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Set in Santa Victoria, Argentina, this 2SLGBTQ+ supernatural docu-drama tells the story of a Wichí community facing displacement, along with their efforts of retaliation, at the hands of a negligent government’s plan for urbanization.
A 1968 film that was never released, it is a reflection of the artistic avant-garde that characterized the Argentine scene at that time.
This documentary tells the tale of Buenos Aires lesbians, focusing on three personal stories. A former militant woman who now devotes her time to feminine soccer; a young woman who is active so no girl has to go through what she went through and a lesbian mother who recounts how hostile the laws are regarding the rights of lesbian women. In spite of the difficulties their characters go through, the stories have a lot of humour, some soccer and a tour of the city.
Short film written and directed by Hernán Sáez in 1999.
Two women from the same family, one from 1830 and the other from 1930, the first subject to the rigor of the customs of her time and the other in an atmosphere of independence and freedom.
Sentimental aspects of a group of cadets from the Military Aviation School.
The life of conscripts who live in a barracks.
The employees of a cabaret who aspire to become artists get the opportunity to work on the radio.
A look into the creation of the film Moebius. Featuring exclusive behind the scenes footage, interviews with the cast and crew, and a look at the film's shooting locations and media coverage. The original cut of this documentary was lost long ago, but 27 years after it's creation, it was reconstructed from footage recovered and remastered taken from various restored VHS, Betacam SP, MiniDV, and DigiBeta tapes. A final version faithful to the original was successfully re-edited under the supervision of Moebius director Gustavo Mosquera R. and released online. Along with the version in Spanish, a version dubbed in English was also released.
Who are the Mothers of the Plaza de Mayo? What is the story of these women who knew how to turn pain into struggle? What is their struggle? How did they become a global symbol of the fight for human rights, freedom, and socialism?
A couple arrives at the Oriental room of a motel, in what may be their last encounter before separating indefinitely. A short film about the difficulties of surrendering and committing to someone, and also the loneliness one can feel even if we are accompanied.
Upon returning from a tour, the famous dancer Joaquín Pérez Fernández tells his life to his wife.
Argentine dictatorship, 1978. About to have a child, Ernesto moves in with his girlfriend Paloma. What he doesn't know is that the military is looking for them. When they are arrested, they are taken to a clandestine prison. Once there, Paloma dies in childbirth, and Ernesto is tortured to death. In 2010, Alejandro, Ernesto's priest brother, thinks he recognizes the couple's daughter, Natalia. After contacting his niece, she must decide whether to accept his true identity or the one imposed on her for 30 years.
A police officer joins a gang of smugglers to try to unmask its members.
Nicolás, a retired widower, lives with his daughter, son-in-law, and grandson in a small rented home, supporting them with his meager pension. During the 2001 crisis in Argentina, Nicolás pursued his dream of building a house on a remote piece of land, just as he and his wife had dreamed. At a local cultural center, Nicolás began a free painting class despite the total opposition of his family, who considered him a hindrance to their lives.
Documentary about the life of Waldo de los Rios, famous Argentinian musician who is nowadays forgotten.
Kamatsu is an 80 year old Japanese man who came to Buenos Aires more than five decades ago because he heard that there was a hen that lay green eggs. In a game of expectation and reality, this documentary continually stumbles over its own preconceptions. The initial idea of understanding the migration, identity and tradition of a Japanese migrant derives in the story of some eggs, some notebooks and the authors' search for vision and meaning.
An atmospheric and dreamy picture poem from Argentina's vast La Pampa region, where ancient stories of spirits are evoked in dark and evocative images between reality and the beyond.
Three brothers and one village. Three ages. Three realities. A car without gasoline. A name written in a peace of paper. The fields silence turns them into strangers to one another.
It’s Christmas. After 12 o’clock, everyone waits for Santa Claus to arrive, but this time everything is different.
A gaucho unjustly accused of murder becomes a dangerous nomad.
Under the same roof, mother and daughter walk like strangers. Grief, routine, and an artificial intelligence that whispers in the silence distance them. In a world that never stops changing, she must discover if there is still a place where she can find herself.
A Fish Boy travels long distances through the countryside in search of some water to survive. In Wet City, not far from there, its inhabitants squander it daily using it carelessly. An unexpected storm will change everyone's life and put things in their place.
Two men kidnap the daughter of businesswoman Claudia Villegas. They take her out of the city and keep her locked up, while awaiting further instructions. The boss realizes that Villegas' daughter was never kidnapped and sends two men to the abandoned factory to clarify what happened. Upon arrival, they find the girl, hooded, and tied to a chair. There's no clue of the kidnappers either. Slowly, someone appears - they say that the heart can not feel once it's stopped beating
Fascinated by the athletes he watches on TV, Pepe, a little and enthusiastic hamster, trains to be a runner. A little accident sends him flying out of his cage and, through a window, he sees that outside his home a marathon is about to start. Now Pepe has a new goal: get out of his home and participate in a marathon, fulfilling his dream.
It's New Year's Eve, and Catalina is waiting for her girlfriend to pick her up when an unusual incident with a firework threatens to ruin their vacation.
Intimacy is outside. Animality roars with fury, its symptoms expand over a territory. The horizon traces the gesture of its inhabitants. In the bosom of the origin, suspended between a profane and a sacred dialectic, their ghosts restore a rhetorical dance. To inhabit time, to unfold space, tearing an image and assembling archives like a poet.
Breif essay about the present, cinema, Buenos Aires, and humanity..
Lautaro and Sebastián are two young actors leading a film that talks about a love between two people of the same sex, until, while filming, one of them begins to feel attracted to his partner.
Estela feels the soul of her mother, who sends her messages in dreams. Pain, blindness and memory loss isolate Estela in a hostile territory. Her soul is ill. Immersed in the desert that consumes her, she coexists with the living, the dead and her ghosts.
A single mother who is denied work to support the son she had with the aristocrat who had seduced her, is helped by a singer, a director of orchestra and an American female singer, who get her shelter in the humble pension where they live.
Film based on the sonnet by the same name, written by Evaristo Carriego.
After his father's death, Marcos begins to lose control of his life. An inherited prosthetic arm, unsafe to be cremated, starts to absorbs all of his attention and isolates him from his girlfriend, forcing him to make a decision.
A couple is playing chess when abnormal things happens
A pair of anarchic nuns go on a road trip with a coachload of kids.
A group of soldiers from the 62nd and 63rd classes of the Chubut province, Patagonia, Argentina, decided to break the silence. It wasn't easy for them to put words to their pain and share their truth about the war.
A mature couple happily receives the news of pregnancy while a young couple has the disappointment of a frustrated attempt.
An intimate journey through childhood memories, Patagonian landscapes, and the creator of the show"Los Peques." The film traces a dialogue between two generations of filmmakers who, from different perspectives, question what it means to see, and to see oneself represented, in one's own territory.
Dario, recently divorced and an unsuccessful salesman, bets his son, Ariel, that if he gets outstanding grades in school he will invite him on vacation. To his surprise, Ariel is able to fulfill the challenge, so now Dario has to organize a dad-son trip without any money.
Juan returns to his parents' house after several years and due to force majeure. He's trying to recover from a recent separation. He decides to take refuge in his family and, above all, in his imaginary childhood friend, who never grew up and has been waiting for him all this time in that house. But Juan soon realizes the danger of this unhealthy friendship, which seems to live on more than just in his mind.
Antonio is a young man who moves between two worlds: dreams and reality. In a hellish summer nap, while he was dreaming about a beautiful woman, he is woken up by two ladies from a church who bring the statue of a virgin (that of the Holy Miraculous Medal) to stay in their house for a few days. He receives her, in a hurry, to return to his dreams, but, when the ladies leave, the virgin falls to the ground and breaks into pieces. This unleashes his paranoia and makes him immediately go out to find a way to repair or replace it before they come back for it. On this journey, between fatigue and heat, he will meet strange characters and meet Laura. From now on your search will be twofold.
A trip back to Southern Patagonia will make Germán reflect on his uprooting, his children and his future. In every decision there is a path to follow, but destiny can throw stones at it.
Juana and Pedro don’t know each other and they probably never will. But they both suffer the same worry: no matter how much they notice, it would seem that there is no time in daily life to take care of the environment. The two of them react as they can, with their sensitivity, to this recurrent issue.
With scenes at times current and at others medieval, dramatic or overloaded with useless gestures, Jarry, Ubú Patagónico is a dialogue with “Ubú Rey”, by Alfred Jarry, and his decalogue about theatre. The work also explores Jarry's non-theatrical texts until the material is appropriated in its immateriality by a group of Patagonian Indians who take Mother Ubú prisoner.
Sara Méndez, a Uruguayan teacher, was kidnapped in March 1976 by the Argentine Dictatorship, when her baby (who was appropriated by the military) was only 20 days old. They were reunited in 2002, after a search that lasted 26 years.
Julia and Mateo, two young lovers, are having a date. The paths of love will guide them were they desire.
Two actors are holed up in a remote house somewhere on the Argentinian coastline. The characters crosses the space-time threshold: Leon Trotsky, in his Mexican exile, asks André Breton to write the first draft of a revolutionary manifesto.
In the depths of the missionary jungle, a documentary about the life of some settlers is transformed by the suicide of the protagonist. The director decides to embark on an alchemical exploration, thus questioning herself about the desire to die, to live and about what we cannot understand.
Lalo Schifrin was born in Buenos Aires in 1932. His birth is musical, since his father and uncles were members of the stable orchestra of the Colón theater. His training is classical and his passion for jazz emerged as a teenager. He traveled to France at the age of 20, after winning a scholarship to study at the National Conservatory. After this training of excellence, he created a monumental work that brought him fame and toured the main stages of the world, both with his music for film and television and with his jazz or classical works. From his home in Beverly Hills we propose to accompany him on this journey of memory and feelings, letting his music be the guide on this path.
Eloísa is an employee at a sweater store, but her passion is visiting the stable run by her friend Julio. Her life is transformed after the departure of her sister, who leaves her daughter Mora in her care. This way, Eloísa will enter her niece’s unknown children’s world.
A portrait of the bond between a filmmaker great-granddaughter and her great-grandmother, photographer Annemarie Heinrich. Through this relationship, Mariana explores a shared obsession: what it means to portray and reveal someone.
Killer must kill the Antichrist, but receives a counter-order call and hesitates about what to do. The fate of the universe depends on him.