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The film is about the area surrounding Sewoon Market which is destined to disappear due to the Seoul city’s environmental policy. The dark, empty alley and shop sign lights reflected on the camera lens show the present neglected in our silence.
a short film by Cho Inhan South Korea / 2019 / color / Stereo / 21min / super8
A 10-year-old girl doesn't want to go to school. While wandering around the playground, she comes across an elephant. Not knowing whether it's real or a fantasy, she follows it and takes a ride on a paper-boat bus to someplace else.
This film has a form of dance films. It is not because most of the images of the film show dancing, but because the film seeks for the relationship between movements. The images recorded by video cameras were transformed to films, and the films became my material for this film. I tried to read the possibility of movement from stationary motions in each frame with stationary pictures. Then I connected and related them with movement when finding new relationship. This film is a dance film in that it tries to make images of the implicit meanings of symbolic and abstract movements in dancing and the emotions and memories of dancers.
Images are made between the frames in film screening but they are made by the combination of 1 or 0 (the binary system) in digital display. I wanted to organize the film frames by using the digital signal system. I gathered ON/OFF images from the LED lights blinking on streets of Jongro in night time and I manipulated them. I made the QRcode out of the serial of the black and white frames. If the digital device detect the code, it opens the webpage which has the video of the film screening. For this self-referent sequence, I intended to convey the concept of indivisibility between analogue and digital that digital has originally born form analogue.
The boxer is knocked down, but the filmic image keeps going and going. And the filmic image is conscious of something.
There is always existence of contradiction between truth and lie of dichotomy situation. The dichotomy situation tries to develop and resolve in collision and opposition. I will try to show the dichotomy situation with my body figure.
The Choreographer and filmmaker have collaborated on the work under some rules. 1. To structuralize the movements such as behaviour, pose and gesture of the commonplace. 2. No to emotion. 3. No to style. 4. To study the condition of secrets to place the body. 5. Direct demonstration not depiction. 6. To equalize the strength of movements. 7. To ensure the initiate of movements independently that does does not contribute to the representation. We did shoot during the day, and collect the images of ordinary landscape without intention. Projecting the inappropriate images of reality in juxtaposition with side by side would lasts as the form where might be acquaintance rather than the image of metaphor.
‘Wall Rally Drill’ is the third in his film series, preceded by ‘Lifting Barbell’, which was part of “New Skin: Modeling and Attaching”, and ‘Soulseek/ Pegging/ Air-Twerking’. ‘Wall Rally Drill’ begins with the artist’s reflections on the intersections of the actual and the imagined in the aftermath of his breakup, over the Internet, with his long-distance girlfriend. The film “imports” an actual building, Lotte World Tower, into a 3D space. The windows of the building are erased and covered up, injecting a sense of the strangeness of a pseudo-reality. The accretion of reflections on the building’s glass exterior, including the glass of another building and countless other images, prompts thought concerning where existence takes place.
Kang Da-eun and Nam Da-eun have the same last name, different last names, but the same name. The more one side faces oneself and the other, the more the relationship begins to shake.
Four musicians will be asked to be the protagonist of a new documentary film, Jung Hoon, who was producing live music contents one day. They get involved in making movies without thinking about it.
A documentary about the lives of people suffering from the evils left by cement factories and their lonely struggles. Ipseok Village in Songhak-myeon, Jecheon-si, the hometown of Cheongpung Myeong-wol, was a beautiful neighborhood. However, when a huge cement factory was built 50 years ago, a big change in the lives of the villagers takes place. For a long time, the number of people suffering from diseases such as pneumoconiosis has increased due to the dust and harmful substances emitted by the factory, and no compensation for damages has been made. The movie shows various perspectives and aspects such as the vivid testimonies of the victims, the scene of the incident from the resident briefing session to the National Assembly debate, and the conflict between migrants and victims.
A woman who broke up with her lover can't accept the situation and runs away. She feels like the world is falling down around her. With her mind empty, it begins to snow as her memories pass by. Finally, she realizes that all the good and bad times were experienced together, and they are part of her memories. As she begins to accept her separation, time starts to flow once more.
A girl who has just started falling in love wakes up in the morning, dresses up flowers, and goes to meet her boyfriend with excitement.
Jun-seok and Jong-jin, who are photographers, are close friends. The day of filming an underwear commercial is a vital energy for them, and Jun-seok often spends a strange time working with Seon-joo as an underwear model, but Jun-seok asks Jong-jin to find a model with big breasts. Jong-jin introduces Joo-hee, who was filmed the other day. Jun-seok likes C-cup Joo-hee, and Jun-seok gives Seon-joo the contact information of Jong-jin, who is looking for a leg model...
An incident occurs where the owner of Chwiui Battlefield, one of the four major battlefields of Gyeongseong, is brutally murdered in a closed room where no one can enter. The peculiar thing is that he was killed without any wounds or signs of poisoning. In a murder case without evidence, all sides of the opening department face difficulties in the investigation. So-baek Lee, a fortune teller from Shaolin Temple, under the orders of Master Bang, who was the teacher of Shaolin Temple, helps the enemy to investigate a murder case. Meanwhile, Lee So-baek and Jeok-palbang, who find out that the wanted criminal Yong-gu is using the lost currency on the battlefield, point to him as the culprit... Are they sure the culprit they pointed out is the real culprit? And will the mystery of a murder case without evidence or traces be solved?
An aspiring hair designer named Hye Ni and an unemployed candidate named Chang Gyoon have a chance meeting at the newly opened “Momo Salon!”
The four guardians of the earth and all the Jurassic Cops go out today to fight the attack of the Desvarians.
Dreamland Nature School, located in Mullae-dong, Seoul, provides an environment where children can run and play freely with their friends while taking children from 4 to 7 years old to a forest, vegetable garden, and playground not far from the city. Children of nature school find a play they want to immerse themselves in without any restrictions, and enjoy the time by challenging new play.
A curious little paper boy and a bouncy chipmunk live in a small planet in a fabric cosmos. One day, the boy sets off on a mysterious adventure as he pulls a strange ribbon while trying to find the chipmunk.
Se-hyeon and Jae-hyeok, married for three years, are a couple in their 30s who have no children yet. Se-hyeon, who Kwon Tae-gi came to visit, one day, at a reunion meeting, heard about a friend's private life and found a massage shop. He falls out of bed, startled by the embarrassing service he has experienced for the first time. Jae-hyeok, who felt sorry for Se-hyeon who had to wear a cast because of a wrist injury, asks him to hire a house helper for the housework, but the policeman he found is Kang-cheol, a house helper. Meanwhile, house helper 'Gangcheol' approached Se-hyeon from the beginning and was in charge of the massage on the day Se-hyeon's wrist was injured at the massage shop...
Ji-hee and Na-hee are older sisters. Her younger brother Na-hee is dissatisfied with her boyfriend's poor sex these days. After hearing this, Ji-hee, the older sister, makes a strange proposal to change partners. The next day, Ji-hee begins to actively listen to her brother's boyfriend. Meanwhile, Na-hee visits her brother-in-law's workplace, drinks together, and insists on going to a motel by car...
Sin-goo, a 40-year-old man who owns a shop, hires 20-year old Joon-seung to help him, and the two men end up sleeping together after a night of heavy drinking. As the two men grow closer to each other, they discover that Joon-seung is the son of Seong-ja whom Sin-goo is also dating. Attracted to both the mother and the son, what will Sin-goo’s happy ending be?
Minsu and Yuri go on a date, and naturally the story of marriage comes out. Returning to Yuri's house, she tells Jeong-hee about her marriage. However, she has a crush on Min-su, and she is shocked by Jeong-hee. In the evening she calls out to her friend Sung-hoon with me alone. She informs Sung-hoon that she is between the two of them, and she gets drunk. Seong-hoon, who has a crush on Jeong-hee, has an affair with Jeong-hee when she is drunk. The next day, Jeong-hee wakes up and falls into confusion, and she meets Min-su, who was just at home. Jeong-hee discovers the pleasure of her sex, and she becomes obsessed with Min-su little by little. Min-soo can't refuse Jeong-hee, and Seong-hoon finds out about it.
In this age, our future hides itself behind the outline of the present and is no longer visible, in the same way that Pikachu hides behind the flowerpot in the recent demo of Pokémon Go. Do we live in the past, the present or the future? Are we the back-up data of ourselves or data that is yet to be rendered? Every Smooth Thing Through Mesher, originally commissioned for the Gwangju Biennale 2018, is willing to raise these questions on a summer night waiting for a typhoon.
Kim Heecheon’s Lifting Barbells is a response to his father’s fatal bicycle accident on a street in Seoul, South Korea. Kim traces data collected on his father’s smart watch to reconstruct his last moments. Then, through letters to his girlfriend and images of Seoul, the artist narrates the complexity he faces—navigating the difficulty of his loss, being disaffected by society’s failures, and weighing the impact of technology on his daily life. Lifting Barbells is Kim’s first video in a trilogy that questions new technology and arbitrary distinctions between the “real” and “virtual” worlds we inhabit.
The hospitality division in Kochi Prefecture can't promote the beautiful nature in the area due to a strict rule by the prefecture government. Popular writer and Koichi area native Kyosuke Yoshikado (Kengo Kora) is appointed as a special envoy for tourism in the area. He then receives a recommendation to meet Seien, a former employee of Kochi Prefecture, who once hatched an unusual idea to promote tourism. Seien pushed forward a project to import pandas into the area, but lost his job because of that project. Meanwhile, hospitality division employees Fumitaka (Ryo Nishikido) and Taki (Maki Horikita) visits the tourist house which is run by Seien and his daughter (Megumi Seki). When they arrive, the daughter throws a bucket of water at them, still angry for the way her father was dismissed from his job. From there, a plan for the hospitality division is born.
A MUTV documentary about the career of South Korean footballer Park Ji-sung.
A wife and a husband who got married for 3 years, come to the lodge for a weekend trip.
An audio-visual critique of the world of IMMAMURA Shohei's films. The film talks about the master's films through the keywords of house, gaze, water, and train, and then begins to deal with Korea's modern history.
A lance corporal commits suicide in a marine camp. Seung-min, who was close to the dead marine, is sent to detention camp for charges of being a homosexual. After his time in detention camp, Seung-min returns to his camp, but is met with contempt and abusement. He sees a junior marine Yoon-ha, who is mixed race, also being discriminated by the other marines, and feels a sense of kinship.
When an unknown, half-human and half-beast monster appears and confuses the country, the Daemyung government tries to uncover the truth by infiltrating his brother-in-law Yong Sang-woo and Yeo-jeong-dang as prisoners on Eighthwang Island, where a monster experiment is being conducted.
Though he’s a troublemaker prone to argue with friends all the time, Jacob is inseparable from his besties Lucy and Noah. One day at a museum, while bantering with Lucy as always, Jacob gets lost and finds himself in a strange village by himself. Jacob’s journey home is accompanied by the Monkeyville Guide, who looks hardly trustworthy. Will they be able to escape Monkeyville, where only gold and pleasure are worshiped, and go back home safely?
A lament for things discarded and broken, remnants and ashes.
In the modern yakuza society where money is the top priority like corporations, young yakuzas of the Nakai sect, Shinobu and Yamamoto, still value loyalty over practicality and are ferocious men who wield power recklessly. After a while, they invade the business premises of the opposing group and wield violence. The boss of Nakaipa, who was displeased with this, fires them and vows revenge...
Jongha goes to the bank and finds out that his bank account is cancelled due to his death. He goes home, falls asleep, and wakes up in a strange place where the music of Debussy and Miller are rampantly mixed.
Korean erotic softcore movie
In the middle of the night, the two of them climb a mountain precariously, relying on a lantern, to exchange news about their grandmother who has dementia and their drinking mother. walking in depth. What will the two of them see at the end?