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Documentary that records the recording of the latest album by Las Pastillas del Abuelo and their work with Yo No Fui, a civil association that conducts artistic and productive workshops in the women's prisons of Ezeiza and, outside, with the women who recover their freedom.
Experimental film that's a poetic reflection on the alienation of man in modern society.
Experimental video playing with the camera and the monitor.
Film that addresses the problems facing humanity to feed 9000 million people in the coming decades. This represents an opportunity for Argentina as a food-producing country and at the same time a risk, since direct sowing with chemical fallow is installed as an agricultural production methodology and RR seed has become popular, which leads to the application of more than 400 million liters of pesticides each year.
Image and imagination; sight and blindness; memory and hearing; fiction and reality. Like a puzzle, the documentary assembles the sensory experiences of seven people with varying degrees of vision, broadening our understanding of the role of the senses in each human being.
Stan Hunt is a red cedar carver. He learned this art thanks to his father and grandfather, master sculptors from the Kwakiutl people, a group of forgotten villages in the north of Vancouver Island, near the Gulf of Alaska. Stan works on the most momentous piece of his life. A totem of 14 meters. A cedar that took 1,500 years to weigh more than 5 tons.
Children are the privileged victims of genocidal machines, and if they are not eliminated, they are exposed to appropriation, the loss of their identity and the dispossession of their roots. This horror experience was common during Nazism and also in our country in the years of terror of the last military dictatorship.
“The grid of squares works like memory. We have clear memories, fuzzy memories, and some non-memories.” With this simple statement, the plastic artist Jorge González Perrin tirelessly begins to explain to anyone who wants to listen, the technique he developed together with the Arte Memoria collective.
Documentary about the career of the Argentine documentary filmmaker Miguel Mirra.
A mythical-poetic film in the Plaza Congreso. A central space of the City of Buenos Aires where the marker of Km Cero of Argentina roams.
Documentary that records an unprecedented event in universal history: the streets of a town are baptized with the name of the songs of its most beloved son, in this case Ramón Navarro, one of the essentials of the popular songbook.
Pedro Ponce is a teacher and director of the secondary school in the La Loma neighborhood, in Lomas de Zamora, in the Buenos Aires suburbs. The history of the establishment is marked by the death of six students due to the spiral of violence, marginalization and delinquency during the years 1994 and 2000. Together with neighbors, teachers and students, she carries out a constant and unequal struggle so that the establishment persists in that hamlet that was once an incipient working-class neighborhood.
Los Cometas de Boedo is one of the oldest and most traditional murgas in the city of Buenos Aires. During the eight months of preparation for his presentation at the Buenos Aires carnival, the director has filmed all aspects of his life.
A businessman from the big city, while staying at a remote town dreams that he is being chased by people who believe him to be a vampire.
On her birthday, Laura goes through the crisis of the change of cycle in the privacy of her her department.
Three bullying victims take control over the school.
Things change but blood will always rule.
A portrait of Buenos Aires done for the Festival Extra at Centre Pompidou
Creating a garden is a process of action. Ephemeral joy of the sight.
Light has no passport
Visual, sound, and language games in the performance of four characters who inhabit their own confinements. Difference exhibited in an intimate and quiet poetic cry based on the text Diez noches en el cuadrado by Romina Funes. Alongside Tawa Teatro theater company, the film investigates the collective creative process from a standpoint that includes disability, gender diversity, and dissident bodies.
A woman's projection moves through her childhood home. The walls are the protagonists of this personal history. What is the difference between the image of a projected woman and the very woman who is projected? The images unite, until one of them decides to surrender.
Vikinga delves into the artistic life of Patricia Stokoe (founder of Body Expression) through her daughter Déborah and her relationship with the director. The dialogue gains strength as it explores childhood and adolescent memories, dance studios, and theater, while also giving way to a return to the most intimate experiences of the bodies of female dancers who, influenced by the natural forces of Patagonia, converge in a ritual celebrating the legacy of their teacher.
Experimental feature film by Horacio Vallereggio.
One hundred years after Marco Denevi's birth, there are many questions about his life and work: why has he been forgotten or relegated to school bibliography?
A portrait of the Mbyá-Guarani people living in Misiones, a subtropical province in Northeast Argentina. The people demonstrate everyday life existing on a geographical as well as a cultural border.
At dawn, a man wakes up to find an intruder in his home...
El Gringo and Rafa are two friends who are going through adolescence. On hot summer afternoons they spend most of their time together enjoying the river and the countryside. However, in one of their outings -and in the middle of innocent games- an unexpected event occurs that could mark their lives forever.
E., an old-time hippie lost at the foot of an extinguished Patagonian volcano, decides to pay homage to his friend and mentor Albert Hofmann, the first person to synthesize, ingest and know the hallucinogenic effects of LSD. This creative documentary focuses on E's idea to carve Hofmann's head into a granite stone, a mixture of Greek initiation sanctuary and Mount Rushmore.
A young talented driver participates in an underground race with her old Fiat 147. Her younger brother will help her achieve her goal: to win the race.
Inspired by choreographic fragments of the prestigious dancer Ana Kamien, the filmmaker Marcelo Epstein creates a cinematographic work that, due to its singular concept and language and the year of its realization, is considered the foundational work of what is known today as videodance in Argentina.
The film addresses the censorship of children's literature during the last civil-military dictatorship in Argentina, as part of the systematic plan to silence cultural voices that was carried out during that dark period in Argentina's history. Los Libros Cautivos aims to shed light on this fact.
A glimpse into the seemingly ordinary life of a young couple, that grows intense as the day passes and the state of their relationship finally becomes clear. Now they have to face a situation they have been avoiding for a long time.
Vienna, Austria 2001. A bizarre encounter between a bulimic, single mum in precarious circumstances and a non-binary person from Argentina dressed as an ASTRONAUT in a karaoke bar.
Documentary about Argentine film collector Alfredo Li Gotti.
Stemming from the triple border territory between Paraguay, Argentina, and Brazil, Fran Rebelatto’s first feature film follows the women known as Pasajeras (Passengers) and their daily passages across these frontiers. Grounded on equally borderline procedures between documentary, the domain of fiction, and indigenous mythologies, the film records the everyday fluctuations of these lives traversed by a landscape constantly in motion, building female narratives of sacrifice and resistance.
Gastón meets the clown that animated his three-year-old birthday party, who now has new life as Marcel—a trans woman who attends his flower shop next to the cemetery of Nogoyá, Argentina.
After almost 20 years, Fernando Martín Peña returns to the Faculty of Arts of the National University of La Plata to teach the subject History of Cinema II. Little by little, the reflections, questions and contradictions of the students who wonder about the study of the history of cinema begin.
Jejou is a magical and visually powerful story that alternates and unites the popular traditions of the Guarani Mbyá, native inhabitants of the Misiones jungle, and the Poles, who from the end of the 19th century came to Misiones (Argentina) in search of a better life. future. It is a story of encounter, love, union, friendship, collaboration, learning, respect.
Collective film made from digitalized footage from the collection of Argentinian nitrate films of the Museo del Cine Pablo Ducrós Hicken, made on the occasion of its anniversary.
Short pieces including images taken with a mobile phone, personal photos and found material. Everyday incidents, childhood memories, portraits of friends, travel chronicles, readings and songs: diaries.
Based on a real conversation we had with Juan Molinet before leaving Japan. Mixed up memories about our visit to Tokyo, Hiroshima, Miyoshi, Naoshima and Kyoto.
Bautista and Vicente play soccer for a while, I watch them from the window.
First cinematographic adaptation of the Martin Fierro.
Milagros, a 23-year-old student, is presented with the opportunity to fulfill her dream life. To do this, you must abandon your reality as you know it.
A new Christmas special from the Cabrera family. In this case, horror takes over the table after terrible family disputes.
Women in different situations of life, accompanied occasionally by images of nature. Men appear alone in different roles, like a ski athlete, a musician, and a judge, the latter, in a scene from Dreyer's film The Passion of Joan of Arc (1928).
A woman asks a priest for help because her boyfriend is behaving strangely.