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A lonely woman during the pandemic period now observes the world through the window of her apartment, raising several reflections on the windows of others, becoming an interlocutor of the stories she does not know, but also of the reality that surrounds her. The fragility of glass and feeling. The other in its naked form, without dilution, in the privacy of its home. Sensibility and delirium, as they reflect our spirits in times of arid.
Variations on a couple, lovemaking and a house.
Brazilian comedy in two segments. 'Theft of the Panties': Four friends are broke during Christmas. Genaro decides to rob a brothel because he thinks that the victims won't call the police. To get to know the place, one of the friends, Alfredo, disguises as a woman and goes there with Genaro. They set up a plan and then return to execute the robbery. 'I Love Cod': The owner of a bar in the suburbs, the Portuguese Manuel, wins the sports lottery. Three mechanics find themselves wronged for having almost won the prize and abduct Manuel's wife, demanding ransom. Manuel refuses to pay, as he finally got rid of his wife and can now win the woman of his dreams. Knowing this, the wife collaborates with the kidnappers to reverse the plan: Manuel will have to pay the ransom if he does not want to see her again.
Day breaks on the eighth floor in a suburban neighbourhood of Lisbon and 14-year-old David’s grandfather is still in hospital. Doctors give him only a few days to live. The imminence of death and the void that it will leave force David to become the man of the house, where he lives with his mother Mónica, who is in her 30s, and his three-year-old sister.
Monteiro moved far away from the visual opulence defined by his earlier films with his inspired adaptation of radical Swiss writer Robert Walser’s anti-fairy tale. Carefully restricting the image track, Monteiro maintains an almost totally black screen in order to focus instead on the voices of Snow White, the Prince, the Queen and the Hunter, engaged in an extended debate about love, free will and the events leading up to the fateful attempt on the maiden’s life. Despite its visual austerity, Snow White is haunted by the arresting images with which it begins – infamous black-and-white photographs of Walser lying dead in the snow after his heart attack outside a Swiss asylum at the age of seventy-eight, a strange realization of the “death of the author” so central to postmodern literary criticism.
We follow two boy dancers who describe their relationship with dance and how they feel about being boys in a world that is seen as "feminine" from the outset, and that it is possible for men to have different values and different relationships with dance.
The young girl, Antónia Margarida Castelo Branco, is handed over by her mother to Brás Telles de Meneses because of the obscure interests between rural aristocratic families in the North. Brás is a ruined man, a bohemian with a reputation for violence and erratic behaviour. Antonia’s fortune is the first sacrifice made by the young wife. Fascinated by the man who humiliates and ill-treats her, she follows him in a pilgrimage to increasingly barren lands, to increasingly less hospitable houses.
Kora outlines the stories of refugee women living in Portugal. They all carry their past with them, in their body and words, as well as in pictures of their loved ones. From these memories, we access the intimate and political gaze of those who reconstruct (their) present.
Documentary about the life and work of Mário Eloy, one of the greatest painters of the second generation of modernism in Portugal.
The story of Jacinta, one of the three children involved in the Marian apparition reported in 1917 at Cova da Iria, in Fátima, Portugal.
Anderson (Andrey Lopes) is a high-class youth living in Copacabana, and Eliza (Maiara Queiroz), a resident of Rocinha,the largest favela in Brazil. The two start a romance, but the first time Anderson meets the community in which she lives, he witnesses a murder.
Joana, 40 years old medical phychiatric, is married to Paul, an executive of a large financial company. Paul hopes that Joana fulfils her role and follows his constant social influences demonstrations. But the marriage is profoundly altered when Mónica, a young model, enters Joana´s life. Irresistibly attracted, they involved romantically, in a world of liberating experiences and feelings. But this will be a short trip, since the revelation of this affair forces Paulo to take drastic measures... ~ FICA
Short film narrating the luxuries of Madeira.
A story about people who reinvent their ideals of perfection to incorporate a sensual attraction to surgically transformed bodies.
When a businessman's car crashes and burns, inspector Moisés of the criminal brigade is given the case, as the body has been stabbed. He'll try to reconstruct the financier's personality by the mirrored impressions on those who knew him.
After the death of his mother, Carlos returns to his childhood home. During a long night, Carlos is confronted with the many neighbors of his hometown, who will try to test him and lead him to madness.
A man lives isolated in his grandmother's country-house in an attempt to recover from a tragic event involving his family. His lonely and silent days are spent with an unnameable hope.
The young years of Michel Drucker.
In today’s Tirana, Agim and Gëzim, two inseparable deaf-mute identical twin brothers, live under the same roof. Ana, Gëzim’s girlfriend, a young high-spirited woman in her thirties, visits them quite often. One evening, Agim is driving back home with Gëzim, when his sight gets blurred and a fatal accident nearly occurs. At the ophthalmologist, a few days later, the two brothers discover that due to a genetic and rare disease, they will separately, but progressively and irreversibly go blind. Slowly immersing into an unbearable silenced darkness, not being able to see the world and each other anymore, only Ana by their side, the two brothers have to make a strong decision around a cup of coffee with new shoes on.
It all started in Mafalala, a poor neighborhood on the outskirts of Lourenço Marques, Mozambique. A kid kicked into rag balls and did not care much about school. This kid was called Eusébio da Silva Ferreira and would become one of the best footballers of all time.
In 1974, a group of men lost their lives in what is still called today the Bloodless Revolution of Portugal.
Alberto Verani is a married farmer and a relentless womanizer. When his wife Marina is away he tries to seduce Condessa Arduini sending her a bouquet signed anonymously. However Marina is the one to find the gift and hides it from Alberto, believing she have a secret admirer. So the husband keeps sending her flowers to test the fidelity while an outsider man discovers the plot and start to takes advantage of it.
Four people walk. One runs. In a house, someone loses their vision. A study on time and the break of the cinematographic wall of "truth".
After a intense argument with his girlfriend, Mike wonders if the fall from a bridge hurts as much as the harsh words spoken by the one he loves the most.
The autobiographical texts and letters by film director Manuel Guimarães, and exchanged by him with friends, are the axis for the intimate narrative of his life, social concerns, passion for movies - while revisiting many movies of the 20th century and his complete filmography. One segment documents the epic way directors attempted to bypass official censorship to show their movies out of the country.
Laura goes to Buenos Aires and falls for the photographer Guilherme. When she returns to Brazil, her homeland, she discovers Guilherme is actually her fiancé's best friend.
When a game night turns into a challenge, Pedro decides to take matters into his own hands and find the right gallery for his paintings.
July 1956. Álvaro Cunhal arrives at Peniche Fort and is placed in the most modern and secure prison wing, considered escape-proof. Despite the tight control exercised over the prisoners, Álvaro and his comrades manage to organize a small commune and provide support to the most vulnerable detainees, while looking for a way to escape.
A loner, narcissistic and suicidal teenager attracts most of the people he meets like a fatal aura, a black light. He falls deeply in love with Teresa but does she exist or is she a mere figment, an image, a reflection? Teresa is an apparition. A pretext for an amoral violent uprising, for doomed love.
Maria da Luz waits for her husband who got lost somewhere in Angola during the war. With no news, she finds herself surrounded by families that, like her, desperately long for some kind of hope regarding their loved ones fighting abroad. She takes the matter in her hands and starts tape recording loving messages from each mother, wife and other family members. Carrying the tapes, she travels to Angola and personally delivers these messages to each and every soldier in a personal quest right in the middle of a country in war.
The Violin Sonatas visualizes Anne-Sophie Mutter's successful 2010 Brahms album (with Lambert Orkis), her first Deutsche Grammophon recording of this essential repertoire.
A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?
Walid (Samir Boitard), a non-commissioned officer of Algerian origin in Afghanistan, returns to France only to find that his desire to take up a normal life again is blocked.
Antonio decides to break free of his mundane existence and rents a silver convertible to take his wife on a dream vacation. Everything seems perfect. Except he doesn't know the way.
A young girl, Benilde, so protected by her religious family that she seemingly knows nothing about procreation, insists that her mysterious pregnancy is a miracle; however, her distressed bourgeois family decides that Benilde has lost her mind.
Sara moved to London to find a job in graphic design, but she's stuck in a restaurant kitchen. Today, after one more rejection, she starts facing her failures and the reality of her life. Torn between her Portuguese roots and the need to make her own path, Sara finds herself on the edge of change.
"Essay on the Military and the Power", a phrase that also belongs to the title of "Gestures & Fragments", sums up the spirit of the film, based on three points of view on the same theme: Otelo Saraiva de Carvalho and Eduardo Lourenço, in their own roles, and the one played by Robert Kramer, as an American journalist bent on seeking explanations for the process of the Portuguese Revolution.
The city during the beginning of cinema. The typical city at the time of the dictatorship. The New Lisbon of the New Cinema. Lisbon after the Revolution. The white city of foreigners. A geographical and moviegoer screenplay of Lisbon through the images of films and testimonies of several filmmakers who filmed in Lisbon.
An arrogant young woman, the landowner's daughter, gets involved with the farm straw boss.
Film on the city of Viseu and its several touristic spots: churches, monuments, forts, 15th and 16th century houses, palaces, hotels, ancient and modern streets and avenues, parks and bridges.
A man exiled in Paris makes various trips to Portugal after the Carnation Revolution. Each trip is represented by a woman.
Alex is a young adult from a social housing district. When he left his home in the morning, he faces a situation apparently out of the ordinary.
Angola's complex history seen through the eyes of a fake taxidermy sable antelope. She takes us on a journey that links colonial ideas from the past with contemporary reality. This short contemplation on the conservation of memory is a brilliant mix between static painted, staged histories, and a physical parade through the streets.
Pedro travels for the first time in one of the vans leading a group of workers to France. While, for the others, this is another work trip, each kilometer brings Pedro closer to a place that seduces him: the colossal mountains of the Alps.
Lúcia, a blind woman, helps Raul to escape of a running over. Then, Lúcia and Raul initiate one complicated relationship.
A portrait of Amália by herself. Her personality, experiences, daring, songs, joys and sorrows and a journey that took her all over the world, are told here through moments when Amália crossed with the history of radio and television and public.
In Rio Grande do Sul, the newcomer intern Paula sees the schizophrenic Dante Becker and she decides to study his case for her graduation work in the university. She learns that Dante was left in the institution ten years ago and has been abandoned by his family, friends and even the doctors and his files are lost. Her supervisor retrieves the name of Dante's father Gregório and the women Renê Heller and Berenice that had visited him in the past and she interviews them to discover what happened with Dante.
Mario (Thiago Cazado) is in debt. To pay the bills, he displays the body on a famous porn site.
Her difficult career beginning in her hometown, Porto Alegre, was not different from her friends' stories. Elis belonged to a group of people born to win. She had the talent, she knew her potential and she just needed to face the world with courage and determination. That is exactly what she did. The result is known by everybody and it is in this film, a unique register of memorable interpretations by Elis, including the song which Elis learned with Tom Jobim and entitles the film.