Discoveries from Brazil World Cinema

Continuing the exploration of the thin line between truth and performance, Eduardo Coutinho turns his attention to the drama generated during rehearsals for the Galpão Theater Company’s performance of Chekov’s The Three Sisters. As he shoots scenes from the play, Coutinho attempts to capture the very moment in which reality becomes fiction and vice versa—whether through the actors’ bodies and words or in backstage scenes of a performance that will exist only on film.

In a workshop there are six workers, the six are brothers. Enter the mother who asks them to rescue the seventh brother, the youngest, Luis. The brothers hesitate because the youngster keeps getting into trouble, but they end up giving in to the request. Gangsters are fighting in a bar and the workers end up getting into the fray.

Play written by Qorpo Santo, in 1866, about a love triangle in which the husband kills his rival in the name of honor, pride, dignity and national integrity.

A portrait of the one hundred years of Santos Football Club, where history is told by the real facts, their meaning and emotion. "To born, to live and to die Santos", the path of the first Brazilian football team to become World Champion twice since its foundation. From Pelé goals era to the irreverent football of Neymar’s generation, the history is told by supporters, players and historians, inserting the football passion into the cultural context of Brazil and inside each Brazilian as well.

Mockumentary on a German moviemaker and an old vampire film in Southern Brazil.

The show brings successes of his career, songs from the new CD and unpublished songs in his voice. In the script, songs from the new album as 'Casablanca' and 'Barulho' (both by. which inspired the album's title.

1994. Felipe, Burunga and Deco are three young friends who want to enjoy the carnival. To do this, they take an old 1970s van, used to sell hot dogs, and leave Sao Paulo for Bahia.

Sônia and her homosexual brother are both believed by their mother to be possessed by the devil. She works as a prostitute in the streets of Copacabana and he’s a servant who falls madly in love with his employer.

After a long journey to Formosa, one of the first german colonies in the south of Brazil, Aron re-encounters his grandfather Harry Matschulat to shoot an interview about his life. But, his health wouldn't allow it. Because of this hindrance "Ewigkeit" is born: an imagetic documentary which reflects upon time, life, death and eternity.

The 80th birthday of Erasmo Carlos, pioneer of Brazilian rock, in never-before-seen images: the Tijuca gang, Jovem Guarda, international success, Roberto Carlos and his influence on behavior.

Extracts is a short film with images from 1970 to 1972 in the cities of Rio de Janeiro, Salvador, London, Marrakech, Rabat and the Sahara Desert region. The images were filmed by Helena Ignez and Rogério Sganzerla in exile, in the "leaden years" of the military dictatorship.

How do we get along with the things we take with us? "Te Sufoco, Me Asfixio" is an experimental videodance which purposes a reflection about what do we think and how we react to ourselves.

Lúcio comes back home drunk and tired after a party late into the night and has a fight with his wife, Terezinha. Then, a butler shows up at their door to inform them Terezinha's mother has died.

A beautiful woman is found dead, with a peach in her mouth, a bite in her butt and without blood in the body. When other women are found dead in the same modus-operandi, the police gives the nickname of "Vampa" to serial killer. Detective Leôncio is assigned to investigate the murder together with fetishist photographer Oscar. Without any lead, they decide to follow a sexy and popular night-club dancer on the streets of São Paulo, trying to identify possible suspects.

It portrays the work of Carlos Filho, Cafi, a photographer from Recife, who for more than 40 years has dedicated himself to recording a large part of the events of dance, theater and Brazilian popular music. Recordings, concerts, tours and rehearsals by important artists passed through Cafi's lens.

Rafael wakes up in an abandoned hospital, blind and covered in bandages. Agonizing, he sets for a terrifying journey in the dark. Sofia, a doctor, follows him. Distressing images of recent events emerge from Rafael's memory, revealing his connection to Caio, Sofia's son.

The film, created in exile from 1971 to 1973 between Cuba and Rome, is considered a "semi-finished" work by Glauber Rocha. It has a certain pedagogical character and seeks, through dialectical editing, to conduct a critical review of colonization, class struggle, messianism, and the establishment of populist governments in the Third World. There is a chronology in the events presented, which, supported by extensive iconography (films, engravings, photos, etc.), create "free" associations that allow the viewer a "polyphonic" view of the "History of Brazil."

A short film that presents a small excerpt of the family life between a homosexual son and a mother diagnosed with Alzheimer's. The film presents Fernando's conflict in his search for acceptance and recognition from his mother, which is made difficult by the difficult progression of the disease and, possibly, by a veiled prejudice.

Based on a radio show that was broadcast for 11 years (1947-1958) and ended only when the host and creator, the genius Henrique Foreis "Almirante" Domingues, had a stroke. There were hundreds of horror stories, supposedly true, sent by listeners from all corners of the country, radiophoned and broadcast by Rádio Tupi in Rio de Janeiro. It became a book in 1951 (reissued in 1984), a film in 1969 and a TV show in 1994-1995, broadcast by the extinct Rede Manchete.

Conceição and Presto, an interracial couple, ask Presto's brother for his signature as a guarantor of the financial request supposed to assure them an apartment in Leblon, the whitest neighborhood in Rio de Janeiro. The process proves to be much harder than they had imagined.

The arrival of the West Indian Companies to Natal in the XVII century is just the beginning of this violent story that pushes Bernarda and her family to run away from the city and from the invasion. In the Potengi Mill she meets the foreman's son Rafael and they immediately discover a passionate love. It will give them the force to try to survive during those violent years triggered by Jacob Rabbí, a German assigned by Prince John Maurice of Nassau to command the conquest.

A couple is charged with murdering a friend after discovering a fraud scheme at a data-processing center. They hide in a van, where they set up a clandestine station, so they start to report the fact, seeking to mobilize public opinion until it becomes a national scandal.

Four young people face the Terceirão (High School Diploma) between decisive exams and personal dilemmas. A moving portrait of youth in diverse realities of the Brazilian educational landscape.

Maria and Suzy try to find themselves within their confusing relationship after a fateful night, struggling to overcome the indifference they both express in this love and to figure out how to deal with their relationship after what happened.

After creating a website to gather clues about her cousin's disappearance, Letícia is now pursued by the maniac who has been terrorizing the city of Monte Frio for two decades.

Dirceu, 30 years old, has origins that go back to the aristocracy of Northeast Brazilian backlands. Settled in a kind of subjective amnesia, Dirceu tries to bury his family's past. He is a demolition man in Recife, an urban landscape undergoing an uncontrolled process of transformation. Maria shares the same country origins, but she uses the city for a different purpose. She is a carefree and joyful music student. If Dirceu aspires to a world that is stable and present, Maria lives in discord with the present. To her, nothing is as it should be. Maria's apparition unleashes in Dirceu an urge for being somebody else. On a route of escape through the desert of the backlands, a unique encounter is set to happen. Boa sorte, meu amor (Good luck, sweetheart) is an anti-romance of the impact between music and silence.

A film-letter that tells the tale of an unlikely and recurring discussion about the perception of herons in the urban environment. (Un)intentionally, it raises questions about how we see ourselves as residents of "less affluent" areas of Rio de Janeiro.

On the day of the ENEM test, a young man realizes he forgot to study. In a panic, he tries to learn everything in minutes, but time doesn't seem to cooperate. Rushed and confused, he fights to understand the impossible before the exam.

A white man, yet forged in the samba de engraxate that had its main stronghold in downtown São Paulo, Germano Mathias became an icon of a musical style that mixed a lot of "malandragem" and poetry. We follow Germano as he recounts his life, journey, and brings us memories of a city that, while it no longer exists, is still hidden from our distracted gazes.

Cowboy escaping from the drought in the Northeast Brazil meets some officers led by a cruel lieutenant, whose main objective was to catch organized outlaws and invade the small town of Juazeiro. They arrest and torture him, hoping he would tell them the whereabouts of Padre Cícero, a prominent religious leader of the place. But he manages to escape and arrives in Juazeiro. The police invade the city and arrest the believers who were celebrating a party for Padre Cícero.

DISCOMFORT transforms everyday life into a field of constant tension. Set almost entirely inside an ordinary residence, the film investigates the invisible emotional violence that settles into family and intimate relationships. The narrative follows a young woman surrounded by figures who move between care and control, love and manipulation. Small gestures, prolonged silences, and restrained conflicts build an oppressive atmosphere in which terror does not manifest through jump scares or graphic effects, but through the gradual deterioration of sanity. With a raw, sensory, and minimalist approach, DISCOMFORT proposes an immersive cinematic experience that shifts horror into the emotional realm, exploring themes such as psychological abuse, emotional dependency, identity, and survival. The film invites the viewer to confront a discomfort that does not resolve — it only accumulates.

A montage of 48 Brazilian films made between 1898 and 2022. The moments, the frames, where we feel a glimmer, an innovation, some experimentation and emotion coming to us at different times. A fine thread that runs through cinema since its birth, and even before.

After the sudden break up of a relationship, a young man tries to make a film using the images of his ex-girlfriend that he had on his camera.

A smell can save memories of a lifetime... This is the story of Maria, the woman who watches her husband's body while recalls the many years of a loving relationship unconventional and finds comfort in the memories to overcome the loss.

After a robbery, a thief, a worker and a street boy have their ways crossed.