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Ana introduces Ezequiel, her new boyfriend, to her parents, in a cabin in the middle of the woods on Christmas Eve. Ezequiel goes into the woods to look for firewood, and when he returns, she notices a change in him that raises questions.
Annie is a bulimic teenager obsessed with her appearance and getting the attention of everyone. One day, she receives the news that one of her friends is succeeding as a TV model. Blinded by rage, she attempts suicide. Almost on the brink of madness, she believes she has found something to achieve her goal, even though it will put her life at risk.
From the DAC Foundation we have carried out the Argentine Cinema Goes to School program since 2014, bringing national cinema to young people who are pursuing their secondary education throughout the country. The work with the CEPT (rural educational establishments in the province of Buenos Aires) arose from getting to know them within the framework of our activity, and that is how we set out to make this film to publicize this peculiar type of teaching and the exchange that occurred. with our program.
Jony is a police officer who is in jail - for armed robbery - in the same prison where his father works as a guard. He needs to survive among the same inmates he used to chase; A priest and the coach of the prison soccer team are his way out: they bring him a way to evade confinement and a shelter to save his life.
After the recent death of his father, Daniel and his son, Homer visits Alicia, his mother. The reunion with the places of his childhood leads Daniel to rethink his relationship with his son and with himself.
The legacy of the chanaes in the Province of Entre Ríos, through the voice of Blas Jaime, descendant and last speaking chaná together with the latest research by the group of archaeologists reconstruct the cultural legacy. The ceramics, the landscape and orality transport us to harmony with nature, where time is an incessant river of no return. Art and its function, landscape and its adaptation, voice and identity coexist in the Huella Chaná.
After winning a soccer tournament, four team friends spend the night alone in the sports club. Ramiro, announces that he is moving to Ushuaia with his father tomorrow morning. Tomás, his best friend, receives the news as a shock since he is in love with him and has never been able to confess it.
Three friends show up for work to find they are suspects in a million-dollar scam that bankrupted the company. Stories that intertwine: sisters, mothers and wives, awkward toasts and unexpected news. A material that emerges from the theatrical scene and in its course mutates until it is configured as a cinematographic language. Disposables builds characters that consume and are consumed in an atmosphere of confinement, in a game where the crudest humor reigns.
Flavia de la Fuente returns to the same spaces from her 15 Days at the beach to document noghtfall and the variations of darkness, with images as pleasant as they are mysterious.
Mirtha profits from the red lunar eclipse to open the Xibalbá's doors and summon her son from the underworld.
Like almost all of Edmo Cominetti's films, in this, his first film as a director, he presents an important social situation plagued by conflicts that arise in a town. It was presented as a Chaco Film production. This film was shot in partnership with Edmo's brother, Sóstenes Luis Cominetti, being a kind of rehearsal.
From toponymy, a branch of linguistics, to politics, the links can be quite unexpected. These are which are sought to be revealed in the new fi lm by Jonathan Perel who uses his filmwork as a tool to explore and accurately document the marks left by previous dictators of Argentina. We are in the province of Tucuman, in the north of Argentina, an emblematic region where the fi rst Act of Independence in South America was signed in 1816 and where the “Operation Independence” took place in 1974, during which the guerillas’ insurgence was violently repressed.
The life, work and tragic disappearance of Carlos Gardel, the Creole thrush.
Search for Immortality is a book divided into three chapters with 128 pages. But it is also 3,420 frames per second, filmed with a Bolex H16 Rex, in 16mm. Perhaps the search for immortality is precisely that: an attempt to capture a totality, at once impossible and fragmentary. And to fail.
Dolores looks for inspiration to write in the sculptures of the City of Buenos Aires. He presents his poetry for a patriotic event at the school where he teaches, but the principal rejects his proposal. Distraught, she continues observing old monuments until she finds the answer to her despair.
A young woman introduces her boyfriend to her extravagant group of friends who she asks to keep up appearances. They decide to subject the young man to an uncomfortable game, which leads to an argument between our protagonists and the owner of the house.
Lucía is a young history teacher in Santa Lucía –a town in the jungle of Tucumán that was occupied by military forces from 1975 to 1983– who is carrying out an investigation to clarify the events that took place during the last military dictatorship.
Stories in a boarding house where an actress, a bank employee and a trickster live.
Aging father watches his adult children grow into independence and leave the roost.
While their parents and relatives make preparations for a funeral, a brother and sister spends this time with a neighborhood friend and his sick mother.
A portrait of Argentine director Gastón Solnicki's family over the course of the second half of the 20th century, Papirosen follows four generations still troubled by a war that’s never spoken of. The film juxtaposes different periods with their native image formats, along with landscapes, characters and international political events, as it focuses on a singular decade of a nouveau riche Argentine Jewish family, and the new generation’s introduction into familiar traumas and vitality.
We follow the daily operations of the Garden Gnome Liberation Front, as the meaning of freedom is put into crisis.
Argentine film produced in 1936 that was never commercially released.
Augusto, a nice guy, starts experiencing nightmares where he's brutally killed after a reencounter with an ex-friend
In a city marked by hypocrisy and desire, Ana, an erratic young woman, crosses paths with a nun in a crisis of faith. Between the sacred and the carnal, their limits and beliefs are stretched to the breaking point, until reality is distorted and violence erupts as a desperate act of help.
An Argentine director travels to Malvinas to explore the traces of the 1982 war. What begins as a portrait of the conflict turns into an unexpected story of friendship with the enemy.
A teacher about to get married visits a renowned makeup artist, but what begins as an intimate session soon turns into a trap from which she may not be able to escape.
Vivir de Este Modo documents a live performance by the band Rey Bichito. It is an audiovisual exploration that seeks to capture the performers’ ecstatic relationship with their own music—a relationship that takes over their bodies and those of their devoted audience.
Paula is leaving town and Lucía is going to miss her. But Paula has missed Lucía once before, and found a strange solution: keeping her in a perfume. Then, her scent wafts through the streets and Lucía will mingle with the passers-by.
In a post-apocalyptic Argentina dominated by an alien entity that kidnaps women, Helena searches for her sister and to find her she must join a group of strangers who are organizing a resistance.
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About a collective of artists living together in a boat workshop in La Boca. While working on an exhibition, arguments break out over the work's concept.
The simple things that a grandchild does when he visits his grandmother. Emotions and words with significant lessons that will leave a mark on them forever.
In a quiet town, a serial killer is on the loose. A group of young horror movie lovers decide to throw a party, not realizing that they have invited the killer along...
A young woman goes through an internal crisis when she learns that her father is dying in a distant hospital. Going to meet him to say goodbye, irreversible events happen.
Jana and her father live in a recluse house in the middle of nowhere, while the both of them are dealing with the grieving process, Pedro decides to unbury her to see her once more.
A man knocks on my door. I ask him what he needs. He doesn't answer. He looks at me for a few moments, with enormous eyes. He looks at me as one looks at an apparition. Rivers are born in that silence, in those hallucinated eyes, and they unfold a memory of water, a fragmented knowledge of tornadoes and banks, of creaking trees, of birds bathing in the rain, of men lost on some island, of drowning in the backwaters, of the splash of oars, of the shadow where the river narrows. A man knocks on my door. He says to me: You're not here, we're not here.
A hot summer siesta in Santiago del Estero. A storm is coming. Motivated by boredom and guilt, a boy decides to invoke the spirits of the mountain.
Pablo Salinas, a plaintiff attorney in crimes against humanity cases, explains the path taken by the Mendoza Federal Justice system from the dock to its conviction, drawing on solid legal work and in-depth research into abhorrent crimes around the world. Through his research, he demonstrates the complicity of civil society and the justice system with the dictatorship.
A couple's trip; a car, a route, fields, houses, bars, another car.
Martina, aged 5, lives with her parents and baby brother Salva. Martina has to renew her identity document. Her mother explains that for her paperwork they will take a picture of her and she will have to sign. Martina wonders what signing is.
A young woman murders her ex-partner and his new girlfriend in La Plata.
1920. The music of a bandonéon reaches the ears of little Aníbal and changes his life forever.
A Rock Star trafficker, his five professional bodyguards, an infiltrator and Nikita, a hitman who does the dirty work of the intelligence services. Sex, drugs, rock and roll and death threatening them all.
What motivated you to continue studying film?
Two women in their privacy. Both naked, stained. The red color makes everything stranger. What are we watching? What are we hearing? Can we trust our senses?