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Against the backdrop of Cold War, Glory to the Queen reveals stories of four legendary female chess players from Georgia who revolutionized women’s chess across the globe and became Soviet icons of female emancipation.
Grein, a truck driver, works for Sienmann, an undesirable man, dedicated to fraud.
A kidnapped bride. A distraught hero. Odysseys through surreal worlds. Menandros and Thaïs are freshly married, but the wedding day ends bloodily. Thaïs is abducted by pirates. Searching for her, the bridegroom becomes a bloodthirsty monster, his horse grows wings, a witch promises him to another woman, King Xerxes unmans him, but everything comes to an happy end. Or does it?
Kurt Schneider is a superficial and funloving character. Instigated by his mother he swindles his way into the legacy of a house and some money. Both Kurti and his mother are certain there are no legal heirs to the property. Great is their surprise when Ilona appears, who is the legal heiress coming from a remote part of Yugoslavia. Several attempts to get rid of that "Tschusch" prove unsuccessful. Once Mama Schneider gets to know that Ilona is also the beneficiary of a sizable life assurance contract, she destines her son to marry Ilona. While trying to double-cross Ilona, Kurti actually falls in love with her. Now it is Ilona's turn to take vengeance on mother Schneider and to prompt Kurti to take a clear-cut decision...
Annie Breuer, a single mother in her mid-thirties, lives with her two children, Lena and Tino, on the top floor of an old apartment building in Vienna's suburbs. She sometimes doubts whether she can handle life's diverse challenges and challenges. She has better days and worse; sometimes a dark shadow hangs over her mind and the entire world—at least, that's how Annie feels.
Aino is celebrating her bachelorette party. Toni, who was once briefly with Aino, works at the gas station. Lolly has moved away, but always has sex with Aino's mother whenever she returns to her hometown.
Based on the historical novel by Flaubert, "Salammbo" tells the story of the Mercenary War between Carthage and the Barbarians in the third century BC.
Udo Kier dies his way through film history. He screams, falls, lies, is cut into pieces, shot or commits suicide. Again and again his empty gaze, again and again his rigid body. In 54 years as an actor, Udo Kier played in more than 170 feature films, 120 series episodes and 50 short films. More than 70 times Udo Kier tried to give an expression to dying and death. In Staging Death, these representations of death merge into a montage of the most diverse shots, film formats, special effects and sound designs. "Directors are now thinking increasingly strained about what new ways they can kill me. […] At some point, somebody would have to make a montage of all my film deaths." Udo Kier (Interview Subway Magazine #145, December 1999)
Three stories by three directors, three journeys into the world of teenagers and countercultures. The stories are interlaced with each other. Characters with a small performance in one story will play a major part in one of the other two stories so we will learn more about them, on the other hand central characters appear again in the periphery of one of the other stories. It is done in a casual way, comparable with the situation in daily life when two friends are running into each other by chance. Petra and Nicole in their shrill world of brightness. Loafing around, bumming and teasing guys.
Vienna, Austria, late 1870s. After suffering an irreparable misfortune, the Austrian composer Johann Strauss Jr. (1825-99), the Waltz King, falls in love with a ballet dancer, which disappoints the famous operetta singer Marie Geistinger…
A village in Styria, Austria, 1945. A troop of the elderly, the lame, and the village idiots roams the woods. When the Nazis invade to collect metal for weapons, the church bell disappears.
Anna and Bogdan's decision to say goodbye to each other, made with a heavy heart, is put to the test: Anna is pregnant and decides to have an abortion without involving Bogdan. As is so often the case, however, events in a small community such as the three women at the Pichlerhof cannot be kept secret. Burgi informs Bogdan. But Anna's strategy of silence also involves him in a chain of disastrous misunderstandings. Once again, Anna's thick head gets her into big conflicts. In the end, it is Burgi, the old granny, who turns fate around with her bluntly self-centered wisdom.
A striking interpretation of Mozart's opera that became a sensation at the 2008 Salzburg Festival. This is not only a rethinking of the place and time of the opera, but also a deep disclosure of the characters' characters, their ambiguous inner world. A simple, at first glance, plot is turned by the creators of the play into a dynamic psychological thriller.
After discovering a stranger’s livestream, a month unfolds under his balcony, through watching and being watched.
When Tchaikovsky premiered his famous ballet The Nutcracker in Saint Petersburg 130 years ago, it was presented as a double bill, as standard at the time, together with the opera Iolanta. The Volksoper Wien, being part home to the famous Wiener Staatsballett, under the helm of the new artistic director Lotte de Beer and music director Omer Meir Wellber presents both works again in one evening, but not as two separate pieces, but by fusing the two works into one.
In this end-of-the-life scenario, which is designed as an expressive silent film with subtitles, a group of adolescents and scattered loners move through a destroyed landscape. One of the leaders is poisoned by his girlfriend, who now takes his place and demonstrates her power to a newcomer. However, he in turn passes the test of courage, puts himself in the place of the head of the group and leads the ever-growing community into an uncertain future.
Policeman Simon Polt is on cloud nine. He finally has the village teacher Karin in his arms. But soon he's forced to look into the depths of humanity again: the priest's cook has been found dead. Was it the gourmet critic? The feisty woman had poured soup over his head the night before, in shock at the sight of an illustrious dinner party...
Albert grew up on an isolated mountain farm in the middle of nowhere in the Alps. Although he’s already in his 30s, his omnipresent mother Marianne still pulls the strings in his life. Not intentionally and only because of his mother’s pressure, Albert went to live in the nearby valley to make his living in a marble quarry. Marianne wants to protect him from the poor and lonesome life on the mountain and is even willing to denounce their bonds to the tradition of the farm, that has existed over centuries. Like an abandoned animal that keeps coming back to its territory, the introverted farmers son keeps sneaking back to the mountain as often as possible. When his father dies accidently whilst repairing the roof, Marianne fears, that Albert will take over the role of his father and return to the farm. Instead, she decides to hide the death from Albert and the outside world—and buries his corpse on the mountain.
Gioacchino Rossini's sparkling version of the Cinderella story comes live from the Salzburg Festival with Ann Murray and Francisco Araiza as Cinderella and the Prince. Director Michael Hampe envisions La Cenerentola less as a fairy tale and more as a gently satirical comment on the nature of society and the relationship between people. Conductor Riccardo Chailly's masterly display of the Rossini style is visually matched by the opulent and elegant set designs by Mauro Pagano. 162 minutes.
After the death of his parents Hans, 16, provides for his four brothers and his grandmother. He works as a courier for his uncle, who sells counterfeit diamonds to wealthy clients with plenty of illicit funds. Hans fights like Robin Hood against the establishment and the greed of the rich, and for justice for the poor.
The late-'60s avant garde rock band CAN gets a feature-length tribute with this affectionate documentary chronicling its odd inception and subsequent career. In CAN -- The Documentary, the remaining band members are interviewed amidst culled together archival footage from talk shows, concerts, and television appearances to paint a portrait of a band who always remained happily on the sidelines of mass appeal, mixing street music, jazz, folk, and rock into a sometimes poppy, sometimes abstract stew. The band's influence on such seminal acts as Sonic Youth and Talking Heads is also analyzed.
The mountain reveals honesty to oneself like nothing else. Dopamine, inner peace, or simply being unreachable are all understandable reasons why someone seeks the summit. With personal stories and individual connections to the mountains, "Sariri" brings together five protagonists from Switzerland, Austria, Bolivia, and Peru. Descending steep walls on skis in the Andes at over 6,000 meters pushes the group to their limits. With a first descent of the 6074-meter high "Chachacomani" in Bolivia, the mountaineers consciously take certain risks. The invisible power of altitude presents a significant obstacle to overcome. The film explores the question of why mountains play such an important role in some lives and why these cloud-catchers made of stone, snow, and ice are the closest place to heaven. The willingness to undertake long journeys and the mountain itself are what shapes "Sariri."
Lower Austria in the 18th century. Two young women, a forbidden love and a feeling of guilt that haunts them both in the form of a monster. A short film about an Austrian legend and is about girls and monsters that we create ourselves, about guilt and crushing feelings of guilt and about the freedom of love.
Wolf, a dangerously wealthy but gravely ill businessman, invites his brother Paul, now a Vatican priest, to his remote castle seeking absolution, which alone can restore his virility and power.
Edward Rosmore, a millionaire suffering from a fatal disease, uses a pretext to bring George Armstrong - the man his beloved wife adored when she was younger - back into her life; he wants to make sure there will be somebody to look after her after his death. But his plan seems to go completely askew when his wife misunderstands his intentions and thinks he is planning a new beginning with his secretary. On top of which her daughter begins to fall in love with George, not realizing he is actually her father. And then, when the misunderstandings and half-truths have completely divided the family, there is a tragic sailing accident. Edward dies - and George comes under suspicion of murder...
Marlis and Johanna work in a travel agency high mountain. Then Johanna by Marlis's suggestion, decides to visit a mountainous area of Austria.
The multi-millionaire Eduard Schlüter takes part under the name Schulze in a raffle of his own Schlüter works and wins a stay at the Grand Hotel. Disguised as a poor swallower, he would like to study the reactions of the hotel staff and guests. As an assistant, he takes his reliable servant Johann with him. Once there, he makes friends and also has cause for annoyance when his daughter and the housekeeper arrive.
Kren frames the image to suggest a proscenium, with a view to the harbor that conveys a literal sense of “tele-vision”. The static framing of the image and the clearly stratified mise-en-scène can hardly provoke interpretation. The sight of the girls does so all the more. Kren, the gentle voyeur - who turns the viewer into a secret accomplice - observes three teenagers, and probably like them, awaits a rendezvous. (Thomas Trummer)
Archival footage, hidden documents, and personal records reveal one of the greatest environmental crimes of the 20th century: the secret and illegal slaughter of hundreds of thousands of whales by the Soviet Union and Japan during the Cold War.
Gasperlmaier doesn't have it easy: A mysterious phone call leads him to Loser, where the bodies of two women become his latest murder case. While Gasperlmaier battles his fear of heights and his weak stomach, he and Dr. Weiss from the Liezen District Police Command face ever more controversial questions.
Depicts the consumerism of the mythical city of Mahagonny, conveying all its ripe decadence. A Hollywood Babylon full of pyramidal towers, carved elephants, commodified sex and licensed gluttony. An opera in three acts, live from the Salzburger Festspiele, 1998. Conductor: Dennis Russell Davies. Stage Director: Peter Zadek.
Two neigbors inhabit an idiomatic world and discover affection.
Four years have passed since Bogdan left the Pichlerhof and Anna remained heartbroken. At first glance, the farm with its "three-women economy" is well there. Neighbor Gerhard builds on a common future with Anna. Then suddenly Bogdan reappears. He has made a career and wants to ask Anna - the woman of his life - to come with him. The encounter surprised both and brings everything out of balance.
In Vienna of 1913 a young woman coming from vaudeville theatre circles stands before the wedding with a construction draftsman; this must move to the military and sends his bride on the country, so that she cannot be enticed to the stage. However, she does it and gets by an officer's love affair so in confusion that she commits suicide. - This end environment-close and differentiates of produced melodrama was rejected by press and audience vehemently; the new second film end with the rescue of the desperate was supplied later, so that in this version only a bittersweet common melodrama with excellent actors and good photograph was left. In the rental company copy is the second version of the end jointly contain.
“Negotiators, how to make peace” is a documentary that takes a penetrating look at the identity and evolution of people who seek solutions to armed conflicts in places such as Colombia, Mexico, South Sudan and the Balkans.
Boxeo Constitución shows how, of all places, in a damp, dark boxing hall under the tracks of a train station, young people brace themselves against the social Darwinism of the social crisis. The film follows two teenage boxers from the forgotten suburbs of Buenos Aires on their way to their debut bout. It will be decided in the ring whether they can continue to hope that one day they will leave the lack of prospects in their neighborhood behind in order to "be someone". Youthful enthusiasm meets harsh reality when some of her colleagues form a boxing union.
Freeride World Tour snowboarder Timm Schröder (a.k.a. Timmy Shredder) and ski pro Dino Flatz, with a lot of winks, show why it's much more fun to tackle the mountains together, despite using different equipment. The film brings a sense of fun, powder, and friendship. A true fun movie set in Arlberg and Zillertal, it takes nothing seriously – except the alpine dangers of freeriding. Add to that a great hip-hop soundtrack with custom tracks by rapper "Doomaniac," created specifically for the film.
Alex works as a project manager for an automobile parts supplier and is sick of it. It's obvious just looking at him. When the next project is announced already at the final meeting for the last one, he leaves without a word and decides to change his life. He meets Anna, a film student, and lapses into the idea that she should shoot a documentary about his life. Maybe it will be easier for him to start a new life after first passing review over the old one?
Christl and Hansi Sandgruber return from their vacation in Australia. A lot of work awaits them, as the wildlife park's 30th anniversary is coming up. Hansi's arch-enemy Viktoria Perterer is going through less rosy times, having gone bankrupt overnight after reckless stock market speculation. Unexpectedly, a rumor surfaces that old Sandgruber may be responsible for the unexplained death of Viktoria's beloved father, who died in a mountain accident. Hansi is outraged by this suspicion of his father, but there seems to be evidence to support it.
The film tells the story of a young woman who fights with all her might for her dream of owning her own business – and in the process finds true love.
The emotional death of an oversexed society. No one helps anybody else. But then, shortly before Basti attempts to commit suicide, before he jumps from Vienna's Reichsbrücke into the notoriously gluttonous Danube, something happens between the two young protagonists. Basti and Claudia meet on the bridge. Two bungee jumpers without a cord. They both recognize themselves in the other's life, between reform school and the family's butcher shop, between child abuse and games that involve getting tied up.
Almost 15 years, the unequal sisters Mia and Susanne have not seen each other. But after her mother's death, Mia returns to her family. Problems are preprogrammed. But the fight for the family business and the memory of an old unfortunate pact connect the freedom-loving Mia and the family man Susanne.
One day a humble fisherman catches an enchanted fish. Can the fish help him, and his wife improve their lot?
During a taxi ride, the discussion between a vampire and the taxi driver reveals a series of murders.
A young woman flees her unhappy marriage for South America. There, she meets another man. They both get caught in the middle of an indigenous uprising against an exploitative German.
One in eight women will develop breast cancer during their lifetime. During chemotherapy, actress Frederike meets tram driver Marijana. They share their fears, hopes, and desires and inspire each other with their sense of humor, while the fight against the life-threatening disease forces them to make difficult decisions. In her latest documentary, Sabine Derflinger paints a fascinating portrait of two women who are trying to stay strong in the face of their breast cancer diagnoses.
Valery Gergiev leads the Vienna Philharmonic Orchestra in this production of Puccini's opera, recorded live at the Salzburger Festspiele in 2002. David Pountney's production features performances by Gabriele Schnaut, Paata Burchuladze, Johan Botha and Cristina Gallardo-Domas. This production uses Luciano Berio's 2001 completion of this unfinished opera.
Two best friends spend an afternoon on a football field, dreaming of making it to the local football team. But dreams come with a price.
Bregenzs Tales of Hoffmann is different from everything you saw before. The New York Times praised the thoughtfulness and creativity of Stefan Herheims new production, devised by the director as a search for ones own self in a sparkling drag show. A shining-toned (NYT) Hoffmann is embodied by tenor Daniel Johansson in the title role. He is supported by a fantastic cast: Rachel Frenkel is positively ideal as Muse and Niklausse (Kurier), Kerstin Avemo as Olympia is endowed with brilliant, cheekily extemporized coloraturas (Neue Zürcher Zeitung), Michael Volle sings the parts of Lindorf, Coppelius, Dr. Miracle and Dappertutto, the works four villains, with warmth and intensity (NYT) and Mandy Fredrich is a finelyphrased Antonia (Kurier).
A 'creative documentary' about an Austrian skier who was known during the 70s. Examined from a biographical / visual standpoint.