to meet those who survived this tragedy and who still bear the scars of the horror in their flesh and in their souls. Through their courage and determination, the victims accomplish an unprecedented feat in the history of Africa: that of bringing a Head of State to trial.
Majid fights his own coach for Faiza's heart and the dream of playing international football.
After the death of his Arabic teacher, an American-born filmmaker in the northern African country of Chad revisits home videos to explore the moment they started making movies together.
Filmmakers Ibrahim, Suliman, Eltayeb and Manar, close friends for many years, left their motherland in the sixties and seventies to study film abroad and founded the Sudanese Film Group in 1989. After years of distance and exile, they are reunited, hoping to finally make their old dream come true: to bring back cinema to Sudan by reopening the Halfaia Cinema, a dilapidated theater in Khartoum.
A Chadian film director who lives and works in France returns home upon the death of his mother. He is shocked at the degraded state of the country and the national cinema. The filmmaker decides to make a film dedicated to his mother.
Two boys (Tamir & Amine) awake one morning to find that their father has abandoned their family. Shocked, they begin to misbehave. While surreptitiously watching a movie, they think they see their father speaking to them and steal the film to examine the frames. Their mother (Achta) eventually despairs and sends them to Koranic school. Unhappy, they plan their escape until the eldest boy falls in love with a deaf girl (Khalil).
In a small Central African village, boyhood friends Djimi and Koni have come of age under a post-colonial government that levies crippling taxes and legally robs local farmers of their meager crops. When impulsive Koni savagely attacks a visiting government official, the resulting massacre forces the two friends on a journey that will transform them from boys into men, from farmers into soldiers and from villagers into revolutionaries. "We fight in one world so we can live in another," declares Koni as the two battle shoulder to shoulder against government troops. But while Koni embraces the politics and carnage of their dangerous new guerilla existence, Djimi longs for the simplicity and grace of the village life they've left behind. As the rebels move closer to victory, the two friends move closer to a clash of their own.
Madjbara is both a depiction of the beauty and magic of nature and a gateway to its mysteries. The film explores the journey of African ancestral and authentic identity through time – an identity imprinted on the female body, showcasing a natural beauty that has nearly disappeared from the contemporary narrative of African culture.
A young Chadian goes to Lybia to seek his fortune, but comes home empty handed.
Dane, a driver in N’Djamena, hits a nine-year-old pupil walking home from school and takes him to the hospital. When he comes back the next day, he is told that the child has died. He pays a heavy price for his mistake. A few months later, he meets out of fate the boy he thought he killed.
Severe drought in Chad is the context for this exploration of climate emergency told through immersive sound and visceral thirst. Severe drought in Chad is the context for this exploration of climate emergency told through immersive sound and visceral thirst.
Severe drought in Chad is the context for this exploration of climate emergency told through immersive sound and visceral thirst. Severe drought in Chad is the context for this exploration of climate emergency told through immersive sound and visceral thirst.
A short film produced for the European Commission's "Feeding Hope" campaign to raise awareness of the EU's crucial role in funding humanitarian aid operations.
Tradition and AIDS in Africa. What to do when the respect of tradition is at odds with the community's health?
In Boutelfil, on the edge of the Chadian desert, a community gather to discuss the recent drought. For the first time in 30 years, they decide to organise ‘Amchilini’, a tradition that obliges unmarried women in the community to choose husbands in the belief that it will ward off misfortunes.