217 Matches Found
1917. Bakary Diallo enlists in the French army to join his 17-year-old son, Thierno, who has been forcibly recruited. Sent to the front, they will have to face the war together. While Thierno learns to become a man, Bakary will do everything to bring him back safely.
Talia is a 19-year-old Belgian girl, with Senegalese roots, who is visiting her country of origin for the first time. In Dakar, in his cousin's family's luxurious villa, he hopes to meet his grandmother. But she can't find her anywhere and the villa quickly becomes a "golden prison." Until she meets Malika, a mysterious bird peddler.
A family weaves the threads of a heritage that travels between worlds. Joy and pain, memory and transmission. A wedding in France, a commemorative ceremony in Guinea-Bissau. Two celebrations, organically intertwined through bodies and time, leading to a rebirth.
Eager to find a better life abroad, a Senegalese woman becomes a mere governess to a family in southern France, suffering from discrimination and marginalization.
Mory, a cowherd, and Anta, a university student, try to make money in order to go to Paris and leave their boring past behind.
Dembe died of an overdose in the distant metropolis of Dakar. His father refuses to bury him in the family graveyard in the village, believing that his soul has become “impure”. Dembe’s mother decides to take matters into her own hands.
A money order from a relative in Paris throws the life of a Senegalese family man out of order. He deals with corruption, greed, problematic family members, the locals and the changing from his traditional way of living to a more modern one.
A fictional documentary that portrays the city of Dakar, Senegal, as we hear the conversation between a Senegalese man (the director, Djibril Diop Mambéty) and a French woman, Inge Hirschnitz. As we travel through the city in a picturesque horse drawn wagon, we chaotically rush into this and that popular neighborhood of the capital, discovering contrast after contrast: A small African community waiting at the Church's door, Muslims praying on the sidewalk, the Rococo architecture of the Government buildings, the modest stores of the craftsmen near the main market.
Three mercenaries extracting a druglord out of Guinea-Bissau are forced to hide in the mystical region of Saloum, Senegal.
Follows the story of two young boys and their adventure through the streets of Africa.
The Ceddo people try to preserve their traditional African culture against the onslaught of Islam, Christianity, and the slave trade. When King Demba War sides with the Muslims, the Ceddo kidnap his daughter, Princess Dior Yacine, to protest their forcible conversion to Islam.
Chaos ensues shortly after a young man in a remote village in northern Senegal refuses to accept his role as the new village chief.
A now-rich woman returns to her poor desert hometown to propose a deal to the populace: her fortune, in exchange for the death of the man who years earlier abandoned her and left her with his child.
After his mother develops cancer from dépigmentation, Khalilou fights toxic beauty standards. Disguised as Leila, he enters the "Miss Students" pageant, where light skin reigns, to give dark-skinned girls a chance to shine.
A cart-taxi driver goes to the city to make a living, but out of sympathy with other poverty-stricken people, he works for free and goes hungry himself.
Malian-French director Daouda Coulibaly's auspicious debut is a pulse-pounding political thriller. Wùlu tells the unsettling tale of a man's rise from the bottom rung of the social ladder to the heights of criminal power.
When he sneaks into a Simb—a festival where men dressed as lions dance to the rhythm of the sabars—Assane, a quiet young boy, sets in motion more than a simple punishment. What he experiences sends him on an initiatory journey through fear, myth, and ancestral transmission.
Une nation est née depicts the progression of Senegal from colonization to sovereignty, shown allegorically through scenes of dance and celebrations of its newly-reclaimed independence.
A Senegalese platoon of soldiers from the French Free Army are returned from combat in France and held for a temporary time in a military encampment with barbed wire fences and guard towers in the desert. Among their numbers are Sergeant Diatta, the charismatic leader of the troop who was educated in Paris and has a French wife and child, and Pays, a Senegalese soldier left in a state of shock from the war and concentration camps and who can only speak in guttural screams and grunts.
As World War II rages in Europe, a conflict arises between the French and the Diola-speaking tribe of Africa, prompting the village women to organize their men to sit beneath a tree to pray.
Entrusted by his father to a group of gold-miners, an albino child embodies all of their hopes.
Senegalese documentary about the country's most famous film-maker - Ousmane Sembène. The groundbreaking director explains his philosophy, politics and hopes for the future of African cinema.
A rich businessman in Senegal is cursed with crippling erectile dysfunction upon the day of his marriage to his third wife; the only cure is brutal public humiliation.
A three-part study that introduces audiences to the celebrated Martinican author Aimé Césaire, who coined the term "négritude" and launched the movement called the "Great Black Cry".
Promotional newsreel of Dakar, selected to host the first edition of the World Festival of Black Arts. The report features the history of the city, its architectural and commercial evolution, its air and maritime connections, its natural beauty, hotels and tourist attractions. Organised by Léopold Sédar Senghor on the initiative of the magazine “Présence Africaine” and the African Cultural Society, it was an unprecedented event in the cultural history of the African continent. The first festival was held in Dakar on 1-24 April 1966. Participants included André Malraux, Aimé Césaire, Jean Price-Mars, Duke Ellington, Joséphine Baker, Langston Hughes, Aminata Fall, Robert Hayden and many others. All the arts were represented: literature, music, dance, film and visual arts.
Ngor is a young man living in a Senegalese village who wishes to marry Coumba. Ongoing drought in the village has affected its crop of groundnuts and as a result, Ngor cannot afford the bride price for Coumba. He goes to Senegal's capital city, Dakar, to try to earn more money and is exploited there. He returns to the villagers and shares his experiences of the city with the other men. The story, which shows the daily lives of the villagers, is told in the form of a letter to a friend from a villager, voiced by Faye.
After a brutal attack, a young nomad named Sira refuses to surrender to her fate without a fight and instead takes a stand against Islamist terror. A feminist counterpoint to current reporting from the Sahel region.
Thierry, a world-famous cyclist, meets Fae, a sex worker, on his holiday in Senegal, and they sense in each other the love they seek. However, Thierry's career disgrace and Fae's refusal to register with the authorities threaten their dream.
In a village in West Africa where dreams play a key role, the hosts of local radio interpret the oniric visions of their listeners. The language of dreams is spoken here. The limits between the real and the fantastic blur, and time is suspended.
Badou Boy, a cheeky young man, travels through the streets of Dakar on the city buses and experiences adventures.
"All Equal!" is an evocative animated film that unfolds around a village fire where a grandfather narrates the poignant tale of his ancestors and their enslavement to his eager grandchildren. As the story begins, the children are transported to a time when their great-grandfather and his brothers were kidnapped by slave traders. The narrative takes them through harrowing scenes of captivity, forced labor, and the oppressive lives of enslaved in the masters' plantations. It vividly depicts the cruel reality of children and women being exploited and mistreated. Amidst this hardship, the grandfather's tale reveals a powerful revolution against their masters, leading to self-liberation and the founding of their own village. The animated journey, rich in historical and cultural significance, ends on a note of gratitude and reverence for the ancestors' indomitable spirit and their fight for liberty.
El Hadj is studying in Paris. He is one of the young Senegalese men who have come to Paris since the French colony became independent to get a good education so that he can serve his fatherland on his return. Unexpectedly he is suddenly confronted by a problem with his residence papers, just because he has arranged an extension too late. His pleasant life filled with good prospects has gone in one fell swoop. He faces a dilemma. He can stay illegally in France, the country where he feels at home, where he has his friends, has fallen in love and can drink water from the tap. Or he can return (without graduating) to the 3rd-world country of Senegal to use the knowledge he has acquired. It is not only a practical choice. It comes down to the question of who he is, who he thought he could be.
The French Michel and the Senegalese Malik, childhood friends now grown and both working in government, deal with rapid changes taking place as Senegal becomes independent.
Every Eid celebration, Anta has the task of bringing the leg of lamb to her paternal grandmother, as tradition dictates. This year, she begs her half-sister Bigué to go in her place, claiming that her friends are visiting. What Anta doesn't know is that this decision will change the fate of the entire family forever.
In a beach town on the coast of Senegal sits a basketball academy attended by the most promising players in Africa. Through the eyes of NBA Academy Africa’s players and staff, “From Africa: Pathways to the NBA” details stories of work on the court and in the classroom, the brotherhood that these star prospects have built, and their pursuit of the NBA dream.
55-year-old Demba is about to retire after 30 years of service at the city hall in his small town in Northern Senegal. That hot summer, as the 2-year anniversary of his wife’s passing approaches, he realizes he just can’t “shake it off.” As his mental health deteriorates, he discovers a new connection with his once estranged son.
Thierno Souleymane Diallo sets out with his camera in search of the birth of filmmaking in Guinea. Charming and determined, he traces his country’s film heritage and history and reveals the importance of film archives.
Together with her son Fodé, Mareme has recently moved to the suburbs of Dakar, where she does everything she can to fit in. One evening, her estranged eldest son, Barro, bursts into their home. Back in their hometown, he is under threat because he is gay. Despite tensions with Fodé, Mareme doesn't have the heart to close the door on Barro. She wants to believe that no one learns about Barro's homosexuality, and that she can protect him without endangering the new life she has built. Barro's secret is soon discovered, however, and the worst happens: he is lynched. When everyone around her refuses to give her son a proper burial, Mareme stands up against convention for the first time.
Dakar. A city drainage canal is the backdrop for a fierce card game between a group of young people who, to the frenetic rhythm of a djembe, play...
In 2013, former Chadian dictator Hissein Habré’s arrest in Senegal marked the end of a long combat for the survivors of his regime. Accompanied by the Chairman of the Association of the Victims of the Hissein Habré Regime, Mahamat Saleh Haroun goes to meet those who survived this tragedy and who still bear the scars of the horror in their flesh and in their souls. Through their courage and determination, the victims accomplish an unprecedented feat in the history of Africa: that of bringing a Head of State to trial.
Bizet's Carmen gets a modern adaptation. Seducting, provocating, sensual. All the ingredients for a perfect drama. With her charm, Karmen gets out of many situations.
Sabali, which means 'patient' and 'immortal', tells the story of Moudou's exodus and the resilience of his migration. It follows his clandestine odyssey, his fight for love, and above all, his patience. Departing feeds the hope for what comes after, and the memory of what came before.
Awa, a 15-year-old schoolgirl, is happily living her teenage years alongside her twin brother Adama who dreams of Europe. When their grandmother dies, her aunt Fatou and her uncle Atoumane promise to marry in order to preserve the family union. But Fatou does not love Atoumane and the latter, tired of waiting to consummate his marriage, commits an act from which there is no going back.
In his village, where bread is scarce, Ousseynou, a former fisherman, finds stability by selling stale bread. The opening of his sister-in-law's bakery creates an unspoken tension between them, jeopardising his business and family role.
A penniless, fast-thinking musician buys a lottery ticket which he glues to his back door, in hopes of eventually retrieving his instrument from his exasperating landlady. —but the ticket wins...
Meet Ousmane Sembene, the African freedom fighter who used stories as his weapon.
The star-stubbed cast includes Issac de Bankolè as Saar, a blind beggar, and Danny Glover as a corrupt president. In this often hilarious mix of politics and superstition, the beggars hamper the tourist industry yet play a necessary role opposite the lives of devout and wealthy Muslims. The agitated Minister of Public Health and Sanitation imposes a novel way of eliminating the problem.
In 1972, Djibril Diop Mambety shoots "Touki Bouki." Mory and Anta are in love. Two young lovers share the same dream: to leave Dakar for Paris. At the fateful moment, Anta embarks. Mory stays alone on quay, unable to tear himself away from his land. Forty years later, "A Thousand Suns" investigates the personal and universal inheritance which represents "Touki Bouki." What has happened since? Magaye Niang, the hero of the movie, has never left Dakar. And today, the old cowboy wonders where Anta is, the love of his youth. Stories about family, exile and cinema meet between the sphere of intimacy and that of myth.
A forty-year-old woman refuses to give into the stigma of unwed motherhood and climbs the ladder of success in a male dominated field.
This film is widely regarded as the first film made by an African south of the Sahara. Labelled an “ethnological documentary in reverse,” it shows 1950s Paris from the cinematic perspective of a group of African immigrants. (Mubi)
Following the steps of Oumar Seye, first black African professional surfer, Cherif, Paké, Assane and Mbabou, childhood friends from Ngor village in Dakar, make a living with their passion, surfing. They’ve been qualified to form the Senegalese national team for the first time at the ISA World Surfing Games in Biarritz, France. A crucial stake for these worthy ambassadors of the "Teranga" spirit.
Recording a 24-hour period throughout every country in the world, we explore a greater diversity of perspectives than ever seen before on screen. We follow characters and events that evolve throughout the day, interspersed with expansive global montages that explore the progression of life from birth, to death, to birth again. In the end, despite unprecedented challenges and tragedies throughout the world, we are reminded that every day we are alive there is hope and a choice to see a better future together. Founded in 2008, it set out to explore our planet's identity and challenges in an attempt to answer the question: Who are we?
Each year, the pilgrimage of the Muslim brotherhood of the Mourides takes place in Touba. From all over Senegal (and even from all over the world) pilgrims flock to take part in this religious event which will last three days and two nights. Grand Magal in Touba evokes the black Islam, promotes peace and tolerance, born of syncretism between Islam and the blackness of the Sufi brotherhoods in Senegal.
Seni Camara lives with her husband and family in the village of Bigona, in the Casamance region in southern Senegal. Working outside the local tradition of making pots and “useful” objects out of clay, Seni claims that through a “gift of God” she has been able to create thousands of bizarre, magnificent creatures — clay sculptures of astonishing originality. Although the villagers don’t know quite what to make of Seni and her art, she continues to work to support her family and to satisfy her own creative urge. The film follows Seni and her husband as they prepare the materials of her art. Together they dig up the hard dirt of the land and slowly mix it with water and sand until the clay is ready to be molded (she tells by taste). While Seni does the intense work of shaping the wet clay into her truly original forms, her husband prepares the final dye bath by harvesting and soaking wild nuts in water. Finally they fire the sculptures and dye them.
Return To Podor is a documentary that follows Senegalese artist Baaba Maal and Mumford and Sons on their journey to the most remote music festival in the world: Blues du Fleuve (River Blues) in Podor, Senegal.
The story of four Senegalese youths from the suburbs of Dakar who are about to set their country ablaze in 2011, via the grassroots movement called Y’en a marre (We’re fed up).
This film presents a harsh critique of the Koranic teaching through the tragic story of a small talibé, student of a beggar.
In a rural African village poised at the outer edge of the modern world, a teenage girl hatches a secret plan to rescue her 11-year-old sister from an arranged marriage.
Director Alice Diop was born in France of Senegalese parents. After their death, she felt the need to explore her roots. Armed with her camera, she went to spend a month filming the daily lives of the women of her family whom she had never met: Néné and her two daughters Mouille and Mame Sarr.