12 Matches Found
Herbert Ponting travelled to Antarctica with Captain Scott’s ill-fated South Pole expedition and filmed the stunning images that make up this extraordinary documentary. (Originally released in 1912 as With Captain Scott in the Antarctic, the material was re-edited and re-issued by Ponting in 1924 as The Great White Silence.)
A non-verbal visual journey to the polar regions of our planet portrayed through a triptych montage of photography and video. Landscapes at the World's Ends is a multi-dimensional canvas of imagery recorded above the Arctic Circle and below the Antarctic Convergence, viewed through the lens of whom is realistically an alien in this environment, the polar tourist. Filmed during several artist residencies on-board three expedition vessels, New Zealand nature photographer and filmmaker Richard Sidey documents light and time in an effort to share his experiences and the beauty that exists over the frozen seas. Set to an ambient score by Norwegian Arctic based musician, Boreal Taiga, this experimental documentary transports us to the islands of South Georgia, the Antarctic Peninsula, Greenland and Svalbard. Landscapes at the World's Ends is the first film in Sidey's Speechless trilogy, and is followed by Speechless: The Polar Realm (2015) and Elementa (2020).
A scamp Sang-hyeon who has crush on Hui-jeong shadows her to her house. He sneaks into her home and is surprised by a ghost. He stabbs the ghost who turns out Hui-jeong's mother. Hui-jeong gets married to Yeong-min and lives together with her father who has nobody to turn to. But Yeong-min's mother hates her daughter-in-law and mistreats her. She in the end kills Hui-jeong's father and attempts to kill Hui-jeong. Her dead mother appears to save Hui-jeong from the wicked mother-in-law.
A hypnotic and slow-burning journey through the austere landscapes of the island of South Georgia and the Antarctic Peninsula. Shot on black and white super 8 film as a series of mostly static tableaux over a period of 20 days during the waning days of the Antarctic Summer, the film is a startling look at life at the edge of the world.
A thrilling high seas adventure feature documentary where two marine conservation captains from Sea Shepherd go on a hundred day chase of the illegal poacher and pirate fishing vessel, the Thunder.
Highlights of Prince Philip's visit to Antarctica, Falkland Island Dependencies, the Falkland Islands themselves, Gough Island, Tristan da Cunha, St. Helena and Ascension Island.
In April 2043, astrobiologist Xue Noon finds herself stranded in the GAIA International Antarctic Station. As the polar night closes in, she connects herself to the Ai-system. She scavenges digital memories and archives of the time she spent at King George Island with her father back in 2015.
In the icy waters of Antarctica, industrial trawlers strip the ocean of krill—a vital food source for whales, seals, and penguins. Krill fishing is one of the fastest-growing threats to Antarctic wildlife, yet it fuels products we don’t need: pet food, supplements, and salmon feed to turn supermarket fish pink. Through unprecedented footage and firsthand accounts, the film follows Sea Shepherd’s passionate crew on the frontlines, racing to protect one of the planet’s most fragile ecosystems.
Don't Plan B: Our Only Planet follows scientists working in Antarctica to understand the effects of human-driven pollution and avian influenza on the continent’s fragile ecosystems. The film shows how global environmental challenges are reaching even the most remote corners of the planet.
On this rare glimpse into a season of conservation with UK Antarctic Heritage Trust, we follow a team of specialists as they journey to remote Blaiklock Island, Antarctica. Here, they undertake a mission to save this remarkable historic refuge as it battles a changing climate in an environment of extremes.