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Experimental film by Yosuke Okawado.

8mm film by Yosuke Okawado.

8mm film by Yosuke Okawado.

Camera and film inter-relate: the camera is massaged by the film at 24 frames per second, the film is massaged by the camera.

8mm film made in 1982 by the Bunkyo University Film Research Club.

8mm film made in 1980 by the Bunkyo University Film Research Club.

Experimental short by Yosuke Okawado.

Experimental short by Yosuke Okawado.

Experimental short by Harumi Fujii.

Experimental short by Harumi Fujii.

Experimental short by Harumi Fujii.

Experimental short by Harumi Fujii.

A short film about fire safety with a twist involving an alien in his spaceship working with the neighborhood kids.

experimental film by Nakatsuka Hiroko + Hayashi Go + Mochida Akemi,

Potomas the Hippo has a secret-he can speak like a human being, but only the young kids Maki and Toshi realize it. He also wears a bright green T-shirt with a giant letter "P" on it, but this is supposed to be nicely inconspicuous. Momentarily forgetting to keep quiet, Potomas speaks to a child he has just saved from drowning. Rumors soon spread about a talking hippo, and Potomas is forced to go on the run.

A slapstick OVA featuring super deformed members of the Shinsengumi members.

When you shoot incandescent light in daylight, the image appears blue. To compensate for this, you put an amber filter on the lens, but if you remove the filter from the lens and move it away from the camera, you will see two areas of different color temperatures. A series of photos was taken while rotating the filter around, and the area inside the filter becomes distorted as the shutter speed slows down.

The suspense is about a wife who has killed her old lover who is pressing her to get back together with him, and a daughter who is clairvoyant and can see through her own mother.

Ichioka Sanae's charming short animated piece.

Erotic-drama distributed by Nikkatsu for home video.

Erotic-drama distributed by Nikkatsu for home video.

In fall of 13 Tenpo, the task of capturing an evil thief Nagareboshi is given to Okinu and her detective father Zinkichi. This stirs into motion a conflicts between Nagareboshi, Okinu, and the mysterious Amataro... which is related to the treasure and mystery hidden in the Shogi valley.

Different Hells, Different Trips.

Give children a rich emotional education! This animal video was born out of this desire.

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Making-of the film realized by the students of the Osaka Municipal High School Film Study Group.

An 8mm study on the synchronization between image and sound.

Floor of Vanishing was a work Matsuzawa Yutaka presented in a cobblestoned square in Middelburg, the Netherlands square in August 1980, and this video documents the Human Extinction ceremony Matsuzawa performed along with the unfurling of a banner. In this film, Matsuzawa appears highly energetic as he unfolds the pink Banner of Extinction and inscribes on it with a brush: “Humans, Let’s Vanish, Let’s Go, Let’s Go.” The film was shot by Matsuzawa’s eldest daughter Kumiko, who accompanied him on many overseas trips.

Short animation by Reiko Yokosuka.

This U-matic video incorporates a number of frequent images from Wada's oeuvre: a camera advancing down a colonnaded pedestrian walkway beneath an elevated train line, the figure of a woman with her back to the camera retreating down a street toward a vanishing point by walking or running, and various seascapes. These scenes are spliced together in seemingly random order, sometimes inserted into each other or reshot through close-ups of video monitors. At times the footage is so heavily mediated and re-mediated that images blur into shadow and light, disappear into CRT phosphor dots, or shift hues and patterns from oversaturation and noise. A soundtrack by Hideki Yoshida accompanies the entire sequence, featuring echoing electronic patterns and long tones interspersed with ambient sounds of traffic and beachfront waves. This work was first screened at the Worldwide Video Festival in the Kunstmuseum Den Haag, the Netherlands, in 1986.

As the earnest narration at the beginning of the film suggests, this is a film that, in a nutshell, looks back on a page of my youth at university by revisiting the few sculptures I made during my two years there. However, the viewer gradually realises that the narrative and the simplicity of the setting are in fact a cynical gag. This is a unique short film that is at once infinitely endearing and profound.

A barefoot boy with frightened eyes. He wanders the streets, rides the bus, and wanders the fields without speaking. In the passing landscape, he sees red balloons, deer heads, puddles of blood, the Japanese flag, the Old Testament, an old man...Then, with a gunshot, he collapses. In this film, the boy's closed mind to the outside world is painstakingly portrayed through a variety of images, and his sincere feelings are quietly conveyed.

Suddenly, there is a huge explosion and the world is destroyed. The story unfolds without any context and ends with a bang. 7 minutes of parody, clever use of frame dropping, and pop laughter.

A woman who models hands is suddenly kidnapped and her right hand is amputated by a mad scientist who wants to take the beautiful hand for himself. When the scientist's assistant realises that the woman will die if he leaves her alone, he takes steps to save her... In the end, the film ends up as a profound love story. The film ends with a profound love story. The filmmaker's attention to detail and taste is astonishing.

There is a nationwide epidemic of "the symptom of running through time", in which a person's body suddenly begins to flash in and out of existence, becoming faster and faster until it finally disappears. As a countermeasure, the high school's health club started a daily treadmill exercise program to encourage regularity. This film is a sincere question by the 17-year-old filmmaker about the meaning of his own existence and the society in which he lives.

Two faces, in fact two silhouettes, are outlined against a monochromic background. They nod, interchange, underline their soundless talk with gestures of the hand. The gesticulating hands contribute to the communicative role ‘breath’ plays

Experimental work by Isao Yamada (Color, 8mm).

Two girls walk down a snowy street on their way home from school. They are residents of "Mahoroba," a place hugged by mountains and sheltered by snow. Winter, the girl in the grey coat, freezes her fingers in the falling snow to make a cold white tower. The girl in the yellow coat, Spring, is staring at her from a little distance. The winter girl in love with the snow is forever innocent. She will remain closed and eventually die. The girl in spring is saddened by this and destroys the winter girl's "mahoroba". The winter girl learns that she cannot resist the changing seasons. The day of adulthood is coming, but the innocence of Winter's youth prevents her from degrading herself, even to the point of death. The spring girl hugs the winter girl's shoulder. The colour of red blood can be seen through the cheeks of the girls. This is the beautiful myth of the girl's misery. Mahoroba, caged in the snow, will eventually be forgotten one day. Somewhere, the birds of spring are singing.

A melodramatic love fairy tale about a man and a woman in love who are separated after graduating from high school, one in Tokyo and the other in Nagoya. They search for each other amid various incidents such as incest, unemployment, and an encounter with a celestial maiden. The story is a melodramatic love fairy tale. The dialogues, tools, and ideas are all deliberately fake, but the fact that the entire film is dedicated to this makes it even more compelling. The space-fantasy ending is also enjoyable, as the nymph who fails to separate the two lovers and win the man bursts her beloved earth like a balloon, and the two become the creatures of a new planet. The original theme song by the two in a musical duet over the scenery of the new planet at the end is a highlight of the film.

It is late autumn in Kyoto. A woman who is about to graduate and become a teacher in her hometown and a young man who has been offered a job at a publishing company in Tokyo begin to think seriously about their future together. Then she meets again a young man who has a secret crush on her. Through various conflicts, they come to a conclusion... This authentic melodrama skillfully depicts the psychological twists and turns of a group of young people at a turning point in their lives, set in the tranquil and emotional landscape of Kyoto.

In this work performed in 1976 (edited to a video work in 1981), Imai flashes a strobe light directly at the audience seated inside the auditorium in the KBS Laseirum Center in Kyoto and photographs their reaction with his camera. The audience who had expected to see a moving image projected on the surface of a dome-shaped screen on the ceiling is submerged in the dark for the first few minutes. They are left to listen to the recorded sound of a heartbeat and the metronome set to the rhythm of 6/8 time. The sudden eruption of the strobe light as Imai presses the shutter of his camera synchronized to the ringing sound of the metronome brings out diverse reaction from the audience: some cover their eyes with their hands or the pamphlet, while others directly look at the camera and strike some funny poses.

Short 8mm film by Hiroyuki Hakamata

A 3-minute special telling the origin of Kitaro and his powers.

『兆』Omen 1988/13min

Over the Threshold is about intermarriage between Japanese and Westerners. The filmmakers are a husband and wife team who met during their studies at Britain's National Film & TV School in London. The film documents their first visit to Japan together, during which husband Tezuka introduces his non-Japanese wife to his family (his father coincidentally was the creator of the cartoon series Astro Boy). The point-of-view is largely that of the 'outsider', and much of the film is devoted to her attempts to find out what it means to 'fit in' in Japan. At a deeper level, the film amounts to a socio-cultural study of a Japanese family, who seem to adapt surprisingly well to having a 'geijan' or foreigner in their midst. This aspect is strengthened by the incorporation of interviews with other Western women who have married Japanese husbands.

8mm film by Ohtani Jun

This unusual romantic film takes a documentary-like approach to depicting a breakup that unfolds over the course of just two train stops. The narrative time aligns exactly with the film’s real time, and the restrained direction, free of elaborate camerawork or unnecessary music, draws the viewer directly into the scene. Its raw, realistic sense of melancholy leaves a lasting emotional impression.

The relationship between the Film Research Club and the Creative Dance Club goes back quite a long way. Members of the dance club appeared in several films (Ki ni Shite Champon, In the Summer of the Third Year, and others), while the Film Research Club regularly handled the lighting for the Creative Dance Club’s annual university festival performances. It was a mutually beneficial partnership.