Discoveries from Solomon Islands World Cinema

On the night of 3 August 1996 a school of striped dolphins ran ashore near the village of Tuo on Ngasinue/Fenualoa Island in the Reef Islands (Solomon Islands). Dolphins have a special kinship-related link to the Aiwoo-speaking people in Tuo. Moffat Bonunga tells the legend or so-called local kastom story that explains why. Moffat's explanations are linked with those of another local expert, Commins Veio, who tells his version of the story to Nathaniel Meningi inside the men's house (sapolau) in Tuo. The night the dolphins run ashore, Moffat immediately contacts the film crew - the villagers want the crew to film this peculiar phenomenon. Although the film focuses on the kastom story and the villagers' re-enactment of the hunt, it also documents the villagers' joy that the sea once again has proved an important source of food.

A mountainous expanse of the Solomon Islands, known as Sky Aelans, hides in the clouds. Here, there is a chorus of animals, every tree has a story and every drop of water carries a memory. But despite a 2018 pledge to protect mountain regions above 400 meters, this land is being threatened and the Indigenous communities who live in these mountain forests are the last protectors of these high sacred places. They are not simply seeking to save themselves and the land they love, but the creatures who inhabit this pristine island in the clouds.

Eight connecting moments of seemingly different lives thread together Vai’s journey of empowerment through culture over her lifetime. Beautifully shot over seven Pacific countries, and played by a different indigenous actress in each place, Vai links together a story of family, culture, and at times, isolation. A delicate exploration into the meaning of growth, adaptation, and most notably, a connection to water and home.

This film focuses on the people of Lau lagoon in the Solomon Islands who live on artificial islands near the island of Malaita. These islands are built of coral rubble and the people moved to them in an attempt to escape the dangers of malaria and enemies, and to find better fishing. The film focuses on change and conflict. The concept of 'custom' is vital to the islanders' identity, yet this is being eroded, particularly by Christian missionaries. The conflict between Christian and Pagan now pervades daily life, creating divisions in families and eroding knowledge of traditional life.

A golden object mystifies a young man living in a traditional Solomon Islands village. He dreams of going to the city and wakes up in a nightmare that changes his life forever.

In the late 1800s, two Solomon Islander siblings, Kiko (16) and Rosa (24), were kidnapped from their Pacific island home and forced to work on a sugar cane plantation in Queensland. In a world where exploitation of Pacific Islanders for cheap labour is legislated and conditions for islanders are akin to slavery, Rosa struggles to keep an eye on her spirited young brother as he journeys into adulthood.

Juvenile is about two teenagers lived two different lives in Honiara, Solomon Islands. A film that portrays family, friendship and bad choices that needed a system to help Henry and Jimmy get back on knees.

For most of our history, the ocean has been regarded as, if not a barrier, an adversary: something to be simultaneously exploited and feared. Ingo Niermann asks us to rethink our response to the fearful oceans, in hope of finding its hidden soul and reaching an understanding with it. In Sea Lovers Niermann offers us a whole chest of new models for reading, touching and feeling the sea. As the seaside theme parks of the early 20th century offered us a safe encounter with the novel and unsettling technologies of the age, could an underwater amusement park allow us closer interpersonal connection with other lifeforms? And just as the domestication of animals into emotional and affective companions made the forests ‘safe’ for our comprehension, could dolphins or cephalopods become our guides to the watery depths that were once our home? Could the salty touch of the ocean itself soften us towards accepting its wild and all-encompassing embrace?

The Reef Islands Ethnographic Film Project was started in 1994 by the two anthropologists, Jens Pinholt and Peter I. Crawford, and village communities in Bekapoa, Ngasinue/Fenualoa and Vaiakau. Field and film visits took place in 1994, 1995-1998, 2005, 2010, 2015 and 2017. This film is based on one such visit in June 2015, by Peter I. Crawford and Birgitte Hansen, a nutrition expert. The focus was on a diachronic study of nutrition, collecting information in three villages and comparing it with material from the 1970s and the 1990s. Pileni was one of the villages.

Ngali, Nut of Life" tells the story of how a special tree, the ngali nut tree, is the most highly prized and exploited resource of villagers in Fo’ondo, Toa’baita, Malaita Island. Ngali trees mark land ownership, provide the nut with a buttery texture that makes a local delicacy, and brings different tribes together for peace. At the same time, traditional use of the tree is changing, raising important questions for the future relationship between humans and nature and between the tribes themselves.

A Solomon Islands community struggles with some unexpected consequences of a logging operation. The men of Rendova Island embrace the chance to be part of the modern economy; but the women are concerned for the forests and traditions that sustain their families. As Rendova's forest rapidly disappears, the loggers set their sights on a deserted island held sacred by the villagers. Through evocative archival images, 'Since the Company Came' questions the ongoing legacy of colonial attitudes to land and people.