This film documents the Sagicho Fire Festival, which takes place in the eight communities constituting Oiso, a town located in the warm climate along Kanagawa Prefecture’s Sagami Bay. It begins at the year’s end with an event in which children take the lead. With the new year, an okariya shelter is constructed in town for the dosojin guardian god. Then, saito bonfire structures are burned on the beach and young men perform a tug of war in the water.
This film documents the Sagicho Fire Festival, which takes place in the eight communities constituting Oiso, a town located in the warm climate along Kanagawa Prefecture’s Sagami Bay. It begins at the year’s end with an event in which children take the lead. With the new year, an okariya shelter is constructed in town for the dosojin guardian god. Then, saito bonfire structures are burned on the beach and young men perform a tug of war in the water.
Masashi is a photographer. He has his parents and an older brother Yukihiro. Through the 2011 Tohoku earthquake and tsunami, Masashi begins to take staged photos of his family.
Depicts the life of a family in a remote Japanese timber village. Family head Tahara Kozo lives with his mother Sachiko, wife Yasuyo, nephew Eisuke and young daughter Michiru. Economic recession and failed development plans cause tragedy in the family.
The story follows the social intercourse between a cameraman, Masaya, with a visual impairment, and Misako who disconnects from the world.
The story follows Nozaki Haruka, a middle school student who transfers to a new school in a small town because of her father's work. Unfortunately, she becomes a victim of horrific bullying, but since the school will be closing in 2 months after graduation, no one is willing to help her.
In a small village in a valley everyone who reaches the age of 70 must leave the village and go to a certain mountain top to die. If anyone should refuse they would disgrace their family. Old Orin is 69. This winter it is her turn to go to the mountain. But first she must make sure that her eldest son Tatsuhei finds a wife.
James and his three closest lifelong friends go on an ill-advised trip to the stunning coastal area of Barafundle Bay in West Wales. What follows is a touching and comical adventure dealing with friendship, heroism and love.
Inspired by true and harrowing events, an ordinary man finds his world suddenly torn apart as devastating wildfires rip through the surrounding countryside. With precious moments ticking by, he must flee with his son and pregnant wife if they have any hope of surviving the rapid forces of mother nature.
Subu makes pornographic films. He sees nothing wrong with it. They are an aid to a repressed society, and he uses the money to support his landlady, Haru, and her family. From time to time, Haru shares her bed with Subu, though she believes her dead husband, reincarnated as a carp, disapproves. Director Shohei Imamura has always delighted in the kinky exploits of lowlifes, and in this 1966 classic, he finds subversive humor in the bizarre dynamics of Haru, her Oedipal son, and her daughter, the true object of her pornographer-boyfriend’s obsession. Imamura’s comic treatment of such taboos as voyeurism and incest sparked controversy when the film was released, but The Pornographers has outlasted its critics, and now seems frankly ahead of its time.
In 1923, teenager Kim Shun-Pei moves from Cheju Island, in South Korea, to Osaka, in Japan. Along the years, he becomes a cruel, greedy and violent man and builds a factory of kamaboko, processed seafood products, in his poor Korean-Japanese community exploiting his employees.
After having narrowly escaped an attempt on his life at the hands of a psychopath, detective inspector Takakura quits active service in the police force and takes up a position as a university lecturer in criminal psychology. But his desire to get to the bottom of criminals’ motives remains, and he does not hesitate long when former colleague Nogami asks him to reopen an old case.