Cinemassage

An urban office worker finds that paper airplanes are instrumental in meeting a girl in ways he never expected.

A photographer takes up newsreel shooting to impress a secretary.

In Lincoln City, 4% of people have extraordinary abilities. Most live below the poverty line, under the close surveillance of a heavily militarized police force. Taylor, a construction worker with powers, is forced to fight after committing a misdemeanor…

A young man is plunged into a life of subterfuge, deceit and mistaken identity in pursuit of a femme fatale whose heart is never quite within his grasp.

In New York City, an insolent pickpocket, Skip McCoy, inadvertently sets off a chain of events when he targets ex-prostitute Candy and steals her wallet. Unaware that she has been making deliveries of highly classified information to the communists, Candy, who has been trailed by FBI agents for months in hopes of nabbing the spy ringleader, is sent by her ex-boyfriend, Joey, to find Skip and retrieve the valuable microfilm he now holds.

A cafe owner discovers that the TV in his cafe suddenly shows images from the future, but only two minutes into the future.

A group of teens discover secret plans of a time machine, and construct one. However, things start to get out of control.

Moshimo, Japan. The annual fireworks festival is about to take place and a group of schoolboys, arguing over whether they are round or flat when viewed from different angles, set out to find it out.

Since the invention of cinema, the standard format for recording moving images has been film. Over the past two decades, a new form of digital filmmaking has emerged, creating a groundbreaking evolution in the medium. Keanu Reeves explores the development of cinema and the impact of digital filmmaking via in-depth interviews with Hollywood masters, such as James Cameron, David Fincher, David Lynch, Christopher Nolan, Martin Scorsese, George Lucas, Steven Soderbergh, and many more.

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?