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Tokende

Tokéndè (“We Are Going”), directed by Gerard De Boe for the 1958 Brussels World Expo, offers a vivid look at the Catholic missions in Belgian Congo. From the perilous journeys of early missionaries to the building of stone churches and thriving schools, the film showcases both struggles and achievements. Audiences see local welcomes, choruses, vocational training, and classrooms in action, culminating in the profession of a Black nun and the ordination of a Black priest. A sweeping, visually rich tribute to missionary work, the film balances historical reconstruction with educational and cultural celebration.

Tokende

NR 1958
Sloppy Jalopy

Mr. Magoo heads to a used car lot hoping to buy Waldo a new car for his birthday promising Waldo, "I'll be back with a little surprise for you". The crooked car salesman notices how myopic Magoo is and takes advantage of it by over-pricing the car Magoo chooses. Magoo accepts but the car salesman gets his just desserts when he unwittingly goes for a harrowing test drive with Magoo taking him to an amusement park where Magoo leads the car to the top of roller coasters and ferris wheels among other things with a police officer in hot pursuit.

Sloppy Jalopy

7.0 1952
She's Back on Broadway

When Catherine Terris's career in Hollywood hits the skids, she heads back to the site of her first great triumphs...Broadway! She takes the lead in a play which is being directed by Gordon Evans, the man who was both her Svengali and her lover. Evans is still bitter that she walked out on him to become the toast of Hollywood years earlier. Can Terris and Evans put aside their mutual animosity long enough to make a go of this production. The way things start off, it doesn't seem likely.

She's Back on Broadway

6.0 1953
Cease Fire!

A sometimes uncomfortable marriage between fact and fiction, this film is part documentary and part drama, mixing actual war footage with reenactments in which real veterans of the Korean War portray members of a platoon sent out on a reconnaissance mission near the end of the conflict. Though peace is imminent, violence unexpectedly erupts. A day that begins with the calm and mundane is transformed into a heated battle that typifies the cruel and unpredictable nature of war.

Cease Fire!

5.6 1953
Strangers' Meeting

A fateful Stranger's Meeting leads to a maelstrom of crime, deception and murder in this 64-minute British programmer. The beautiful Delphi Lawrence heads a stellar cast, including such reliables as Victor Maddern, Norman Rossington, Conrad Phillips and Reginald Hearne. The plot centers around acrobat Peter Arne, falsely accused of murder. Escaping from the authorities, Arne hides out in a rustic inn, allowing first-time director (and former cinematographer) Robert Day ample opportunity for dark, menacing shadows and sinister underlighting. The genuine murderer is revealed just seconds before the culprit's death. Stranger's Meeting was held back from release until Robert Day's "official" directorial debut, The Green Man, had made the rounds.

Strangers' Meeting

9.0 1957
The Hungry Miles

The Hungry Miles is a documentary made by the Waterside Workers Federation Film Unit. It documents industrial relations on the waterfront since the 1930s and includes dramatised scenes of working conditions during the Depression. It also recounts the background to the Federal Governments 1954 amendments to the Stevedoring Industry Act, which proposed to give shipowners the right to directly recruit wharf labour and bypass the union; shows workers demonstrating; contrasts the gap between industry and workers in the division of profits; and evokes the spirit of the Eureka Stockade in portraying the solidarity amongst waterside workers.

The Hungry Miles

NR 1954