Dance Chromatic
Integrating film and painting, "Dance Chromatic" reveals that the contradiction between the desire to convey the organic growth of form and painting's lack of temporal extension led Emshwiller into filmmaking.
Integrating film and painting, "Dance Chromatic" reveals that the contradiction between the desire to convey the organic growth of form and painting's lack of temporal extension led Emshwiller into filmmaking.
Integrating film and painting, "Dance Chromatic" reveals that the contradiction between the desire to convey the organic growth of form and painting's lack of temporal extension led Emshwiller into filmmaking.
Exiled artist and poet Mustafa embarks on a journey home with his housekeeper and her daughter; together the trio must evade the authorities who fear that the truth in Mustafa's words will incite rebellion.
The short-tempered Daffy Duck must improvise madly as the backgrounds, his costumes, the soundtrack, even his physical form, shifts and changes at the whim of the animator.
On Motunui, Maui tries to catch a fish with his magical fishhook, only to be comically foiled by the ocean.
The people of Hamelin, overrun with rats, offer a bag of gold to anyone who can get rid of the rats. A piper offers to do the job, and successfully lures the rats into a mirage of cheese, which disappears. The citizens, disappointed that all he did was play a tune, offer only pocket change. The piper, angered, plays a new tune that has all the children of the city follow him, even the new twins the stork is preparing to deliver.
Tired of always playing the same roles, Little Red Riding Hood, her grandmother and the Wolf demand a new version of the tale. The story then plays out in a more contemporary urban environment, with Little Red Riding Hood working as a pin-up girl in a night club.
It's the 1890s, and Donald is riding his penny-farthing bicycle to see Daisy when Chip 'n Dale make fun of him. It quickly escalates into a full-fledged war between Donald and the chipmunks.
A narrator sings the opening stanzas of the classic poem while we see the house at rest. Santa lands on the roof, comes down the chimney, and opens his bag. The toys march out and decorate the tree, with the toy soldiers shooting balls from their cannon, a toy airplane stringing a garland like skywriting, and the toy firemen applying snow. A blimp delivers the star to the top. Meanwhile, Santa fills the stockings. His laughter awakens the children, who sneak out. The toys rush to their places, and Santa escapes up the chimney just in time.
A white dropout struggles to become a cartoonist and filmmaker, drawing inspiration from the harsh, gritty world around him. Still sharing his rundown apartment with his middle-aged parents, an oafish slob of an Italian father and a ditzy nutcase of a Jewish mother, he's ridiculed and looked down upon by his friends, hypocrites who run with violent gangs and the Italian Mafia, and a shallow Black girl who makes her living downtown with the pimps and pushers. The cartoonist gets a chance to pitch a film idea to a movie mogul, but the story proves too outrageous: a far-future Earth, depleted by war and pollution, where a mutant antihero challenges and kills God.
In stop-motion animation, a wardrobe moves through the countryside. It arrives in a house, a child's voice recites Lewis Carroll's "Jabberwocky," and various objects, such as toys and dolls, move about, disintegrate, and play out archetypal scenes. Like Carroll's verse, the images are at once familiar and unfamiliar. A child's play suit, hanging in the wardrobe, becomes the adventure's protagonist.
Heart set on becoming a princess, Lisa Simpson is surprised to learn being bad might be more fun.