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Behind

The film begins with a morning scene in an apartment, which one might expect to be a drama about a college student living with a man and a woman, but the style takes a turn when the man and the woman, who had left for school one step ahead of the others, suddenly return home by train. What lies behind, what has passed, passes by with an indifferent face. The author's method of daring to focus on the behind is not only to tell the story through the image of the protagonist, but also through the people in the image, or through the author's own image. It is told not only through the image of the protagonist, but also through the people in the image, or through the artist's own image.

Behind

NR 1979
裏窓

『裏窓』 is a play on the name of the person who shoots himself with a bistol every morning. The two men take it in turns to face themselves with the bullet loaded and damaged, and present the consciousness of a young man who is not alive until he fires a shot into the magazine of his revolver. The young man's consciousness is presented to him. A friend comes along or pulls the trigger. The film is a drama, as are 『裏窓』 and『冬の光』. The woman is found. The film is quite interesting, but you have to pull the trigger to find out if you will die from a gunshot. But that is not to say that the film is not interesting.

裏窓

NR 1975